Welcome to The Story & Craft Podcast!
April 11, 2025

Tone Bell | Comedy, Family & Staying Thirsty

Tone Bell | Comedy, Family & Staying Thirsty

On this episode of The Story & Craft Podcast, we sit down with actor and comedian, Tone Bell from the Netflix series “Survival of The Thickest”, as well as projects such as the film Trigger Warning with Jessica Alba and the Kathy Bates comedy series, Disjointed. Tone shares insights about his journey from growing up in Atlanta, Georgia, to becoming a successful stand-up comedian and actor. We talk about the challenges and joys of touring, his early influences, and his deep love for stand-up, as well as his experiences on television and in film. We also discuss the significance of his family and how personal experiences shape his comedic storytelling.

SHOW HIGHLIGHTS

01:51 Tone Bell's Journey to Austin

05:15 Comedy Beginnings and Inspirations

07:36 The Realities of Touring as a Comedian

13:30 Comedy Styles and Influences

17:33 Family and Personal Life

21:42 Transition to Acting and Comedy

22:14 Theater Experiences and Challenges

24:40 Television Aspirations and Family Influence

26:38 College Days and Early Career

29:56 Acting Roles and Collaborations

33:16 Personal Reflections and Future Plans

33:47 The Seven Questions

Listen and subscribe on your favorite podcast app. Also, check out the show and sign up for the newsletter at www.storyandcraftpod.com

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#podcast #ToneBell #SurvivalOfTheThickest #TriggerWarning #Disjointed #Netflix #MichelleButeau # JessicaAlba #KathyBates #Actor #Acting #storyandcraft #Comedy #Comedian

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Tone Bell: And I was like, I

gotta live like Ashton Kutcher.

 

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At some point, I gotta have that

Eddie Murphy apartment where just

 

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it is open and the bed kind is on a

pedestal, and it's just, it was sexy.

 

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Announcer: Welcome to Story and Craft.

 

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Now here's your host, Marc Preston.

 

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Marc Preston: All right, here we go.

 

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Another episode of Story and Craft.

 

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How are you?

 

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I'm Marc Preston.

 

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If this is your very first episode.

 

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Thank you so much for stopping by.

 

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Uh, if you've been here

before, welcome back.

 

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It is greatly appreciated.

 

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Uh, today sitting down with comedian

and actor Tone Bell, he is on

 

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the Netflix show, survival of the

Thickest, along with Michelle Boutou.

 

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Uh, the new season just came out.

 

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Uh, he was also in a cool show, a comedy

on Netflix called Disjointed With.

 

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Kathy Bates, it was out a few years ago.

 

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Also, he was in the film, uh, trigger

Warning recently, the, uh, Netflix

 

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movie with Jessica Alba, as well as

the United States versus Bill Holiday.

 

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Tone is a funny guy, talented,

and, uh, really a pleasure

 

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sitting down talking with him.

 

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Hey, uh, do me a favor.

 

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If you would pop on

over to Story and Craft.

 

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pod.com/rate.

 

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The reason why if you pop on over,

you can leave a review, leave

 

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stars, whatever, have you, uh,

helps people to find the show and.

 

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And the mischief I've got going on here.

 

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Uh, make sure to follow story and craft.

 

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That way you get notified every

time there is a new episode.

 

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Uh, it is greatly appreciated.

 

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Now let's jump right into it.

 

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Today is tone bell day

on story and craft tone.

 

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Where you join me from today.

 

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Tone Bell: Uh, Manhattan.

 

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I'm right by Central Park man.

 

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I love great view, best view I've

ever had in a, in a, uh, hotel.

 

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In New York.

 

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Marc Preston: So you're, you're there,

uh, vacationing, working something

 

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that's not your home base right now?

 

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No, no, no, no.

 

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Just out here doing a

little work right now.

 

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Uh, where do you call home and where,

where's home originally for you?

 

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Tone Bell: Home originally, Atlanta,

Georgia, just outside Decatur,

 

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Georgia, east side of Atlanta.

 

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Um, and, uh, most of my underwear is in

Austin, but I split time between LA and,

 

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and Austin, Texas for the most part.

 

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Marc Preston: Alright, well, very cool.

 

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Hey, I'm not too far south of you.

 

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I'm down in, uh, south Padre Island, so

 

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Tone Bell: Oh yeah.

 

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Marc Preston: I need, I

need to get up to Austin.

 

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I, I was just speaking with, uh, chef, uh,

uh, Ben Ford recently, and I was like, you

 

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know, we were, we're talking about how.

 

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Where, where to eat in Austin.

 

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I said, you know, the one place I've never

eaten, I've tried, I can never get through

 

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the line, is, uh, Franklin Barbecue.

 

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I haven't had a chance

to get in there yet,

 

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Tone Bell: man.

 

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Franklin, I mean, that line, man,

that line has been around the corner

 

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since, uh, since, because they're

only open for a couple hours a day

 

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and then they sell out everything.

 

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So I haven't been yet.

 

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I have not been, uh, I wanna

say, what's the other one?

 

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Uh, Terry Blacks is the other one.

 

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I, I know somebody at Terry

Black, so I can get in there, but

 

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that's, that's also a crazy line.

 

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Marc Preston: Now I can say I know

somebody who knows somebody at Terry

 

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Blacks, so I can get in that way.

 

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Yeah.

 

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You know?

 

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So, so how did you get down to Austin?

 

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How was that a, how was that destination?

 

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I know a lot of folks are

relocating down there.

 

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Tone Bell: Yeah.

 

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I mean, I went, I, I, I always

knew I was gonna go to Austin.

 

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I used to live in Dallas.

 

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I used to have a, um.

 

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I was corporate for a while, so, so I

worked in Marceting and advertising for

 

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Anheuser-Busch for, for about seven years.

 

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And, um, a lot of friends and

one of the guys that I trained

 

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used to live down there.

 

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So I, uh, I would go down on weekends

and like for meetings and stuff, and

 

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I just loved the city, so I knew when,

when my time in LA my full-time in

 

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LA was up, I knew I was gonna move to

Austin and then, then it turns out.

 

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Over a decade later, the, the

comedy boom happened there.

 

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So I mean, standup is,

is beautiful right now.

 

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It's beautiful.

 

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I, it's so much stage time.

 

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Great audiences.

 

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Marc Preston: Uh, I

 

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Tone Bell: love it.

 

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Marc Preston: Plus South by Southwest,

I think kind of infuses the city with a

 

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lot of, you know, it's a, it's a pretty

sophisticated place when it comes to,

 

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you know, live venues and stuff like

that and activity and, uh, oh yeah.

 

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But yeah.

 

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Where, where in Dallas did you live?

 

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'cause that's actually my home.

 

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My hometown is originally Dallas.

 

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Tone Bell: Oh, yeah.

 

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Okay.

 

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Well, you know exactly

what I'm talking about.

 

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The, uh, uh, I moved to Dallas

in like 2006, maybe seven.

 

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And, uh.

 

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I always remember that.

 

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I don't know, I had that

when I was growing up.

 

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I had that, um, that idea of living,

like one of the guys I would see in

 

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movies that just had like that open

floor playing loft for the exposed

 

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brick wall and the pipes, and I was

like, I gotta live like Ashton Kutcher.

 

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At some point I gotta have that Eddie

Murphy apartment where just it is open and

 

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the bed kind is on a pedestal and it just,

it was sexy and you kind of see the city.

 

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So I live right downtown, man.

 

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I was at, um, Maine in Acker, right across

from that, you know, oh, the Marcus.

 

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Marc Preston: Main in Acker.

 

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Is that, is that where that I

think they used to, is that the

 

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place that used to be a bank?

 

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It was a higher, you know,

there's a place there used to,

 

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Tone Bell: it was, that's a,

that's a couple doors down.

 

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Marc Preston: Okay.

 

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Okay.

 

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It's like used to be a, that's

first National Bank of Dallas.

 

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Yeah.

 

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Had a friend of mine who, uh, who

used to, who used to live there

 

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and she, and, and they had that

stained concrete floor, the highest

 

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ceilings, you know, a lot of window.

 

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It, it was the.

 

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I don't know what Ashton

Cher's place looks like to me.

 

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It was pretty swank.

 

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I was, I was a suburban kid.

 

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I, I lived up in Richardson.

 

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That was where I, you know,

I was a North Dallas kid.

 

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So there was this boom where all this,

uh, a lot of folks were heading down

 

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to, uh, uh, like the uptown area.

 

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It became a real.

 

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What they call 'em, yuppies.

 

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I don't know if that phrase

anymore, but yeah, that's who

 

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was where it was all happening.

 

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But I was a suburban kid.

 

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You, your underwear is in Austin,

but you're traveling, uh, so you,

 

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you're doing the, uh, comedy thing

and the acting thing, but I gotta

 

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know, it's always the what came

first, chicken or the egg, you know?

 

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Did the comedy thing kick off

for you first or were you kind

 

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of in the performance thing in

school and whatever have you?

 

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Tone Bell: Uh, was kind.

 

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I mean, you know, if we, if we gonna go

way back, I'll tell you the fir, my first

 

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time on television, I was, I think 12,

I was on this kids kind of sketch show

 

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on, uh, public asset at public access

TV called, uh, called Kids Barn back in,

 

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um, I mean, shoot, wait, like 94 93 9 4.

 

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And, uh, so I mean, it was always comedy.

 

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And then, uh, in high school,

got into sketch comedy through.

 

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Um, like my high school, the

actual high school I went to

 

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and the church I was going to.

 

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And so I did stand up probably

three or four times in high school.

 

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And then I knew some comics I would

go see, I mean, I was 15 or 16

 

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going to see earthquake and um, I.

 

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And, uh, um, Bruce,

Bruce and DL Hug League.

 

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'cause they used to play at

this little bar down the, uh,

 

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down the street from my house.

 

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And

 

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Marc Preston: my mom's

friend was sleeping.

 

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Yeah, Atlanta had a, Atlanta always had

that, had a big scene going on in comedy.

 

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A lot of people came Oh yeah.

 

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Out of there.

 

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Yeah.

 

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Or at least, or at least they came

of, they cut their teeth in Atlanta.

 

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Tone Bell: Yeah.

 

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And then, I mean, then I got to college

and I was doing theater and some short

 

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films and some, uh, student films.

 

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And then I was hosting events

and all that kind of stuff.

 

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And then.

 

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Uh, you know, a day job will really throw

a monkey wrench in your dreams sometimes.

 

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So, yeah.

 

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Uh, just not letting you live how you,

how you, you know, but you also have to

 

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eat and wash, so that's always important.

 

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And so, but it was kind of like, I,

I tried to do a play when I got to

 

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Dallas and that timing of not knowing,

you know, what events I was gonna

 

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have to be at or travel for work.

 

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So I couldn't really commit to that.

 

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And then it was kind of, kind of synergy

of like, okay, I want to be on stage

 

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and I want to be funny, but also I

need to do this on my own schedule.

 

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And so really kind of started as

a hobby of, of how to get out and,

 

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and kind of do my own thing and

not be on someone as a schedule.

 

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I. And that's where standup came from.

 

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Marc Preston: Well, I think as a

performer you gotta have that freedom of

 

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kind of doing it on your own schedule.

 

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I think some people it's 'cause

you know it's gonna work for you.

 

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You gotta, you gotta fi you gotta

find your own path, you know?

 

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And it may not make sense to other

people, but, uh, but yeah, that, that

 

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makes all the sense in the world.

 

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I mean, you as a comedian, did

you, uh, do you enjoy the tour

 

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thing or do you like kind of like.

 

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Having kind of being where

you're performing or do

 

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you like being on the road?

