Tone Bell | Comedy, Family & Staying Thirsty
On this episode of The Story & Craft Podcast, we sit down with actor and comedian, Tone Bell from the Netflix series “Survival of The Thickest”, as well as projects such as the film Trigger Warning with Jessica Alba and the Kathy Bates comedy series, Disjointed. Tone shares insights about his journey from growing up in Atlanta, Georgia, to becoming a successful stand-up comedian and actor. We talk about the challenges and joys of touring, his early influences, and his deep love for stand-up, as well as his experiences on television and in film. We also discuss the significance of his family and how personal experiences shape his comedic storytelling.
SHOW HIGHLIGHTS
01:51 Tone Bell's Journey to Austin
05:15 Comedy Beginnings and Inspirations
07:36 The Realities of Touring as a Comedian
13:30 Comedy Styles and Influences
17:33 Family and Personal Life
21:42 Transition to Acting and Comedy
22:14 Theater Experiences and Challenges
24:40 Television Aspirations and Family Influence
26:38 College Days and Early Career
29:56 Acting Roles and Collaborations
33:16 Personal Reflections and Future Plans
33:47 The Seven Questions
Listen and subscribe on your favorite podcast app. Also, check out the show and sign up for the newsletter at www.storyandcraftpod.com
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#podcast #ToneBell #SurvivalOfTheThickest #TriggerWarning #Disjointed #Netflix #MichelleButeau # JessicaAlba #KathyBates #Actor #Acting #storyandcraft #Comedy #Comedian
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Tone Bell: And I was like, I
gotta live like Ashton Kutcher.
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At some point, I gotta have that
Eddie Murphy apartment where just
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it is open and the bed kind is on a
pedestal, and it's just, it was sexy.
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Announcer: Welcome to Story and Craft.
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Now here's your host, Marc Preston.
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Marc Preston: All right, here we go.
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Another episode of Story and Craft.
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How are you?
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I'm Marc Preston.
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If this is your very first episode.
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Thank you so much for stopping by.
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Uh, if you've been here
before, welcome back.
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It is greatly appreciated.
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Uh, today sitting down with comedian
and actor Tone Bell, he is on
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the Netflix show, survival of the
Thickest, along with Michelle Boutou.
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Uh, the new season just came out.
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Uh, he was also in a cool show, a comedy
on Netflix called Disjointed With.
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Kathy Bates, it was out a few years ago.
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Also, he was in the film, uh, trigger
Warning recently, the, uh, Netflix
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movie with Jessica Alba, as well as
the United States versus Bill Holiday.
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Tone is a funny guy, talented,
and, uh, really a pleasure
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sitting down talking with him.
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Hey, uh, do me a favor.
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If you would pop on
over to Story and Craft.
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pod.com/rate.
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The reason why if you pop on over,
you can leave a review, leave
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stars, whatever, have you, uh,
helps people to find the show and.
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And the mischief I've got going on here.
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Uh, make sure to follow story and craft.
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That way you get notified every
time there is a new episode.
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Uh, it is greatly appreciated.
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Now let's jump right into it.
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Today is tone bell day
on story and craft tone.
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Where you join me from today.
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Tone Bell: Uh, Manhattan.
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I'm right by Central Park man.
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I love great view, best view I've
ever had in a, in a, uh, hotel.
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In New York.
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Marc Preston: So you're, you're there,
uh, vacationing, working something
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that's not your home base right now?
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No, no, no, no.
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Just out here doing a
little work right now.
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Uh, where do you call home and where,
where's home originally for you?
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Tone Bell: Home originally, Atlanta,
Georgia, just outside Decatur,
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Georgia, east side of Atlanta.
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Um, and, uh, most of my underwear is in
Austin, but I split time between LA and,
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and Austin, Texas for the most part.
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Marc Preston: Alright, well, very cool.
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Hey, I'm not too far south of you.
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I'm down in, uh, south Padre Island, so
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Tone Bell: Oh yeah.