 

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Tone Bell: Yeah, I mean, I tell

you what I mean, I'm 17 years into

 

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comedy now and, uh, you know, it was

exciting when I realized I could,

 

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I, oh, like, oh, I'm gonna have

a career at this, which is nice.

 

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Like it wasn't just, you

know, popping on stage.

 

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And, and, and you know, I'm out of

the open mic scene and I'm starting

 

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to tour and it was very exciting for

the first probably seven to 10 years.

 

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And man, let me tell you, I

can't stand the travel now.

 

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It is a gift and a curse.

 

202

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I mean, just pack.

 

203

00:08:11,625 --> 00:08:15,734

I mean now I, man, I got a uniform

now and, and a couple older comics

 

204

00:08:15,734 --> 00:08:18,555

told me at one point, they're like,

you gonna stop going shopping?

 

205

00:08:18,854 --> 00:08:20,745

You gonna figure out what you

like to wear on stage and you

 

206

00:08:20,745 --> 00:08:21,885

gonna pack that every weekend?

 

207

00:08:22,424 --> 00:08:23,474

And that's what I do now.

 

208

00:08:23,474 --> 00:08:27,284

And, and I mean, I, I love when

I'm on the stage, but getting

 

209

00:08:27,284 --> 00:08:32,475

there is, is a, is a sometimes not

the, not the easiest to, to, um.

 

210

00:08:33,690 --> 00:08:35,430

To get, you know, to be mo motivated in,

 

211

00:08:35,670 --> 00:08:38,610

Marc Preston: I imagine it's a younger

man's game to a degree, and it becomes

 

212

00:08:38,610 --> 00:08:40,980

a real job as you get a little bit

older, but you know what you're doing.

 

213

00:08:40,980 --> 00:08:43,050

So I guess it's kind of a trade

off, you know, you're a little more

 

214

00:08:43,050 --> 00:08:46,920

seasoned as, as, uh, as a guy that's

got some miles under his wheels.

 

215

00:08:46,920 --> 00:08:50,130

But do you have a preference

for like, working at clubs

 

216

00:08:50,130 --> 00:08:51,270

or do you have aspirations?

 

217

00:08:51,270 --> 00:08:54,120

You, I always wanted to do like,

I mean, to the far end, like a big

 

218

00:08:54,120 --> 00:08:56,850

arena show or, you know, what, yeah.

 

219

00:08:56,850 --> 00:08:58,920

What, what kind of aspirationally,

you know, did you start

 

220

00:08:58,920 --> 00:09:00,480

off wanting to do and, and.

 

221

00:09:01,064 --> 00:09:02,594

Kind of right now, what are you like?

 

222

00:09:02,594 --> 00:09:05,265

Okay, this to me is success

when it comes to comedy.

 

223

00:09:05,564 --> 00:09:09,974

Tone Bell: Man, I hit, I hit a lot of 'em

early, which I did not think was possible.

 

224

00:09:10,155 --> 00:09:13,964

Uh, I thought it was gonna take a lot

longer, but, uh, yeah, I mean, you know,

 

225

00:09:14,204 --> 00:09:17,745

I look at it now where I think I'm in the

next few years of, of getting into that

 

226

00:09:17,745 --> 00:09:20,354

theater space and I'm excited about that.

 

227

00:09:20,655 --> 00:09:22,305

And I mean, I love the clubs.

 

228

00:09:22,694 --> 00:09:25,245

It does get exhausting sometimes

when, you know, some clubs are

 

229

00:09:25,245 --> 00:09:27,224

like, we gotta do seven shows.

 

230

00:09:27,464 --> 00:09:29,474

You go to Vegas, sometimes it's 10 shows.

 

231

00:09:29,835 --> 00:09:33,495

Sometimes it's seven now I kind of

just do the Friday, Saturday thing.

 

232

00:09:33,495 --> 00:09:37,155

So I, I do love certain clubs in certain

cities, but it'd be nice to be able to

 

233

00:09:37,155 --> 00:09:41,925

go into a town, see it, go grab lunch,

get a restaurant recommendation, do my

 

234

00:09:41,925 --> 00:09:44,025

show at night, and then get the hell out.

 

235

00:09:44,535 --> 00:09:44,715

Yeah.

 

236

00:09:45,165 --> 00:09:45,555

Like that.

 

237

00:09:45,825 --> 00:09:47,415

Yeah, that would be very nice.

 

238

00:09:47,475 --> 00:09:51,075

I mean, I'm, I'm, I got a lot of friends

who moved into that space and the arenas.

 

239

00:09:51,075 --> 00:09:52,725

I don't know if my style fits arenas.

 

240

00:09:52,725 --> 00:09:55,185

I mean, if, we'll find out if it

does, I mean, we ever get there,

 

241

00:09:55,185 --> 00:09:59,085

then I, I'd be, um, you know, I'd

be excited to do that, but, but I'm.

 

242

00:09:59,505 --> 00:10:04,574

I think I'd love to, I mean, I've, I've

worked with a few people and, uh, I've

 

243

00:10:04,574 --> 00:10:10,215

gotten, you know, the 4,000 seater, the

2,500 seater, and that feeling is amazing.

 

244

00:10:10,215 --> 00:10:13,425

I mean, just hearing that laugh, roll

back to the back wall and then come back

 

245

00:10:13,425 --> 00:10:18,090

and you're like, oh, I can pause for like

12 seconds because this joke just hit.

 

246

00:10:18,090 --> 00:10:23,625

I mean, it's, it's, uh, that crescendo

of sound and laughter is, is, uh, it's

 

247

00:10:23,625 --> 00:10:23,985

Marc Preston: addictive.

 

248

00:10:24,270 --> 00:10:27,075

Like, how long does it take you to

kind of get to that point where,

 

249

00:10:27,075 --> 00:10:29,955

you know, you've said, okay, now I

got my, now I got my show locked in.

 

250

00:10:30,195 --> 00:10:32,745

How long does it take you to work

that out, to get to the point

 

251

00:10:32,745 --> 00:10:34,515

where you're, you're like, oh,

let's take this on the road?

 

252

00:10:34,725 --> 00:10:37,755

Tone Bell: Uh, yeah,

for everything usually.

 

253

00:10:37,755 --> 00:10:39,225

Usually I write pretty quick.

 

254

00:10:39,225 --> 00:10:41,775

That's only because most of 'em

are real stories about life.

 

255

00:10:41,775 --> 00:10:45,525

So if I tell it how I want to

tell it, the most stories, I mean

 

256

00:10:45,525 --> 00:10:47,835

anywhere between eight to 20 minutes.

 

257

00:10:47,835 --> 00:10:50,475

I got a story right now that's

25 minutes long if I tell it.

 

258

00:10:50,480 --> 00:10:50,560

Mm-hmm.

 

259

00:10:50,645 --> 00:10:51,735

The crowd is really locked in.

 

260

00:10:52,439 --> 00:10:54,540

One one bit is 25 minutes.

 

261

00:10:54,540 --> 00:10:58,319

So, uh, that takes about probably say,

six to eight months to really work

 

262

00:10:58,319 --> 00:11:02,189

out to where I'm comfortable and it

works everywhere, but I mean, an hour.

 

263

00:11:02,550 --> 00:11:03,270

Oh man, the show.

 

264

00:11:03,270 --> 00:11:05,490

It's, I mean, I'm still

playing with my new hour now.

 

265

00:11:05,579 --> 00:11:08,730

I mean, I'm starting to find new stuff

that I like that, you know, trims of

 

266

00:11:08,730 --> 00:11:10,230

fad and I get the point across better.

 

267

00:11:10,230 --> 00:11:14,280

So, uh, and I've been working on the

bones of this one for, I mean, I would

 

268

00:11:14,280 --> 00:11:16,170

say about two, two and a half years now.

 

269

00:11:16,515 --> 00:11:19,155

I probably could have shot something

a year and a half ago and I would've

 

270

00:11:19,155 --> 00:11:22,785

been happy with it, but now it's,

it is sharpening and, and, and

 

271

00:11:22,785 --> 00:11:24,405

it's, it is really feeling good.

 

272

00:11:24,405 --> 00:11:25,755

It's really feeling good.

 

273

00:11:25,964 --> 00:11:28,454

Marc Preston: Have you ever been in a

situation, I, I've always been curious

 

274

00:11:28,454 --> 00:11:31,305

about this, where you go somewhere

and something you do just kills.

 

275

00:11:31,305 --> 00:11:33,584

It's just like lights up the

room and everybody, and you're

 

276

00:11:33,584 --> 00:11:35,295

like, all right, this is perfect.

 

277

00:11:35,295 --> 00:11:36,824

I'm gonna use this wherever I go.

 

278

00:11:36,824 --> 00:11:39,495

This is gonna be like,

almost like a marquee thing.

 

279

00:11:39,645 --> 00:11:43,725

And then you go to another city,

another club, and it, and it falls flat.

 

280

00:11:43,750 --> 00:11:45,765

Has that ever happened to you

where you're like, wait a minute.

 

281

00:11:46,425 --> 00:11:46,545

Yeah.

 

282

00:11:46,545 --> 00:11:46,725

Last

 

283

00:11:46,725 --> 00:11:47,355

Tone Bell: weekend,

 

284

00:11:47,595 --> 00:11:48,285

Marc Preston: uh, where were you?

 

285

00:11:48,675 --> 00:11:49,185

Uh,

 

286

00:11:49,185 --> 00:11:50,415

Tone Bell: Winnipeg, Canada.

 

287

00:11:50,970 --> 00:11:51,600

Winnipeg.

 

288

00:11:53,100 --> 00:11:56,850

I mean, and uh, and look, I love

the Canadians and most of 'em

 

289

00:11:56,850 --> 00:11:59,160

were in, but I mean, even these

shows were set up different.

 

290

00:11:59,160 --> 00:12:01,800

I mean, I had never, uh,

worked a club like this before.

 

291

00:12:02,310 --> 00:12:04,650

Uh, 'cause the audience

is, is built differently.

 

292

00:12:04,920 --> 00:12:08,700

But yeah, I mean, sometimes man, you can

go to, I mean, you go to Salt Lake City

 

293

00:12:08,700 --> 00:12:12,150

and then you go to Phoenix and that's two

different, yeah, two different crowds.

 

294

00:12:12,780 --> 00:12:13,830

You just never know.

 

295

00:12:13,830 --> 00:12:17,220

I mean, majority of the time,

average, they, they all work.

 

296

00:12:17,220 --> 00:12:19,470

But yeah, sometimes also, like,

you gotta realize sometimes

 

297

00:12:19,470 --> 00:12:21,270

you, you mentally run outta gas.

 

298

00:12:21,270 --> 00:12:21,330

Yeah.

 

299

00:12:21,690 --> 00:12:24,960

Like if you've been, you know, like

you're not hitting it as well as

 

300

00:12:24,960 --> 00:12:27,600

you, you, like, you try to go on

autopilot and go, this should work.

 

301

00:12:27,840 --> 00:12:29,940

But if I don't give it the

same performance and the same

 

302

00:12:29,940 --> 00:12:31,740

nuance, then it might not.

 

303

00:12:31,740 --> 00:12:35,400

And sometimes the crowd is just not

in, I mean, I've had a opener probably

 

304

00:12:35,400 --> 00:12:38,100

I'm taking a new guy with me on the

road now, every now and then, and I

 

305

00:12:38,100 --> 00:12:41,700

mean, he's a killer, which I like,

'cause he makes me work harder.

 

306

00:12:42,450 --> 00:12:43,875

I. But I mean, he has such a good set.

 

307

00:12:43,875 --> 00:12:48,675

Probably three weeks ago that I was

upset before I went on, I was like, I

 

308

00:12:48,675 --> 00:12:49,875

should have just let you close the show.

 

309

00:12:50,880 --> 00:12:57,315

I was, I was exhausted and this

dude just got off stage and fucking

 

310

00:12:57,315 --> 00:13:00,315

murdered and I was like, I kind

of just don't even want to go up.

 

311

00:13:00,315 --> 00:13:06,075

And then I had a pretty good set, but the

show before that, I killed the next show.

 

312

00:13:06,075 --> 00:13:08,805

It was like, it was fine, which is fine.

 

313

00:13:09,795 --> 00:13:11,955

But, oh man, it just,

it was, it was rough.

 

314

00:13:12,405 --> 00:13:14,805

Marc Preston: Like, who was on the

Mount Rushmore when you were coming up?

 

315

00:13:14,805 --> 00:13:15,555

You're like, okay.

 

316

00:13:15,555 --> 00:13:19,065

When I see them, uh, you

mentioned Eddie Murphy apartment.

 

317

00:13:19,185 --> 00:13:21,525

You know, I know like if you're,

if you were to mention like at,

 

318

00:13:21,525 --> 00:13:23,145

let's say four or five guys or Yeah.

 

319

00:13:23,805 --> 00:13:25,965

Folks you looked at and go,

man, they cracked the code.

 

320

00:13:25,965 --> 00:13:27,465

That's my north star.

 

321

00:13:27,495 --> 00:13:29,505

Who, who would those people

be when you were coming up?

 

322

00:13:29,715 --> 00:13:30,405

Tone Bell: Coming up?

 

323

00:13:30,435 --> 00:13:33,975

Uh, I would still say, I would say

my top two are Carlin and Cosby.

 

324

00:13:34,545 --> 00:13:37,545

And we're talking about, you know, when

I fell in love with standup, I mean,

 

325

00:13:37,545 --> 00:13:38,655

it's nineties, early two thousands.

 

326

00:13:38,655 --> 00:13:40,665

I mean, Carlin Cosby, um,

 

327

00:13:41,025 --> 00:13:42,735

Marc Preston: Cosby is

more of a storyteller.

 

328

00:13:43,064 --> 00:13:45,525

You know, everything about Cosby

down the line and whatever have you.

 

329

00:13:45,525 --> 00:13:50,145

But back in the day, I mean, he, he

could take one story and make it last a

 

330

00:13:50,145 --> 00:13:51,944

while, but are you more of a storyteller?

 

331

00:13:51,944 --> 00:13:54,795

Are you more of like a quick

commentator kind of style?

 

332

00:13:54,795 --> 00:13:55,760

Where, where, where do you Yeah.

 

333

00:13:55,765 --> 00:13:55,844

More

 

334

00:13:55,844 --> 00:13:59,025

Tone Bell: of a storyteller, more

of a storyteller, uh, getting

 

335

00:13:59,025 --> 00:14:01,334

more into my personal life.

 

336

00:14:01,740 --> 00:14:04,620

Then I used to just tell stories kind of

out in the wild, like whatever happened

 

337

00:14:04,620 --> 00:14:08,280

to me on the subway, on the plane,

in the airport, at the grocery store.

 

338

00:14:08,280 --> 00:14:12,720

And now it's kind of my home life,

my neighborhood, uh, the wife, the

 

339

00:14:12,720 --> 00:14:14,310

family, all that kind of stuff.

 

340

00:14:14,760 --> 00:14:17,939

And I mean, but I do have anecdotes

that kind of, I'll drop in there of

 

341

00:14:17,939 --> 00:14:21,060

like a perspective that I might have,

but usually it's more storytelling.

 

342

00:14:21,060 --> 00:14:21,180

Gotcha.

 

343

00:14:21,570 --> 00:14:25,200

So yeah, that's why Cosby was always, I

mean, you know, one 30 minute bit or a

 

344

00:14:25,200 --> 00:14:30,090

bit that lasts an entire hour and he drops

like kind of little things in between it.

 

345

00:14:30,660 --> 00:14:33,180

Um, but I'm also a big

fan of Patrice O'Neal.

 

346

00:14:33,390 --> 00:14:33,480

Mm-hmm.

 

347

00:14:33,480 --> 00:14:34,890

I mean, you know, passed away years ago.

 

348

00:14:34,890 --> 00:14:41,370

But Patrice, I mean, just perspective

wise was, I mean, just, just a way to, uh,

 

349

00:14:42,210 --> 00:14:49,140

get people to, to, I mean, dig themself

a hole and then let you realize, I don't

 

350

00:14:49,140 --> 00:14:51,660

even agree with this, but holy shit.

 

351

00:14:51,660 --> 00:14:52,170

Is that funny.

 

352

00:14:53,640 --> 00:14:57,150

Marc Preston: Yeah, I mean, Carlin was,

uh, he, he was just a master wordsmith,

 

353

00:14:57,150 --> 00:15:00,630

like I heard somewhere that he wrote,

I mean, everything he did on stage

 

354

00:15:00,630 --> 00:15:03,420

was, was almost scripted, you know?

 

355

00:15:03,420 --> 00:15:05,670

It was pretty much, he

knew what he was gonna say.

 

356

00:15:06,210 --> 00:15:09,690

You know, I just, I know when I started

in radio years ago, you know, the, the

 

357

00:15:09,690 --> 00:15:11,310

words you can't say on radio, it was like.

 

358

00:15:11,579 --> 00:15:13,949

You know, Carlin was my educator on that.

 

359

00:15:14,099 --> 00:15:14,755

Oh, you know?

 

360

00:15:14,984 --> 00:15:15,275

Yeah.

 

361

00:15:15,584 --> 00:15:15,875

Tone Bell: Yeah.

 

362

00:15:15,895 --> 00:15:17,790

And I, I'll probably watch that.

 

363

00:15:17,939 --> 00:15:20,489

I'll probably watch that

bit every few months.

 

364

00:15:20,729 --> 00:15:22,050

Marc Preston: He never lost his edge.

 

365

00:15:22,079 --> 00:15:27,089

He was always dialed in and I think right

now he would be more contemporary than

 

366

00:15:27,089 --> 00:15:30,959

even he was back then if he was doing the

same act right now, ironically, you know,

 

367

00:15:31,140 --> 00:15:34,439

Tone Bell: I mean, I watched the hour

that he did a few months ago, and you go,

 

368

00:15:34,439 --> 00:15:37,229

it sounds like he wrote it a year ago.

 

369

00:15:37,830 --> 00:15:38,100

Yeah.

 

370

00:15:38,310 --> 00:15:39,900

I mean, it's still, it still all matters.

 

371

00:15:40,140 --> 00:15:42,840

I mean, nothing's changed

that much for, I mean, it's so

 

372

00:15:42,840 --> 00:15:43,950

poignant when he did it then.

 

373

00:15:44,460 --> 00:15:47,880

And I mean, just, I mean, just the,

just the scope that he had on the

 

374

00:15:47,880 --> 00:15:52,410

culture and society was amazing

and also hilarious in human nature.

 

375

00:15:52,415 --> 00:15:53,760

He, he kind of dialed that in.

 

376

00:15:53,760 --> 00:15:53,910

You

 

377

00:15:53,910 --> 00:15:55,740

Marc Preston: know, who right

now are you checking out?

 

378

00:15:55,740 --> 00:15:56,970

Who are you enjoying watching?

 

379

00:15:56,970 --> 00:15:59,250

Uh, uh, who's currently out there?

 

380

00:15:59,490 --> 00:16:00,390

Tone Bell: Man, that's hard.

 

381

00:16:00,390 --> 00:16:02,880

'cause I mean, you know, it's, when you

get into this, you know, you're, you're

 

382

00:16:02,880 --> 00:16:06,210

fans of people, then you kind of run

into 'em and then you become a peer.

 

383

00:16:06,300 --> 00:16:07,080

And so.

 

384

00:16:07,500 --> 00:16:11,880

Uh, really, I'm, I'm, I'm, I'm a big fan

of a lot, I would say friends of mine.

 

385

00:16:11,880 --> 00:16:15,689

I mean, I think, uh, even, I mean, my

wife was very mad at me last week for,

 

386

00:16:15,689 --> 00:16:19,590

for, we got in a good argument and I

knew because we're, we're trying to

 

387

00:16:19,590 --> 00:16:25,140

have a kid now, I knew that if I put on

Andrew Schultz special that she would

 

388

00:16:25,140 --> 00:16:28,590

love it, but she's so mad at me that

she'll try her best not to laugh at it.

 

389

00:16:28,710 --> 00:16:29,850

And that's exactly what happened.

 

390

00:16:30,569 --> 00:16:32,040

And it was, it was brilliant.

 

391

00:16:32,040 --> 00:16:34,230

I mean, I, she was trying to put

a pillow over her face to act like

 

392

00:16:34,230 --> 00:16:36,660

she was mad, but she was, I mean,

giggling all the way through it.

 

393

00:16:37,185 --> 00:16:40,694

Uh, so I think Schultz right now,

I'm, I'm, I love his evolution.

 

394

00:16:41,055 --> 00:16:43,635

Uh, Nate Tazi, love Nate.

 

395

00:16:43,694 --> 00:16:45,944

Ali Sadik, I think is hilarious.

 

396

00:16:46,425 --> 00:16:52,035

Um, uh, Kyle Kna, I just love how he,

he's a wordsmith to me and just, I mean,

 

397

00:16:52,035 --> 00:16:53,655

he kind of puts you in those shoes.

 

398

00:16:54,104 --> 00:16:55,395

Brian Simpson is really funny.

 

399

00:16:55,395 --> 00:16:59,084

I mean, a lot of people I see a lot

are that, I mean, they may not be

 

400

00:16:59,084 --> 00:17:01,905

doing Madison Square Garden all the

time, but they, but they're just really

 

401

00:17:01,905 --> 00:17:03,615

funny dudes and, and, and very unique.

 

402

00:17:03,615 --> 00:17:03,675

It

 

403

00:17:03,915 --> 00:17:06,255

Marc Preston: is funny you said that

your peers now, I think I was listening,

 

404

00:17:06,285 --> 00:17:09,075

I was checking out Marc Marin, who

I think is, does a great job with,

 

405

00:17:09,105 --> 00:17:12,585

with his, uh, show and he was talking

to WMAL Bell, I think, and they're

 

406

00:17:12,585 --> 00:17:14,895

talking about how like you work it out

in front of the audience, but then.

 

407

00:17:15,300 --> 00:17:19,560

You kind of want to go up on stage

with your peers, like super sharp.

 

408

00:17:19,560 --> 00:17:22,800

Like they're the ones ultimately you want

to, you don't want to be a dull knife like

 

409

00:17:22,800 --> 00:17:24,090

in the, in the room with them, you know?

 

410

00:17:24,090 --> 00:17:27,780

So it's, there's this whole

ecosystem or culture, sociology

 

411

00:17:27,780 --> 00:17:31,110

of, you know, working at the comedy

world that I'm kind of envious of.

 

412

00:17:31,110 --> 00:17:33,330

I mean, I'm only moderately funny at best.

 

413

00:17:33,335 --> 00:17:35,640

You out, you mentioned your wife,

like what, what does she do?

 

414

00:17:35,640 --> 00:17:37,620

Is she, uh, does she go

on the road with you?

 

415

00:17:37,620 --> 00:17:39,930

Does she have her own gig that

she's doing right now, or what?

 

416

00:17:39,990 --> 00:17:42,930

Tone Bell: Uh, I hope she works,

but, uh, and she has been on the

 

417

00:17:42,930 --> 00:17:44,490

road, but I hope she doesn't.

 

418

00:17:45,284 --> 00:17:48,165

Um, I like to leave her at home.

 

419

00:17:49,004 --> 00:17:52,080

Is, is what is, is, is, is fine.

 

420

00:17:52,725 --> 00:17:54,014

I prefer to leave her at home.