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Marc Preston: I need, I
need to get up to Austin.
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I, I was just speaking with, uh, chef, uh,
uh, Ben Ford recently, and I was like, you
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know, we were, we're talking about how.
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Where, where to eat in Austin.
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I said, you know, the one place I've never
eaten, I've tried, I can never get through
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the line, is, uh, Franklin Barbecue.
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I haven't had a chance
to get in there yet,
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Tone Bell: man.
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Franklin, I mean, that line, man,
that line has been around the corner
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since, uh, since, because they're
only open for a couple hours a day
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and then they sell out everything.
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So I haven't been yet.
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I have not been, uh, I wanna
say, what's the other one?
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Uh, Terry Blacks is the other one.
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I, I know somebody at Terry
Black, so I can get in there, but
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that's, that's also a crazy line.
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Marc Preston: Now I can say I know
somebody who knows somebody at Terry
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Blacks, so I can get in that way.
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Yeah.
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You know?
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So, so how did you get down to Austin?
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How was that a, how was that destination?
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I know a lot of folks are
relocating down there.
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Tone Bell: Yeah.
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I mean, I went, I, I, I always
knew I was gonna go to Austin.
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I used to live in Dallas.
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I used to have a, um.
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I was corporate for a while, so, so I
worked in Marceting and advertising for
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Anheuser-Busch for, for about seven years.
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And, um, a lot of friends and
one of the guys that I trained
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used to live down there.
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So I, uh, I would go down on weekends
and like for meetings and stuff, and
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I just loved the city, so I knew when,
when my time in LA my full-time in
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LA was up, I knew I was gonna move to
Austin and then, then it turns out.
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Over a decade later, the, the
comedy boom happened there.
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So I mean, standup is,
is beautiful right now.
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It's beautiful.
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I, it's so much stage time.
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Great audiences.
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Marc Preston: Uh, I
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Tone Bell: love it.
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Marc Preston: Plus South by Southwest,
I think kind of infuses the city with a
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lot of, you know, it's a, it's a pretty
sophisticated place when it comes to,
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you know, live venues and stuff like
that and activity and, uh, oh yeah.
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But yeah.
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Where, where in Dallas did you live?
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'cause that's actually my home.
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My hometown is originally Dallas.
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Tone Bell: Oh, yeah.
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Okay.
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Well, you know exactly
what I'm talking about.
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The, uh, uh, I moved to Dallas
in like 2006, maybe seven.
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And, uh.
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I always remember that.
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I don't know, I had that
when I was growing up.
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I had that, um, that idea of living,
like one of the guys I would see in
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movies that just had like that open
floor playing loft for the exposed
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brick wall and the pipes, and I was
like, I gotta live like Ashton Kutcher.
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At some point I gotta have that Eddie
Murphy apartment where just it is open and
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the bed kind is on a pedestal and it just,
it was sexy and you kind of see the city.
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So I live right downtown, man.
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I was at, um, Maine in Acker, right across
from that, you know, oh, the Marcus.
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Marc Preston: Main in Acker.
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Is that, is that where that I
think they used to, is that the
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place that used to be a bank?
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It was a higher, you know,
there's a place there used to,
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Tone Bell: it was, that's a,
that's a couple doors down.
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Marc Preston: Okay.
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Okay.
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It's like used to be a, that's
first National Bank of Dallas.
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Yeah.
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Had a friend of mine who, uh, who
used to, who used to live there
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and she, and, and they had that
stained concrete floor, the highest
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ceilings, you know, a lot of window.
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It, it was the.
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I don't know what Ashton
Cher's place looks like to me.
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It was pretty swank.
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I was, I was a suburban kid.
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I, I lived up in Richardson.
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That was where I, you know,
I was a North Dallas kid.
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So there was this boom where all this,
uh, a lot of folks were heading down
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to, uh, uh, like the uptown area.
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It became a real.
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What they call 'em, yuppies.
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I don't know if that phrase
anymore, but yeah, that's who
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was where it was all happening.