 

421

00:17:54,344 --> 00:17:58,004

Um, she does like to come to shows

and I mean, a lot of material,

 

422

00:17:58,004 --> 00:18:00,465

you know, whatever happens in

the house, she hears it first.

 

423

00:18:00,465 --> 00:18:03,915

So a lot of stuff, you know, as, as,

and I have to tell the audience this

 

424

00:18:03,915 --> 00:18:07,875

sometimes, especially when I'm working

out something new that, uh, my mom used

 

425

00:18:07,875 --> 00:18:11,745

to hear a lot of stuff first, that, you

know, we, we, my mom and I are very tight.

 

426

00:18:11,745 --> 00:18:12,520

We talk every day.

 

427

00:18:12,975 --> 00:18:14,655

And now we don't talk as much.

 

428

00:18:14,655 --> 00:18:18,675

'cause I have a wife now and so she

hears all of this garbage every day.

 

429

00:18:19,004 --> 00:18:22,065

And then she tells me

if it's funny or not.

 

430

00:18:22,095 --> 00:18:25,665

And the inverse happens if she thinks

it's funny, other people don't.

 

431

00:18:25,725 --> 00:18:28,605

If she thinks it's not

funny, other people love it.

 

432

00:18:29,595 --> 00:18:29,715

Really?

 

433

00:18:29,715 --> 00:18:31,335

And so like that, that's

kind like the style.

 

434

00:18:31,335 --> 00:18:31,695

Yeah.

 

435

00:18:31,695 --> 00:18:32,025

Oh man.

 

436

00:18:32,025 --> 00:18:33,165

If she's like, you shouldn't say that.

 

437

00:18:33,165 --> 00:18:34,995

I go, oh, well I gotta put that on stage.

 

438

00:18:35,145 --> 00:18:36,495

Marc Preston: You got

the decoder ring of Okay.

 

439

00:18:36,495 --> 00:18:38,800

If it doesn't work with her, it's

probably gonna work on stage now.

 

440

00:18:38,805 --> 00:18:39,225

Tone Bell: Now,

 

441

00:18:39,225 --> 00:18:41,055

Marc Preston: like you mentioned your

mother, like what, what does she do?

 

442

00:18:41,325 --> 00:18:41,655

Uh,

 

443

00:18:41,655 --> 00:18:42,825

Tone Bell: my mom,

well, she's retired man.

 

444

00:18:42,825 --> 00:18:45,285

She just retired, uh, after 30 years.

 

445

00:18:45,345 --> 00:18:46,485

I mean, probably 40 years really.

 

446

00:18:46,485 --> 00:18:51,675

But, uh, her last gig was the

director, director of the governor's

 

447

00:18:51,675 --> 00:18:56,325

off director for the Governor's off

office of Highway Safety in Georgia.

 

448

00:18:56,355 --> 00:18:56,385

Okay.

 

449

00:18:56,835 --> 00:18:57,795

So, um.

 

450

00:18:58,170 --> 00:19:01,440

Yeah, I mean, and honestly

my mom is really funny.

 

451

00:19:01,440 --> 00:19:04,470

She don't think she's that funny,

but everybody knows she's real.

 

452

00:19:04,530 --> 00:19:06,270

She's so funny, man.

 

453

00:19:06,840 --> 00:19:08,010

And my wife is getting funnier.

 

454

00:19:08,010 --> 00:19:09,270

Like she, she's really not.

 

455

00:19:10,200 --> 00:19:13,890

She, she's, she, she's, she's

lucky she has me, I'll say that.

 

456

00:19:14,610 --> 00:19:15,540

'cause her jokes are getting better.

 

457

00:19:15,540 --> 00:19:18,505

She's trimming paddle somebody

long, she's long story helping.

 

458

00:19:18,645 --> 00:19:19,560

So you're helping her raise

 

459

00:19:19,560 --> 00:19:21,810

Marc Preston: her bar basically, you

know, you're helping her to, you know.

 

460

00:19:21,810 --> 00:19:22,200

Yeah.

 

461

00:19:22,590 --> 00:19:24,540

Be her, be her fullest self, you know?

 

462

00:19:24,990 --> 00:19:26,040

Are your folks still around?

 

463

00:19:26,040 --> 00:19:27,090

I mean, your mother's still around you.

 

464

00:19:27,360 --> 00:19:28,170

Uh, what about your father?

 

465

00:19:28,170 --> 00:19:29,580

What was his, uh, vocation?

 

466

00:19:30,090 --> 00:19:30,480

Tone Bell: Yeah.

 

467

00:19:30,570 --> 00:19:33,330

Uh, my mom and dad's still

together, still around.

 

468

00:19:33,360 --> 00:19:36,780

Uh, he, he's kind of, nobody really

knows what he's doing right now.

 

469

00:19:36,870 --> 00:19:39,180

I mean, he kind of works,

but then kind of doesn't.

 

470

00:19:39,840 --> 00:19:45,420

Um, he's a, he's a, um, a civil engineer

and developer, and so he kind of, you

 

471

00:19:45,420 --> 00:19:49,710

know, he'll help you out with a parking

lot or, you know, a runway or a house or

 

472

00:19:49,710 --> 00:19:51,480

something if you need it, but only if he.

 

473

00:19:51,870 --> 00:19:52,740

My dad's one of those dudes.

 

474

00:19:52,740 --> 00:19:54,900

He is like, you got cash.

 

475

00:19:55,260 --> 00:19:55,680

Like, that's,

 

476

00:19:59,055 --> 00:20:01,950

my dad was like, I'll work, but not,

but I ain't paying no taxes on it.

 

477

00:20:01,950 --> 00:20:03,390

Like, if you got cash, I'll hook you up.

 

478

00:20:03,390 --> 00:20:06,270

But I'm not, I'm not, uh, I'm

not taking checks anymore.

 

479

00:20:06,840 --> 00:20:08,400

So yeah, he's kinda

working, but not really.

 

480

00:20:15,485 --> 00:20:18,300

Marc Preston: Were you an only kid or did

you have some, uh, siblings growing up?

 

481

00:20:18,780 --> 00:20:20,520

Tone Bell: Uh, only biological kid.

 

482

00:20:21,375 --> 00:20:25,845

I got, I got, I got some cousins and

um, and some, and some friends that

 

483

00:20:25,845 --> 00:20:29,085

are like brothers and sisters tell

me that, uh, that I've collected

 

484

00:20:29,085 --> 00:20:30,765

over probably the last 30, 40 years.

 

485

00:20:30,765 --> 00:20:35,205

Spent a lot of time hopping around

moving neighborhoods, moving schools.

 

486

00:20:35,550 --> 00:20:37,560

A lot of kind of building your

own, kind of, building your own

 

487

00:20:37,560 --> 00:20:40,230

Marc Preston: extended family, your,

your homemade family, you know?

 

488

00:20:40,560 --> 00:20:41,490

Yeah, yeah, yeah.

 

489

00:20:41,550 --> 00:20:42,090

So, yeah.

 

490

00:20:42,090 --> 00:20:45,720

But yeah, I was an only kid also and I

was wondering, did that kind of keep you

 

491

00:20:45,720 --> 00:20:50,100

in your head a little bit more, like,

you know, being creative in school and,

 

492

00:20:50,250 --> 00:20:53,310

you know, 'cause I look at different

actors have spoken with comedians.

 

493

00:20:53,310 --> 00:20:56,670

A lot of, you know, a lot of

them, either they were only

 

494

00:20:56,670 --> 00:20:58,050

kids or maybe they were like.

 

495

00:20:58,409 --> 00:21:01,530

The oldest, oldest kid or younger, you

know, it's where they were kind of still

 

496

00:21:01,530 --> 00:21:02,610

sort of on there doing their own thing.

 

497

00:21:02,610 --> 00:21:06,030

How did that influence, do you

think, uh, your creative trajectory?

 

498

00:21:06,030 --> 00:21:08,399

Tone Bell: I mean, I, I'll tell,

I mean, I think you know that, I

 

499

00:21:08,399 --> 00:21:09,570

mean, like you're on the radio.

 

500

00:21:09,570 --> 00:21:12,899

I mean, so obviously there's a need

to, to be out in front of people

 

501

00:21:12,899 --> 00:21:14,429

and, and have a, have a voice, right?

 

502

00:21:14,429 --> 00:21:16,590

I mean, so like, that's, that's

probably where you got it.

 

503

00:21:16,590 --> 00:21:18,330

I mean, that's where I got it,

is like, if I'm gonna have any

 

504

00:21:18,330 --> 00:21:21,030

attention with two working parents,

both probably have, I mean, both of

 

505

00:21:21,030 --> 00:21:22,740

mine had two jobs, a piece really.

 

506

00:21:22,800 --> 00:21:24,840

So it was like, all right, I'm

gonna attention from somewhere.

 

507

00:21:25,260 --> 00:21:27,000

You know, so, yeah, I

remember, I remember being

 

508

00:21:27,000 --> 00:21:29,220

Marc Preston: seven years old, wanted

to do radio and I was like going,

 

509

00:21:29,220 --> 00:21:32,310

it was just, it was a theater of

the mind that was intriguing to me.

 

510

00:21:32,310 --> 00:21:36,090

That was the thing that kinda like, you

know, later on it was like, uh, you know,

 

511

00:21:36,090 --> 00:21:37,410

used to being in a studio by myself.

 

512

00:21:37,410 --> 00:21:38,190

Then I started acting.

 

513

00:21:38,190 --> 00:21:39,870

I was like, I'm doing something

with other people now.

 

514

00:21:39,870 --> 00:21:41,910

So it's like I'm trying to

go, what do I enjoy more?

 

515

00:21:42,270 --> 00:21:46,950

Now as far as the acting thing for you,

you know, uh, comedy is a very singular.

 

516

00:21:47,820 --> 00:21:49,320

Uh, even though you're

part of a community, you're

 

517

00:21:49,320 --> 00:21:50,700

kind of doing your thing.

 

518

00:21:50,700 --> 00:21:51,660

It's all on you.

 

519

00:21:51,660 --> 00:21:53,970

You're the only guy on stage, but acting.

 

520

00:21:54,060 --> 00:21:56,910

It's not just people you're

acting with, but you got a crew.

 

521

00:21:57,630 --> 00:21:58,710

It's a, it's a 180, you know?

 

522

00:21:58,800 --> 00:22:00,090

What about the acting thing?

 

523

00:22:00,090 --> 00:22:00,570

Got you.

 

524

00:22:00,630 --> 00:22:01,560

Uh, jazzed.

 

525

00:22:02,070 --> 00:22:02,700

Tone Bell: Uh, yeah.

 

526

00:22:02,700 --> 00:22:05,910

Comedy, comedy is, is a

selfish team sport, right?

 

527

00:22:05,910 --> 00:22:09,480

So, I mean, it's like I can't do it

without other comics, but also I, I'm

 

528

00:22:09,480 --> 00:22:13,950

solo in this, in this kind of ether of

other people that also are creative.

 

529

00:22:14,160 --> 00:22:15,870

Uh, the acting side of it.

 

530

00:22:16,335 --> 00:22:22,185

Is, um, it's, it's a, it's a

bunch of short jobs, right?

 

531

00:22:22,185 --> 00:22:24,945

So, I mean, so, you know, you go do a

movie, you create a family for three

 

532

00:22:24,945 --> 00:22:26,235

or four months, maybe six months.

 

533

00:22:26,595 --> 00:22:28,875

You do a show, you know,

kind of the same thing.

 

534

00:22:28,875 --> 00:22:31,275

You do theater, I mean, you,

you, you, you come together.

 

535

00:22:31,590 --> 00:22:35,790

You got like-mindedness, you

collaborate and then you disperse.