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But I was a suburban kid.
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You, your underwear is in Austin,
but you're traveling, uh, so you,
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you're doing the, uh, comedy thing
and the acting thing, but I gotta
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know, it's always the what came
first, chicken or the egg, you know?
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Did the comedy thing kick off
for you first or were you kind
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of in the performance thing in
school and whatever have you?
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Tone Bell: Uh, was kind.
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I mean, you know, if we, if we gonna go
way back, I'll tell you the fir, my first
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time on television, I was, I think 12,
I was on this kids kind of sketch show
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on, uh, public asset at public access
TV called, uh, called Kids Barn back in,
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um, I mean, shoot, wait, like 94 93 9 4.
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And, uh, so I mean, it was always comedy.
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And then, uh, in high school,
got into sketch comedy through.
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Um, like my high school, the
actual high school I went to
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and the church I was going to.
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And so I did stand up probably
three or four times in high school.
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And then I knew some comics I would
go see, I mean, I was 15 or 16
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going to see earthquake and um, I.
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And, uh, um, Bruce,
Bruce and DL Hug League.
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'cause they used to play at
this little bar down the, uh,
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down the street from my house.
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And
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Marc Preston: my mom's
friend was sleeping.
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Yeah, Atlanta had a, Atlanta always had
that, had a big scene going on in comedy.
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A lot of people came Oh yeah.
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Out of there.
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Yeah.
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Or at least, or at least they came
of, they cut their teeth in Atlanta.
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Tone Bell: Yeah.
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And then, I mean, then I got to college
and I was doing theater and some short
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films and some, uh, student films.
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And then I was hosting events
and all that kind of stuff.
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And then.
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Uh, you know, a day job will really throw
a monkey wrench in your dreams sometimes.
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So, yeah.
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Uh, just not letting you live how you,
how you, you know, but you also have to
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eat and wash, so that's always important.
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And so, but it was kind of like, I,
I tried to do a play when I got to
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Dallas and that timing of not knowing,
you know, what events I was gonna
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have to be at or travel for work.
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So I couldn't really commit to that.
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And then it was kind of, kind of synergy
of like, okay, I want to be on stage
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and I want to be funny, but also I
need to do this on my own schedule.
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And so really kind of started as
a hobby of, of how to get out and,
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and kind of do my own thing and
not be on someone as a schedule.
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I. And that's where standup came from.
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Marc Preston: Well, I think as a
performer you gotta have that freedom of
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kind of doing it on your own schedule.
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I think some people it's 'cause
you know it's gonna work for you.
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You gotta, you gotta fi you gotta
find your own path, you know?
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And it may not make sense to other
people, but, uh, but yeah, that, that
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makes all the sense in the world.
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I mean, you as a comedian, did
you, uh, do you enjoy the tour
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thing or do you like kind of like.
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Having kind of being where
you're performing or do
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you like being on the road?
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Tone Bell: Yeah, I mean, I tell
you what I mean, I'm 17 years into
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comedy now and, uh, you know, it was
exciting when I realized I could,
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I, oh, like, oh, I'm gonna have
a career at this, which is nice.
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Like it wasn't just, you
know, popping on stage.
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And, and, and you know, I'm out of
the open mic scene and I'm starting
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to tour and it was very exciting for
the first probably seven to 10 years.
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And man, let me tell you, I
can't stand the travel now.
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It is a gift and a curse.
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I mean, just pack.
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I mean now I, man, I got a uniform
now and, and a couple older comics
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told me at one point, they're like,
you gonna stop going shopping?
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You gonna figure out what you
like to wear on stage and you
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gonna pack that every weekend?
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And that's what I do now.
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And, and I mean, I, I love when
I'm on the stage, but getting
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there is, is a, is a sometimes not
the, not the easiest to, to, um.
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To get, you know, to be mo motivated in,
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Marc Preston: I imagine it's a younger
man's game to a degree, and it becomes
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a real job as you get a little bit
older, but you know what you're doing.