 

536

00:22:35,970 --> 00:22:38,700

Like, I, I think that's, it always

keeps it exciting 'cause you

 

537

00:22:38,700 --> 00:22:39,480

never know what's gonna happen.

 

538

00:22:39,480 --> 00:22:42,480

It's always kind of new Now, theater,

I mean, when people do theater runs,

 

539

00:22:42,480 --> 00:22:45,480

I, I'm, I'm, I could, I've been

thinking about it actually for a while.

 

540

00:22:45,480 --> 00:22:47,790

Like, would I go back

to theater any, anytime?

 

541

00:22:48,300 --> 00:22:51,930

And I, I think I would, but I,

I could only do a short run.

 

542

00:22:52,379 --> 00:22:55,170

I got friends who just kind of hopped on

Broadway and do some off Broadway stuff.

 

543

00:22:55,185 --> 00:22:57,615

And, uh, I get envious of it.

 

544

00:22:57,615 --> 00:23:00,495

But then, then, then I've had friends

who, I mean, they've been doing

 

545

00:23:00,495 --> 00:23:02,865

the same play for eight years and

I just don't know how they do it.

 

546

00:23:03,165 --> 00:23:03,375

Marc Preston: Yeah.

 

547

00:23:03,375 --> 00:23:04,605

I couldn't, I couldn't do that.

 

548

00:23:04,695 --> 00:23:05,804

I, I'm, I'm there with you.

 

549

00:23:05,804 --> 00:23:08,925

I'm like, God, I think I'd get, I, I

like variety, you know, you know, I

 

550

00:23:08,925 --> 00:23:11,655

like want to go down that buffet line,

like trying different things out.

 

551

00:23:11,804 --> 00:23:12,105

You know?

 

552

00:23:12,105 --> 00:23:13,965

I don't wanna be doing the

same thing, having the same

 

553

00:23:13,995 --> 00:23:15,014

thing over and over, you know?

 

554

00:23:15,435 --> 00:23:18,044

Uh, but did you mentioned theater,

was that something you did in high

 

555

00:23:18,044 --> 00:23:20,685

school or was that where you, where,

where theater started for you?

 

556

00:23:21,540 --> 00:23:24,150

Tone Bell: Yeah, I mean, like I said, I

had the Kid show that was a live show.

 

557

00:23:24,150 --> 00:23:27,780

I mean, it was, it was on tv, but it was

a live stage show every, every Saturday.

 

558

00:23:27,780 --> 00:23:33,510

And then, uh, couple, couple plays

in high school, a couple productions

 

559

00:23:33,510 --> 00:23:37,410

in college, and then traveled

for a little bit after college.

 

560

00:23:37,620 --> 00:23:41,880

I did one, one run on August Wilson

played Ma Rainey's Black Bottom and then,

 

561

00:23:41,940 --> 00:23:46,410

um, and then it was like, yeah, that's.

 

562

00:23:46,740 --> 00:23:49,290

I just, I did like a nine week

run and, and I was like, I, I'm,

 

563

00:23:49,530 --> 00:23:50,820

I can't say these words anymore.

 

564

00:23:51,090 --> 00:23:54,360

Marc Preston: Theater always intimidated

me a little bit because I can go a

 

565

00:23:54,360 --> 00:23:58,380

few pages at a time on a screenplay,

on, on camera, but on stage you

 

566

00:23:58,380 --> 00:24:00,600

got, I always had this like anxiety.

 

567

00:24:00,600 --> 00:24:04,125

What if I just, I. Vapor luck

and I forget the lines, you

 

568

00:24:04,125 --> 00:24:05,355

know, that was always my thing.

 

569

00:24:05,355 --> 00:24:08,625

I, I never, I think I could have gotten

it eventually, but I, I don't know.

 

570

00:24:08,625 --> 00:24:11,715

I always kind of ended be the theater

kids, like how are they doing that?

 

571

00:24:11,715 --> 00:24:13,420

How do they memorized an entire script?

 

572

00:24:13,420 --> 00:24:13,740

There's

 

573

00:24:14,055 --> 00:24:17,655

Tone Bell: script, there's this clip that

just kind of resurfaced of, uh, back when

 

574

00:24:17,655 --> 00:24:22,755

Will Smith started doing fresh prints

and his, uh, his first like six episodes.

 

575

00:24:23,265 --> 00:24:26,175

He was so nervous, but also

so professional that he would

 

576

00:24:26,175 --> 00:24:29,235

learn the entire script and

know the other characters line.

 

577

00:24:29,580 --> 00:24:29,970

Yeah.

 

578

00:24:30,000 --> 00:24:30,300

Yeah.

 

579

00:24:30,420 --> 00:24:30,840

Right.

 

580

00:24:30,960 --> 00:24:35,310

And so, but you could see him

in the scene mouthing his scene

 

581

00:24:35,310 --> 00:24:37,860

partner's dialogue as well, really?

 

582

00:24:37,860 --> 00:24:37,950

And

 

583

00:24:37,950 --> 00:24:39,330

Marc Preston: so, and now I

need to go, now I need to go

 

584

00:24:39,565 --> 00:24:40,889

rewatch and, and go see that.

 

585

00:24:40,889 --> 00:24:44,340

But w was being on camera, uh,

was that an aspiration for you?

 

586

00:24:44,340 --> 00:24:47,040

Like, okay, I got the comedy thing,

I'm on stage, I want to, I wanna

 

587

00:24:47,040 --> 00:24:48,750

be on camera, I want to do tv.

 

588

00:24:48,750 --> 00:24:49,530

I wanna do film.

 

589

00:24:49,530 --> 00:24:50,430

Was that actually.

 

590

00:24:50,685 --> 00:24:52,514

Um, percolating in you

 

591

00:24:52,514 --> 00:24:52,635

Tone Bell: or?

 

592

00:24:53,145 --> 00:24:53,534

Yeah.

 

593

00:24:53,534 --> 00:24:57,945

I mean, my dude, I, I'll tell you

this, my, my pops, uh, this is like,

 

594

00:24:57,945 --> 00:25:01,575

you know, pre DVD player, but my, my

dad, I make a lot of jokes about him on

 

595

00:25:01,575 --> 00:25:06,435

stage about this, but my dad recorded

every episode of The Cosby Show, A

 

596

00:25:06,435 --> 00:25:12,495

different World Fresh Prince Martin

Seinfeld, uh, married with children.

 

597

00:25:12,495 --> 00:25:15,615

I mean, we had just shelves of VHS tapes.

 

598

00:25:15,615 --> 00:25:16,065

VHS.

 

599

00:25:16,665 --> 00:25:16,965

Yeah.

 

600

00:25:16,965 --> 00:25:16,966

Yeah.

 

601

00:25:17,149 --> 00:25:19,695

And, and, and he, I mean, in order.

 

602

00:25:20,310 --> 00:25:24,000

And trying to, you know, stop recording

when the commercials came on and

 

603

00:25:24,000 --> 00:25:26,550

start recording again when they, when

they, when the show came back on.

 

604

00:25:26,970 --> 00:25:29,639

And TGIF was huge for the three of us.

 

605

00:25:29,639 --> 00:25:33,600

So, I mean, I watched Multicam

comedies from probably the age of

 

606

00:25:33,600 --> 00:25:37,350

seven or eight, you know, I mean, even

mash, I remember going to Mash and,

 

607

00:25:37,410 --> 00:25:39,090

and, and Golden Girls and all that.

 

608

00:25:40,185 --> 00:25:43,905

It kind of just formed to this thing

of like, oh, this is what my family,

 

609

00:25:43,905 --> 00:25:47,205

'cause we didn't go to movies like

we rewatched, multicam sitcoms.

 

610

00:25:47,445 --> 00:25:49,305

Marc Preston: Why was, why do

you think he was recording that?

 

611

00:25:49,305 --> 00:25:53,175

Was it just 'cause he wanted to be able

to, it's sort of like he was creating

 

612

00:25:53,175 --> 00:25:56,355

his own DVR, he can just jump back

into, or was he like, okay, you know,

 

613

00:25:56,415 --> 00:25:59,925

tone's gonna wanna check this out, you

know, or what was his for doing that?

 

614

00:26:00,254 --> 00:26:03,105

Tone Bell: And they had no idea of

like, this was gonna be my career.

 

615

00:26:03,105 --> 00:26:05,955

But at the same time, I think I

kind of knew it because at like

 

616

00:26:05,955 --> 00:26:08,625

12, 13 years old, my mom asked me

what I'm gonna do for a living.

 

617

00:26:08,625 --> 00:26:10,425

And I said, I'm gonna do

what Will Smith's doing?

 

618

00:26:11,385 --> 00:26:13,095

And, and she goes, all right.

 

619

00:26:13,095 --> 00:26:15,465

I go, I'm gonna be on tv,

I'm gonna do funny tv.

 

620

00:26:16,245 --> 00:26:21,074

And she said, when I went to college,

she, uh, was like, all right, well, we

 

621

00:26:21,074 --> 00:26:25,665

don't know how to do that, but they have

a TV program at this school in Georgia,

 

622

00:26:25,754 --> 00:26:28,365

and you can go for free with your, you

know, as long as you get a scholarship.

 

623

00:26:28,875 --> 00:26:29,985

And then that's what I did.

 

624

00:26:29,985 --> 00:26:32,025

So it was kinda like they didn't

know how to support it, but they're

 

625

00:26:32,025 --> 00:26:34,004

like, all right, this, and she

thought I was gonna be on the news.

 

626

00:26:34,004 --> 00:26:35,985

She was like, he'll be a news anchor.

 

627

00:26:36,315 --> 00:26:37,725

Marc Preston: Wait, what

school was that you went to?

 

628

00:26:38,175 --> 00:26:39,225

Uh, I went to Savannah State.

 

629

00:26:39,405 --> 00:26:41,235

So you were thinking maybe

I'm gonna be a news guy.

 

630

00:26:41,240 --> 00:26:41,520

Okay.

 

631

00:26:41,525 --> 00:26:42,105

Okay.

 

632

00:26:42,105 --> 00:26:42,525

No, no, no.

 

633

00:26:42,525 --> 00:26:44,720

She was thinking that I knew I doing that.

 

634

00:26:45,495 --> 00:26:45,764

Okay.

 

635

00:26:45,764 --> 00:26:48,945

So you're you're like, I wanna, I wanna

do jokes, you know, and she wants you to

 

636

00:26:48,945 --> 00:26:53,355

be that like, you know, swab Debra Air

guy in the, in the sport coat on, on tv.

 

637

00:26:53,355 --> 00:26:53,895

I gotcha.

 

638

00:26:54,375 --> 00:26:55,080

Um, yeah, I mean.

 

639

00:26:57,795 --> 00:27:00,915

Tone Bell: Even to this day, I think I'm

the only one that's had my own show on the

 

640

00:27:00,915 --> 00:27:04,335

close on like the CCTV of, of our campus.

 

641

00:27:04,335 --> 00:27:08,625

But I had like a daily show type show

on campus and so it was like the funny

 

642

00:27:08,625 --> 00:27:10,065

news of what's happening on campus.

 

643

00:27:10,515 --> 00:27:13,395

So like that was kind of,

that was kind of my, my thing.

 

644

00:27:13,905 --> 00:27:17,145

Marc Preston: So do you feel like you

needed, you, you, do you feel like it's

 

645

00:27:17,145 --> 00:27:21,735

kind of hardwired in you, you need that

outlet to comment to, to, you know, is

 

646

00:27:21,735 --> 00:27:23,655

that, is that kind of the way you process?

 

647

00:27:24,344 --> 00:27:25,365

What's going on in the world.

 

648

00:27:25,365 --> 00:27:26,804

It's like, okay, I want to comment on it.

 

649

00:27:26,804 --> 00:27:30,344

That kind of puts you in a position of

con contemplating, you know, whatever.