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So I guess it's kind of a trade
off, you know, you're a little more
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00:08:43,050 --> 00:08:46,920
seasoned as, as, uh, as a guy that's
got some miles under his wheels.
215
00:08:46,920 --> 00:08:50,130
But do you have a preference
for like, working at clubs
216
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or do you have aspirations?
217
00:08:51,270 --> 00:08:54,120
You, I always wanted to do like,
I mean, to the far end, like a big
218
00:08:54,120 --> 00:08:56,850
arena show or, you know, what, yeah.
219
00:08:56,850 --> 00:08:58,920
What, what kind of aspirationally,
you know, did you start
220
00:08:58,920 --> 00:09:00,480
off wanting to do and, and.
221
00:09:01,064 --> 00:09:02,594
Kind of right now, what are you like?
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00:09:02,594 --> 00:09:05,265
Okay, this to me is success
when it comes to comedy.
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00:09:05,564 --> 00:09:09,974
Tone Bell: Man, I hit, I hit a lot of 'em
early, which I did not think was possible.
224
00:09:10,155 --> 00:09:13,964
Uh, I thought it was gonna take a lot
longer, but, uh, yeah, I mean, you know,
225
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I look at it now where I think I'm in the
next few years of, of getting into that
226
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theater space and I'm excited about that.
227
00:09:20,655 --> 00:09:22,305
And I mean, I love the clubs.
228
00:09:22,694 --> 00:09:25,245
It does get exhausting sometimes
when, you know, some clubs are
229
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like, we gotta do seven shows.
230
00:09:27,464 --> 00:09:29,474
You go to Vegas, sometimes it's 10 shows.
231
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Sometimes it's seven now I kind of
just do the Friday, Saturday thing.
232
00:09:33,495 --> 00:09:37,155
So I, I do love certain clubs in certain
cities, but it'd be nice to be able to
233
00:09:37,155 --> 00:09:41,925
go into a town, see it, go grab lunch,
get a restaurant recommendation, do my
234
00:09:41,925 --> 00:09:44,025
show at night, and then get the hell out.
235
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Yeah.
236
00:09:45,165 --> 00:09:45,555
Like that.
237
00:09:45,825 --> 00:09:47,415
Yeah, that would be very nice.
238
00:09:47,475 --> 00:09:51,075
I mean, I'm, I'm, I got a lot of friends
who moved into that space and the arenas.
239
00:09:51,075 --> 00:09:52,725
I don't know if my style fits arenas.
240
00:09:52,725 --> 00:09:55,185
I mean, if, we'll find out if it
does, I mean, we ever get there,
241
00:09:55,185 --> 00:09:59,085
then I, I'd be, um, you know, I'd
be excited to do that, but, but I'm.
242
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I think I'd love to, I mean, I've, I've
worked with a few people and, uh, I've
243
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gotten, you know, the 4,000 seater, the
2,500 seater, and that feeling is amazing.
244
00:10:10,215 --> 00:10:13,425
I mean, just hearing that laugh, roll
back to the back wall and then come back
245
00:10:13,425 --> 00:10:18,090
and you're like, oh, I can pause for like
12 seconds because this joke just hit.
246
00:10:18,090 --> 00:10:23,625
I mean, it's, it's, uh, that crescendo
of sound and laughter is, is, uh, it's
247
00:10:23,625 --> 00:10:23,985
Marc Preston: addictive.
248
00:10:24,270 --> 00:10:27,075
Like, how long does it take you to
kind of get to that point where,
249
00:10:27,075 --> 00:10:29,955
you know, you've said, okay, now I
got my, now I got my show locked in.
250
00:10:30,195 --> 00:10:32,745
How long does it take you to work
that out, to get to the point
251
00:10:32,745 --> 00:10:34,515
where you're, you're like, oh,
let's take this on the road?
252
00:10:34,725 --> 00:10:37,755
Tone Bell: Uh, yeah,
for everything usually.