 

650

00:27:30,344 --> 00:27:30,764

Have you.

 

651

00:27:30,824 --> 00:27:33,615

Um, yeah, like you said you,

your daily show like thing.

 

652

00:27:33,705 --> 00:27:36,524

What, what was your drive

to do something like that?

 

653

00:27:36,645 --> 00:27:39,074

Uh, being a teenager, early

twenties or whatever have you?

 

654

00:27:39,254 --> 00:27:42,645

Tone Bell: I mean, it's, it, it started

as just like a, a, a, um, I mean, what

 

655

00:27:42,645 --> 00:27:47,024

am I, professors, it started as like, as

a, as an assignment and then they kind

 

656

00:27:47,024 --> 00:27:49,905

of wanted to keep going and I was like,

well, we can, and so I kind of hired the

 

657

00:27:49,905 --> 00:27:52,935

rest of the students to be the staff, so

everybody got a chance to learn how to do.

 

658

00:27:53,669 --> 00:27:54,179

Something.

 

659

00:27:54,179 --> 00:27:58,080

So we had, you know, producers and writers

and, and, and, and field reporters.

 

660

00:27:58,080 --> 00:28:01,350

And I was sitting at the desk and I had

guests come in and I was interviewing.

 

661

00:28:01,710 --> 00:28:05,370

And so it was like the, yeah, it's

the observation of if I'm gonna fly on

 

662

00:28:05,370 --> 00:28:09,600

the wall and, and have a take at this,

can we make it informative and funny?

 

663

00:28:10,139 --> 00:28:10,379

Yeah.

 

664

00:28:10,379 --> 00:28:10,679

Yeah.

 

665

00:28:10,710 --> 00:28:12,780

And, and that's kind of what it became.

 

666

00:28:12,780 --> 00:28:16,860

Even, even my standup now is kind of

that of like these little small things.

 

667

00:28:16,860 --> 00:28:21,060

If I can paint this picture right,

you'll know how ridiculous this thing is.

 

668

00:28:21,060 --> 00:28:21,105

Marc Preston: Yeah.

 

669

00:28:21,375 --> 00:28:23,055

Isn't that the beauty of comedy though?

 

670

00:28:23,055 --> 00:28:25,845

Like where you're sort of like, okay, I

know you didn't see it like this, but let

 

671

00:28:25,845 --> 00:28:29,925

me show it to you through a different lens

and then something absurd is like, or, or

 

672

00:28:29,925 --> 00:28:31,605

something that seems quote unquote normal.

 

673

00:28:31,605 --> 00:28:32,985

It's like, God, that is absurd.

 

674

00:28:33,285 --> 00:28:37,095

See, I think anybody can inform, but

I think it's, it's a special muscle to

 

675

00:28:37,095 --> 00:28:39,555

flex, to, to, to make that thing funny.

 

676

00:28:39,975 --> 00:28:43,695

I think John Stewart is, you know,

does a great job of that, you know?

 

677

00:28:43,755 --> 00:28:44,025

Tone Bell: Yeah.

 

678

00:28:44,415 --> 00:28:46,635

I mean, even now, like I don't really

touch, I mean, there's some, there's

 

679

00:28:46,635 --> 00:28:51,645

certain subjects I don't touch on stage

just because I don't have the ammunition.

 

680

00:28:51,705 --> 00:28:55,695

If, if an audience member

questions it, I go, I'm probably

 

681

00:28:55,695 --> 00:28:56,565

not prepared to answer that.

 

682

00:28:57,045 --> 00:28:58,815

But my life, I can.

 

683

00:28:58,815 --> 00:28:58,905

Mm-hmm.

 

684

00:29:00,255 --> 00:29:03,135

So if I can give you all the,

all the pieces that you need to

 

685

00:29:03,135 --> 00:29:05,595

build this house that I'm trying

to show you the, the picture of,

 

686

00:29:05,955 --> 00:29:07,425

then, then this should work out.

 

687

00:29:08,054 --> 00:29:10,814

Marc Preston: Well, we're talking

comedy, but it just was coincidental,

 

688

00:29:10,814 --> 00:29:13,185

uh, like two or three weeks ago.

 

689

00:29:13,189 --> 00:29:14,354

I was, I was just flipping through.

 

690

00:29:14,354 --> 00:29:15,824

I was doing that thing

like, what am I gonna watch?

 

691

00:29:15,854 --> 00:29:17,895

'cause I'm on my computer, I'm

doing a little bit of work, I

 

692

00:29:17,895 --> 00:29:19,935

don't wanna kick something on TV

and kind of check something out.

 

693

00:29:19,935 --> 00:29:23,625

And I landed on, um, uh, uh, a

trigger warning and I was like,

 

694

00:29:23,625 --> 00:29:25,215

oh, well that's not comedy.

 

695

00:29:25,574 --> 00:29:29,115

But, uh, but that was, that was kind of

a fun, you know, any, anytime I have a

 

696

00:29:29,115 --> 00:29:32,895

chance to see I'm a Gen X kid, anytime I

have a chance to see Anthony Michael Hall.

 

697

00:29:33,445 --> 00:29:35,274

I'm gonna do it, but, well, no,

I thought you, I thought you say

 

698

00:29:36,294 --> 00:29:36,925

Tone Bell: Jessica Alba.

 

699

00:29:36,925 --> 00:29:38,695

I was gonna say, yeah, anytime

I get a chance to be next to

 

700

00:29:38,695 --> 00:29:40,495

her, I, I, I, I take that chance

 

701

00:29:40,495 --> 00:29:40,554

Marc Preston: too.

 

702

00:29:41,514 --> 00:29:42,774

No, but that, that was the thing.

 

703

00:29:42,774 --> 00:29:46,615

See, Jessica Alba, you know, back

in the day, she was doing the, she

 

704

00:29:46,615 --> 00:29:51,205

was the teen movie, you know, like

she was the nu or whatever, but

 

705

00:29:51,205 --> 00:29:52,524

she was kind of a badass in this.

 

706

00:29:52,524 --> 00:29:55,225

So how, how did that, how did that,

'cause that's not comedy, but how

 

707

00:29:55,225 --> 00:29:56,665

did that come across, uh, your desk?

 

708

00:29:56,695 --> 00:29:59,365

Tone Bell: Yeah, I mean, I, I had worked

with that same, those same producers

 

709

00:29:59,365 --> 00:30:02,304

before, and then they, they, uh, they

called like, Hey, we got something fun.

 

710

00:30:02,729 --> 00:30:05,159

Uh, do you think you could pull this off?

 

711

00:30:05,165 --> 00:30:06,975

And, and I read it and I was

like, yeah, let's, let's do it.

 

712

00:30:06,975 --> 00:30:10,800

And it actually added me to more

of it than, um, we went back and

 

713

00:30:10,800 --> 00:30:13,350

did some reshoots and, and, uh,

I tested pretty well on that.

 

714

00:30:13,350 --> 00:30:15,689

And it was, it was a fun,

that was very fun, man.

 

715

00:30:15,689 --> 00:30:18,570

I mean, I, I, I wanna get back in

that space, you know, I put on about

 

716

00:30:18,570 --> 00:30:22,080

15, 20 pounds and, and, uh, you

know, get, get some nice arms so

 

717

00:30:22,080 --> 00:30:23,310

I can go shirtless a little more.

 

718

00:30:23,669 --> 00:30:23,970

But

 

719

00:30:25,439 --> 00:30:25,709

Marc Preston: yeah.

 

720

00:30:25,709 --> 00:30:25,919

Yeah.

 

721

00:30:25,919 --> 00:30:28,169

'cause you know, you, you, you

made me feel like I gotta go to

 

722

00:30:28,169 --> 00:30:30,990

the gym a little bit, you know,

but it was, it was physical, so

 

723

00:30:30,990 --> 00:30:31,980

that had to be a little more fun.

 

724

00:30:31,980 --> 00:30:32,010

I

 

725

00:30:32,189 --> 00:30:34,169

Tone Bell: get, before I get

too many, uh, more gray hairs.

 

726

00:30:34,169 --> 00:30:36,419

I'm, I'm gonna thirst trap a

little bit as the kids say.

 

727

00:30:36,689 --> 00:30:36,959

I don't

 

728

00:30:36,959 --> 00:30:39,810

Marc Preston: know if I've got the,

uh, capacity to do that anymore.

 

729

00:30:39,810 --> 00:30:42,211

I don't think, uh, gray

hairs and stuff, I'm.

 

730

00:30:43,070 --> 00:30:43,371

Tone Bell: You got you.

 

731

00:30:43,430 --> 00:30:46,340

You gotta believe for yourself,

thirst trapping is for any age.

 

732

00:30:46,550 --> 00:30:46,820

Marc Preston: Okay.

 

733

00:30:46,820 --> 00:30:49,790

Well, you know what that, that'll

be, uh, maybe that'll be the title

 

734

00:30:49,790 --> 00:30:51,260

of the a, uh, uh, of this episode.

 

735

00:30:51,260 --> 00:30:52,730

Thirst Trapping at any age.

 

736

00:30:52,820 --> 00:30:52,910

Yeah.

 

737

00:30:52,940 --> 00:30:54,080

I mean, it sounds 6-year-old.

 

738

00:30:54,080 --> 00:30:54,770

You say it like that.

 

739

00:30:54,980 --> 00:30:57,170

How did survival of the

thickest come along to you?

 

740

00:30:57,590 --> 00:31:01,160

Tone Bell: Uh, that was one that,

uh, uh, I was reading a couple

 

741

00:31:01,160 --> 00:31:08,540

scripts, uh, I wanna say, uh, end

of 2021 and, uh, it came across and,

 

742

00:31:08,540 --> 00:31:11,720

and, and Michelle bout who is the

star and, and creator of the show.

 

743

00:31:12,284 --> 00:31:15,645

Um, I read it and I was like, oh

man, this, yeah, this seems fun.

 

744

00:31:15,705 --> 00:31:19,334

And my agents were, were asking me like,

you know, Hey, do you wanna read for this?

 

745

00:31:19,845 --> 00:31:23,595

And I'm like, well, I've known her

for, I mean, 12 years at that point.

 

746

00:31:23,595 --> 00:31:27,074

I'm like, if, if she saw me

in it, then I, you know, I'll

 

747

00:31:27,074 --> 00:31:28,455

call her and see how she feels.

 

748

00:31:28,845 --> 00:31:32,024

And we talked about it and

then, uh, and I was like, yeah.

 

749

00:31:32,024 --> 00:31:34,095

I was like, but I'll, but I'm

not gonna audition for it.

 

750

00:31:34,245 --> 00:31:38,445

But I will read with her, like, if,

if she's down to just, just let's

 

751

00:31:38,445 --> 00:31:40,544

just do a chemistry read and, and, um.

 

752

00:31:41,355 --> 00:31:44,325

I had worked with Netflix a few times

before already, and, and they agreed

 

753

00:31:44,325 --> 00:31:48,405

to it and, and we read it and it

is, it is, it is, it is really dope

 

754

00:31:48,405 --> 00:31:49,965

to be able to work with a friend.

 

755

00:31:49,965 --> 00:31:53,355

You have before the,

the, the project starts.

 

756

00:31:53,355 --> 00:31:56,115

I mean, you, I think I've always become

friends with the people I worked with,

 

757

00:31:56,505 --> 00:32:00,345

but to start off as a friend and I've

known, because I've known her from my

 

758

00:32:00,345 --> 00:32:02,895

first sitcom and hers from standup.

 

759

00:32:02,895 --> 00:32:05,145

I think we shot our first

half hour specials with Comedy

 

760

00:32:05,145 --> 00:32:06,585

Central the same weekend.

 

761

00:32:06,975 --> 00:32:08,205

So, um.