253
00:10:37,755 --> 00:10:39,225
Usually I write pretty quick.
254
00:10:39,225 --> 00:10:41,775
That's only because most of 'em
are real stories about life.
255
00:10:41,775 --> 00:10:45,525
So if I tell it how I want to
tell it, the most stories, I mean
256
00:10:45,525 --> 00:10:47,835
anywhere between eight to 20 minutes.
257
00:10:47,835 --> 00:10:50,475
I got a story right now that's
25 minutes long if I tell it.
258
00:10:50,480 --> 00:10:50,560
Mm-hmm.
259
00:10:50,645 --> 00:10:51,735
The crowd is really locked in.
260
00:10:52,439 --> 00:10:54,540
One one bit is 25 minutes.
261
00:10:54,540 --> 00:10:58,319
So, uh, that takes about probably say,
six to eight months to really work
262
00:10:58,319 --> 00:11:02,189
out to where I'm comfortable and it
works everywhere, but I mean, an hour.
263
00:11:02,550 --> 00:11:03,270
Oh man, the show.
264
00:11:03,270 --> 00:11:05,490
It's, I mean, I'm still
playing with my new hour now.
265
00:11:05,579 --> 00:11:08,730
I mean, I'm starting to find new stuff
that I like that, you know, trims of
266
00:11:08,730 --> 00:11:10,230
fad and I get the point across better.
267
00:11:10,230 --> 00:11:14,280
So, uh, and I've been working on the
bones of this one for, I mean, I would
268
00:11:14,280 --> 00:11:16,170
say about two, two and a half years now.
269
00:11:16,515 --> 00:11:19,155
I probably could have shot something
a year and a half ago and I would've
270
00:11:19,155 --> 00:11:22,785
been happy with it, but now it's,
it is sharpening and, and, and
271
00:11:22,785 --> 00:11:24,405
it's, it is really feeling good.
272
00:11:24,405 --> 00:11:25,755
It's really feeling good.
273
00:11:25,964 --> 00:11:28,454
Marc Preston: Have you ever been in a
situation, I, I've always been curious
274
00:11:28,454 --> 00:11:31,305
about this, where you go somewhere
and something you do just kills.
275
00:11:31,305 --> 00:11:33,584
It's just like lights up the
room and everybody, and you're
276
00:11:33,584 --> 00:11:35,295
like, all right, this is perfect.
277
00:11:35,295 --> 00:11:36,824
I'm gonna use this wherever I go.
278
00:11:36,824 --> 00:11:39,495
This is gonna be like,
almost like a marquee thing.
279
00:11:39,645 --> 00:11:43,725
And then you go to another city,
another club, and it, and it falls flat.
280
00:11:43,750 --> 00:11:45,765
Has that ever happened to you
where you're like, wait a minute.
281
00:11:46,425 --> 00:11:46,545
Yeah.
282
00:11:46,545 --> 00:11:46,725
Last
283
00:11:46,725 --> 00:11:47,355
Tone Bell: weekend,
284
00:11:47,595 --> 00:11:48,285
Marc Preston: uh, where were you?
285
00:11:48,675 --> 00:11:49,185
Uh,
286
00:11:49,185 --> 00:11:50,415
Tone Bell: Winnipeg, Canada.
287
00:11:50,970 --> 00:11:51,600
Winnipeg.
288
00:11:53,100 --> 00:11:56,850
I mean, and uh, and look, I love
the Canadians and most of 'em
289
00:11:56,850 --> 00:11:59,160
were in, but I mean, even these
shows were set up different.
290
00:11:59,160 --> 00:12:01,800
I mean, I had never, uh,
worked a club like this before.
291
00:12:02,310 --> 00:12:04,650
Uh, 'cause the audience
is, is built differently.
292
00:12:04,920 --> 00:12:08,700
But yeah, I mean, sometimes man, you can
go to, I mean, you go to Salt Lake City
293
00:12:08,700 --> 00:12:12,150
and then you go to Phoenix and that's two
different, yeah, two different crowds.