 

762

00:32:08,775 --> 00:32:11,145

I mean, I've known her, you know,

we've both been climbing in this

 

763

00:32:11,145 --> 00:32:13,965

career, and I mean, right now she's

just, I mean, she's killed it.

 

764

00:32:14,295 --> 00:32:14,535

Marc Preston: Yeah.

 

765

00:32:14,535 --> 00:32:16,965

I mean, I mean, it's though, because

y'all got that, uh, familiarity.

 

766

00:32:16,965 --> 00:32:19,725

You got that friendship, you got

that thing that's, you know, probably

 

767

00:32:19,875 --> 00:32:22,065

you tr there're a little bit more

trust kind of built in when you're

 

768

00:32:22,065 --> 00:32:23,625

making choices and stuff like that.

 

769

00:32:23,715 --> 00:32:23,835

You

 

770

00:32:23,835 --> 00:32:25,395

Tone Bell: know, abso absolutely.

 

771

00:32:25,635 --> 00:32:28,335

I mean, it's, I, I've known her,

I knew her before she was married.

 

772

00:32:29,070 --> 00:32:30,630

I knew her husband when they were dating.

 

773

00:32:30,630 --> 00:32:33,420

And so, you know, kind of going through

all this together at the same time.

 

774

00:32:33,420 --> 00:32:35,940

It is, it is, it is been a

wonderful evolution of a friendship

 

775

00:32:35,945 --> 00:32:37,140

and, and, and career path.

 

776

00:32:37,140 --> 00:32:37,320

Man.

 

777

00:32:37,320 --> 00:32:41,640

It's, it's, I mean, out of all the, the,

between the, the regulars on the show,

 

778

00:32:41,700 --> 00:32:47,760

you know, the cast leads and, um, I would

say other comics and actors that pop in.

 

779

00:32:47,760 --> 00:32:53,580

I mean, this is the show I've worked on

in my career where I've known majority of

 

780

00:32:53,580 --> 00:32:55,080

the people that come to play on the show.

 

781

00:32:55,620 --> 00:32:57,570

And that's been very cool, exciting.

 

782

00:32:57,570 --> 00:32:59,969

'cause you know, you get to your trailer

and you get the hair and makeup and

 

783

00:32:59,969 --> 00:33:02,729

then, I mean, sometimes they don't

even tell me 'cause it is a surprise.

 

784

00:33:02,729 --> 00:33:04,709

And then you get the hair and

makeup and you're like, oh shit, I

 

785

00:33:04,709 --> 00:33:08,100

didn't know you were coming in to,

you know, and that's such a, you

 

786

00:33:08,100 --> 00:33:09,179

don't get it often, I don't think.

 

787

00:33:16,215 --> 00:33:18,465

Marc Preston: Before we wrap up

here, I always do something I call my

 

788

00:33:18,465 --> 00:33:20,355

seven questions a little extra fun.

 

789

00:33:20,685 --> 00:33:24,435

Uh, yeah, a little of some randomness,

but, uh, first question I always ask

 

790

00:33:24,495 --> 00:33:26,355

'cause I always talk food at some level.

 

791

00:33:26,385 --> 00:33:29,175

In fact, you being from Atlanta,

I always talk about going to,

 

792

00:33:29,535 --> 00:33:31,580

uh, was it I. The varsity.

 

793

00:33:31,610 --> 00:33:33,020

My daughter loves that orange drink.

 

794

00:33:33,020 --> 00:33:34,159

They got the varsity up there.

 

795

00:33:34,639 --> 00:33:39,530

And my, and my, and my uh, uh,

arteries, uh, don't like the, uh, the

 

796

00:33:39,530 --> 00:33:42,915

rest of it, but it's very tasty, you

know, so it's good stuff up there.

 

797

00:33:42,915 --> 00:33:43,195

Yeah.

 

798

00:33:43,875 --> 00:33:44,034

Varsity

 

799

00:33:44,274 --> 00:33:44,834

Tone Bell: trapping.

 

800

00:33:44,834 --> 00:33:47,030

Don't, don't, uh, don't,

don't, they don't add up.

 

801

00:33:47,030 --> 00:33:47,510

But go ahead.

 

802

00:33:47,810 --> 00:33:50,300

Marc Preston: What is your

favorite comfort food?

 

803

00:33:50,304 --> 00:33:52,490

That thing, it just kind of brings

you right where you want to be.

 

804

00:33:52,490 --> 00:33:53,449

Good day, bad day.

 

805

00:33:53,659 --> 00:33:54,679

What would that be for you?

 

806

00:33:55,310 --> 00:33:59,780

Tone Bell: Uh, probably shrimp and grits.

 

807

00:34:00,405 --> 00:34:01,605

Marc Preston: Now next question.

 

808

00:34:01,605 --> 00:34:04,095

If you're gonna sit down and talk

story, you're gonna have coffee with,

 

809

00:34:04,155 --> 00:34:08,325

uh, three people, you and three people

living or not, who would you like to

 

810

00:34:08,325 --> 00:34:11,505

sit down and spend a whole afternoon

drinking coffee and talk in story with

 

811

00:34:12,615 --> 00:34:13,215

Tone Bell: living or not?

 

812

00:34:13,275 --> 00:34:13,784

Uh, one.

 

813

00:34:13,784 --> 00:34:14,655

Kathy Bates.

 

814

00:34:15,075 --> 00:34:18,014

Um, I do that in real life

already, but Kathy Bates is one.

 

815

00:34:18,705 --> 00:34:27,705

Um, uh, I would say

young, young Don Cheadle.

 

816

00:34:28,575 --> 00:34:30,105

Like 30-year-old Don Cheadle.

 

817

00:34:30,825 --> 00:34:31,605

Uh, maybe 30.

 

818

00:34:31,605 --> 00:34:32,445

I'll give him 35 maybe.

 

819

00:34:32,445 --> 00:34:33,645

30 5-year-old Don Cheadle.

 

820

00:34:33,645 --> 00:34:33,915

Okay.

 

821

00:34:34,425 --> 00:34:42,705

Um, and, um, um, I, oh my God,

there's a, I'm gonna forget his name.

 

822

00:34:42,825 --> 00:34:46,725

Um, there's a crazy story I heard

when I, I was in, I was in, I

 

823

00:34:46,725 --> 00:34:52,335

was in Italy a couple years ago,

and there's a story about a pope

 

824

00:34:52,455 --> 00:34:57,135

who decided to, um, take down.

 

825

00:34:58,335 --> 00:35:00,855

The wall of like forgiveness or something.

 

826

00:35:01,125 --> 00:35:01,214

Marc Preston: Mm-hmm.

 

827

00:35:02,145 --> 00:35:04,754

Tone Bell: I don't know if you know

this story, but every 25 years they,

 

828

00:35:05,835 --> 00:35:08,745

the pope can take this wall down,

whoever walks through with him,

 

829

00:35:08,745 --> 00:35:12,915

they're, they're forgiven of all their

sins and guaranteed to go to heaven.

 

830

00:35:13,484 --> 00:35:16,185

And this pope didn't think

he was gonna make it, so he

 

831

00:35:16,185 --> 00:35:17,625

took it down 10 years early.

 

832

00:35:18,825 --> 00:35:24,404

And I thought it was so funny during

the tour that I was like, man, I want

 

833

00:35:24,404 --> 00:35:26,535

to, I want to know what he was thinking.

 

834

00:35:28,200 --> 00:35:29,040

What was he up to?

 

835

00:35:29,040 --> 00:35:29,340

Yeah.

 

836

00:35:29,700 --> 00:35:30,540

I'm like, man.

 

837

00:35:31,590 --> 00:35:32,010

Yeah.

 

838

00:35:32,010 --> 00:35:34,980

Like that, that I've been thinking about

this for the last two and a half years.

 

839

00:35:34,980 --> 00:35:36,540

That, that it makes me laugh.

 

840

00:35:36,540 --> 00:35:37,980

And I go, all right, man, what's up?

 

841

00:35:38,850 --> 00:35:41,640

I just, I just, I would love to go.

 

842

00:35:41,725 --> 00:35:43,440

You, you had to tear down the wall.

 

843

00:35:43,440 --> 00:35:45,960

Like it's what, like what's, oh, man.

 

844

00:35:46,020 --> 00:35:49,590

Because I think it happened at

like 92 or 94, something like that.

 

845

00:35:49,590 --> 00:35:52,585

I can't think of which Pope it

was, but, oh, pop John Paul.

 

846

00:35:53,460 --> 00:35:54,450

I don't think it was John Paul.

 

847

00:35:54,840 --> 00:35:55,740

Marc Preston: I didn't

even know about that.

 

848

00:35:55,745 --> 00:35:55,825

See?

 

849

00:35:56,010 --> 00:35:57,840

See, I love this show

'cause I get to learn stuff.

 

850

00:35:58,290 --> 00:36:02,280

Um, now, but the next question I got

for you, going back to your young tone,

 

851

00:36:02,280 --> 00:36:03,810

who was your first celebrity crush?

 

852

00:36:03,900 --> 00:36:04,440

That's, yeah.

 

853

00:36:04,440 --> 00:36:05,065

I gotta, I, that's my crush.

 

854

00:36:05,225 --> 00:36:05,465

I gotta

 

855

00:36:05,465 --> 00:36:06,750

Tone Bell: give you, I gotta give you two.

 

856

00:36:06,990 --> 00:36:07,350

Okay.

 

857

00:36:07,410 --> 00:36:08,370

I can't give you one.

 

858

00:36:08,430 --> 00:36:10,410

Uh, number one, Rudy Huxtable.

 

859

00:36:11,070 --> 00:36:11,760

So Keisha Knight.

 

860

00:36:11,760 --> 00:36:11,820

Yeah.

 

861

00:36:12,930 --> 00:36:15,750

Um, and then Topanga.

 

862

00:36:16,424 --> 00:36:17,325

From Boy Me's world.

 

863

00:36:17,384 --> 00:36:17,444

Marc Preston: Yeah.

 

864

00:36:17,564 --> 00:36:18,794

She's come up a few times.

 

865

00:36:18,794 --> 00:36:20,595

She, she's definitely come up a few times.

 

866

00:36:20,595 --> 00:36:20,654

Yeah.

 

867

00:36:20,924 --> 00:36:22,214

Now it, next question.

 

868

00:36:22,214 --> 00:36:24,435

You're gonna be living on

an exotic island for a year.

 

869

00:36:24,585 --> 00:36:24,855

Alright.

 

870

00:36:24,855 --> 00:36:26,625

Somewhere you want to be, they

just don't have streaming.

 

871

00:36:26,625 --> 00:36:29,805

So you, you know, you gotta bring,

uh, it's, it's a beautiful place.

 

872

00:36:30,134 --> 00:36:31,245

You gotta bring an album.

 

873

00:36:31,274 --> 00:36:35,174

If you wanna listen to, uh, music,

gotta bring an album, DVD, whatever,

 

874

00:36:35,564 --> 00:36:38,714

uh, or cd and you gotta bring a

DVD if you wanna watch a movie.

 

875

00:36:38,714 --> 00:36:40,814

So what would that album,

and what would that movie be?

 

876

00:36:40,814 --> 00:36:43,544

You could watch over and over

again that you could bring for

 

877

00:36:43,544 --> 00:36:44,564

the full year on the island?

 

878

00:36:45,134 --> 00:36:47,984

Tone Bell: Uh, this is probably

cliche, but, but I love it.

 

879

00:36:47,984 --> 00:36:50,475

So probably Dark Side

of the Moon, pink Floyd.

 

880

00:36:51,075 --> 00:36:54,825

Um, and then you said DVD?

 

881

00:36:55,605 --> 00:36:55,814

Announcer: Mm-hmm.

 

882

00:36:55,875 --> 00:36:55,904

Uh,

 

883

00:36:56,805 --> 00:36:59,355

Tone Bell: probably, probably Life.

 

884

00:36:59,444 --> 00:36:59,984

Eddie Murphy.

 

885

00:36:59,984 --> 00:37:02,654

Marc Preston: Martin Lawrence or they,

when they were in prison together.

 

886

00:37:02,654 --> 00:37:03,600

Yeah, that was a good one.

 

887

00:37:03,600 --> 00:37:04,424

I forgot about that one.

 

888

00:37:04,694 --> 00:37:09,495

If you were to go, say from stem to stern,

uh, time you wake up, time you go to bed,

 

889

00:37:09,495 --> 00:37:13,154

what are the component parts in your mind

that would make it a perfect day for you?

 

890

00:37:14,190 --> 00:37:16,529

Tone Bell: Starting off with my

wife not waking me up when she has

 

891

00:37:16,529 --> 00:37:19,080

to pee at 3:00 AM if I got a full

night's sleep without having to

 

892

00:37:19,080 --> 00:37:21,120

wake up it first, her not peeing.

 

893

00:37:21,420 --> 00:37:23,490

That's first, that's number one.

 

894

00:37:23,610 --> 00:37:27,029

A full night's sleep without

hearing the door and her climbing

 

895

00:37:27,029 --> 00:37:28,440

over me to go to the bathroom.

 

896

00:37:28,440 --> 00:37:32,850

That would, that that'd be perfect

to wake up at, like 7, 7 30.

 

897

00:37:33,509 --> 00:37:38,130

Um, nice cup of tea, a

stretch, a little lemon water.

 

898

00:37:38,865 --> 00:37:39,915

Uh, my old neighbors.

 

899

00:37:39,915 --> 00:37:42,645

Go give them a shout,

Jerry and Linda, the 87.

 

900

00:37:42,645 --> 00:37:44,235

Go kick it with them for a little bit.

 

901

00:37:44,685 --> 00:37:47,565

Um, do, do a little yard work.

 

902

00:37:47,625 --> 00:37:49,575

I mean, I, I'm a big fan

of doing my own yard work.

 

903

00:37:49,575 --> 00:37:50,145

Do that.

 

904

00:37:50,505 --> 00:37:53,865

Uh, my wife makes lunch without

me having to ask her to do it.

 

905

00:37:54,225 --> 00:37:56,835

Oh, that would be lovely.

 

906

00:37:56,835 --> 00:37:57,885

Mm-hmm.

 

907

00:37:57,891 --> 00:37:58,935

That'd be great.

 

908

00:37:59,535 --> 00:38:04,365

Um, clean another thing, I, I

clean the pool, clean the pool.

 

909

00:38:04,845 --> 00:38:07,905

Or maybe not have to clean the pool,

either clean the pool for some time

 

910

00:38:07,905 --> 00:38:10,815

to myself or look out there and go,

oh, the pool doesn't need cleaning.

 

911

00:38:11,175 --> 00:38:11,640

That's, mm-hmm.

 

912

00:38:11,725 --> 00:38:12,315

That's great.

 

913

00:38:12,915 --> 00:38:17,384

And then head downtown in the

evening, hit zero traffic, my

 

914

00:38:17,384 --> 00:38:19,245

parking space is available.

 

915

00:38:19,785 --> 00:38:23,475

Um, hop on stage and uh, and

kill a new 15 minute set.

 

916

00:38:23,775 --> 00:38:24,435

That's a perfect day

 

917

00:38:24,884 --> 00:38:26,025

Marc Preston: because I

know what parking's like in

 

918

00:38:26,025 --> 00:38:27,195

Austin, so I feel you there.

 

919

00:38:27,645 --> 00:38:30,915

Um, now if you were doing this for a

living, what, what would be the vocation?

 

920

00:38:30,915 --> 00:38:34,245

What would be the number two that

would bring you joy you think?

 

921

00:38:36,030 --> 00:38:36,420

Tone Bell: I don't know.

 

922

00:38:36,480 --> 00:38:38,580

Uh, uh hmm.

 

923

00:38:38,580 --> 00:38:40,950

I mean, I guess, I mean, at this

point it's time to start a family,

 

924

00:38:40,950 --> 00:38:43,860

so, uh, making sure my parents get a

chance to hang out with the grandkids.

 

925

00:38:44,430 --> 00:38:44,940

I gotcha.

 

926

00:38:45,090 --> 00:38:45,600

Marc Preston: I gotcha.

 

927

00:38:45,600 --> 00:38:45,840

So

 

928

00:38:46,500 --> 00:38:49,500

Tone Bell: fly them in wherever they

want to and just hang out and, and, uh,

 

929

00:38:49,500 --> 00:38:52,200

and, and like some cool family time.

 

930

00:38:52,200 --> 00:38:52,440

I think.

 

931

00:38:52,440 --> 00:38:55,320

I think that'd be, that's what I, that's,

I think that's what I'm working for.

 

932

00:38:55,320 --> 00:38:55,620

Yeah.

 

933

00:38:55,650 --> 00:38:58,170

Like to, to be able to go, all

right, this is, this is good.

 

934

00:38:58,170 --> 00:38:58,950

We're gonna be fine.

 

935

00:38:59,070 --> 00:39:00,990

And then to whatever they wanna do.

 

936

00:39:01,455 --> 00:39:02,175

Marc Preston: Fantastic.

 

937

00:39:02,175 --> 00:39:02,625

I like that.

 

938

00:39:02,625 --> 00:39:02,955

I like that.

 

939

00:39:02,955 --> 00:39:04,755

Now, now I got one last question for you.

 

940

00:39:04,755 --> 00:39:06,795

You're jumping in the DeLorean

and you're gonna go back to

 

941

00:39:06,795 --> 00:39:07,845

when you were 16 years old.

 

942

00:39:07,845 --> 00:39:11,745

You got a piece of advice for

16-year-old tone, uh, to make your

 

943

00:39:11,745 --> 00:39:14,175

life better In that moment, maybe put

you on a little bit different path.

 

944

00:39:14,175 --> 00:39:16,605

What's that one piece of advice

you would offer up to yourself?

 

945

00:39:17,775 --> 00:39:19,485

Tone Bell: Don't deal with

that light-skinned girl you

 

946

00:39:19,485 --> 00:39:20,745

dealt with when you were 16.

 

947

00:39:21,375 --> 00:39:24,525

Marc Preston: It always kind of boils

down to the, to, to the opposite sex

 

948

00:39:24,525 --> 00:39:25,785

sometimes, you know, do or don't.

 

949

00:39:25,785 --> 00:39:25,875

Yeah.

 

950

00:39:25,875 --> 00:39:26,085

I

 

951

00:39:26,085 --> 00:39:29,745

Tone Bell: mean it was, I, I, I knew I

shouldn't have fooled with her and I did.

 

952

00:39:29,745 --> 00:39:34,665

'cause I used to skip church to try

to go do uh, things and one time I

 

953

00:39:34,665 --> 00:39:38,715

was trying to leave with her and I was

making a left into her neighborhood

 

954

00:39:38,720 --> 00:39:44,955

and, and, and I had a car for about

four months and total totaled my car.

 

955

00:39:45,795 --> 00:39:47,865

Uh, trying to do something

I shouldn't have been doing.

 

956

00:39:47,865 --> 00:39:52,060

So that would've been, I mean, I

learned a lot, believe that, but yeah.

 

957

00:39:52,060 --> 00:39:54,555

Yeah, that little I, that

that's, that's what being

 

958

00:39:54,555 --> 00:39:56,714

Marc Preston: a teenager and being

your early twenties is all about.

 

959

00:39:56,714 --> 00:39:58,154

Just those life lessons.

 

960

00:39:58,154 --> 00:39:58,545

Yeah.

 

961

00:39:58,845 --> 00:40:01,365

Well, my friend man, thank you so

much for sharing some time with me.

 

962

00:40:01,365 --> 00:40:01,845

Next time.

 

963

00:40:01,904 --> 00:40:04,275

Uh, you're down in South Padre,

you cruise south a little bit.

 

964

00:40:04,515 --> 00:40:07,754

Uh, you know, come knock on my door,

I'll get you, get you some proper grub.

 

965

00:40:07,754 --> 00:40:11,805

You know, uh, I might have to bug you

about getting into blacks to go get some

 

966

00:40:11,805 --> 00:40:13,154

good barbecue though when I'm up there.

 

967

00:40:13,214 --> 00:40:13,455

So.

 

968

00:40:13,560 --> 00:40:14,640

Tone Bell: Man, hit me up, Marc.

 

969

00:40:14,640 --> 00:40:15,150

Anytime.

 

970

00:40:17,160 --> 00:40:18,060

Marc Preston: Alright, there you go.

 

971

00:40:18,060 --> 00:40:19,290

Tone Bell.

 

972

00:40:19,350 --> 00:40:20,130

A funny guy.

 

973

00:40:20,130 --> 00:40:20,880

Really enjoyed it.

 

974

00:40:21,180 --> 00:40:25,860

Uh, the new season of Survival of the

Thickest, uh, along with Michelle Boutou,

 

975

00:40:25,920 --> 00:40:29,160

it is on Netflix right now, just came out.

 

976

00:40:29,520 --> 00:40:34,170

Also, you can check out, uh,

again, story and craft pod.com.

 

977

00:40:34,529 --> 00:40:38,220

Uh, you can check out his info

and if he's on tour and you

 

978

00:40:38,220 --> 00:40:39,150

know, you just can kind of.

 

979

00:40:39,375 --> 00:40:40,455

Click on the links.

 

980

00:40:40,515 --> 00:40:44,235

In fact, uh, all of our guests, if you

wanna find them on, uh, on the socials,

 

981

00:40:44,235 --> 00:40:46,725

it's a good way to, uh, look that up.

 

982

00:40:46,815 --> 00:40:48,405

Alright, so I'm gonna get on out of here.

 

983

00:40:48,525 --> 00:40:52,995

Uh, you have yourself a great rest of your

day or evening, and as I always say, thank

 

984

00:40:52,995 --> 00:40:57,435

you so much, very, very much for, uh,

making whatever I've got going on here.

 

985

00:40:57,435 --> 00:40:59,265

Part of what you've got going on.

 

986

00:40:59,550 --> 00:41:03,000

Okay, we'll see you next time

right here on Story and Craft.

 

987

00:41:03,270 --> 00:41:06,000

Announcer: That's it for this

episode of Story and Craft.

 

988

00:41:06,090 --> 00:41:08,490

Join Marc next week for more conversation.

 

989

00:41:08,700 --> 00:41:12,900

Right here on Story and Craft

Story and Craft is a presentation

 

990

00:41:12,960 --> 00:41:14,400

of Marc Preston Production's.

 

991

00:41:14,430 --> 00:41:17,460

LLC Executive Producer is Marc.

 

992

00:41:17,480 --> 00:41:20,900

Preston Associate Producer

is Zachary Holden.

 

993

00:41:21,230 --> 00:41:24,830

Please rate and review story

and craft on Apple Podcasts.

 

994

00:41:24,830 --> 00:41:29,030

Don't forget to subscribe to the

show on Apple Podcasts, Spotify,

 

995

00:41:29,210 --> 00:41:30,620

or your favorite podcast app.

 

996

00:41:30,980 --> 00:41:33,950

You can subscribe to show

updates, and stay in the know.

 

997

00:41:34,070 --> 00:41:38,210

Just head to story and craft pod.com

and sign up for the newsletter.

 

998

00:41:38,780 --> 00:41:39,680

I'm Emma Dylan.

 

999

00:41:39,950 --> 00:41:40,880

See you next time.

 

1000

00:41:41,090 --> 00:41:43,490

And remember, keep telling your story.

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