294
00:12:12,780 --> 00:12:13,830
You just never know.
295
00:12:13,830 --> 00:12:17,220
I mean, majority of the time,
average, they, they all work.
296
00:12:17,220 --> 00:12:19,470
But yeah, sometimes also, like,
you gotta realize sometimes
297
00:12:19,470 --> 00:12:21,270
you, you mentally run outta gas.
298
00:12:21,270 --> 00:12:21,330
Yeah.
299
00:12:21,690 --> 00:12:24,960
Like if you've been, you know, like
you're not hitting it as well as
300
00:12:24,960 --> 00:12:27,600
you, you, like, you try to go on
autopilot and go, this should work.
301
00:12:27,840 --> 00:12:29,940
But if I don't give it the
same performance and the same
302
00:12:29,940 --> 00:12:31,740
nuance, then it might not.
303
00:12:31,740 --> 00:12:35,400
And sometimes the crowd is just not
in, I mean, I've had a opener probably
304
00:12:35,400 --> 00:12:38,100
I'm taking a new guy with me on the
road now, every now and then, and I
305
00:12:38,100 --> 00:12:41,700
mean, he's a killer, which I like,
'cause he makes me work harder.
306
00:12:42,450 --> 00:12:43,875
I. But I mean, he has such a good set.
307
00:12:43,875 --> 00:12:48,675
Probably three weeks ago that I was
upset before I went on, I was like, I
308
00:12:48,675 --> 00:12:49,875
should have just let you close the show.
309
00:12:50,880 --> 00:12:57,315
I was, I was exhausted and this
dude just got off stage and fucking
310
00:12:57,315 --> 00:13:00,315
murdered and I was like, I kind
of just don't even want to go up.
311
00:13:00,315 --> 00:13:06,075
And then I had a pretty good set, but the
show before that, I killed the next show.
312
00:13:06,075 --> 00:13:08,805
It was like, it was fine, which is fine.
313
00:13:09,795 --> 00:13:11,955
But, oh man, it just,
it was, it was rough.
314
00:13:12,405 --> 00:13:14,805
Marc Preston: Like, who was on the
Mount Rushmore when you were coming up?
315
00:13:14,805 --> 00:13:15,555
You're like, okay.
316
00:13:15,555 --> 00:13:19,065
When I see them, uh, you
mentioned Eddie Murphy apartment.
317
00:13:19,185 --> 00:13:21,525
You know, I know like if you're,
if you were to mention like at,
318
00:13:21,525 --> 00:13:23,145
let's say four or five guys or Yeah.
319
00:13:23,805 --> 00:13:25,965
Folks you looked at and go,
man, they cracked the code.
320
00:13:25,965 --> 00:13:27,465
That's my north star.
321
00:13:27,495 --> 00:13:29,505
Who, who would those people
be when you were coming up?
322
00:13:29,715 --> 00:13:30,405
Tone Bell: Coming up?
323
00:13:30,435 --> 00:13:33,975
Uh, I would still say, I would say
my top two are Carlin and Cosby.
324
00:13:34,545 --> 00:13:37,545
And we're talking about, you know, when
I fell in love with standup, I mean,
325
00:13:37,545 --> 00:13:38,655
it's nineties, early two thousands.
326
00:13:38,655 --> 00:13:40,665
I mean, Carlin Cosby, um,
327
00:13:41,025 --> 00:13:42,735
Marc Preston: Cosby is
more of a storyteller.
328
00:13:43,064 --> 00:13:45,525
You know, everything about Cosby
down the line and whatever have you.
329
00:13:45,525 --> 00:13:50,145
But back in the day, I mean, he, he
could take one story and make it last a
330
00:13:50,145 --> 00:13:51,944
while, but are you more of a storyteller?
331
00:13:51,944 --> 00:13:54,795
Are you more of like a quick
commentator kind of style?
332
00:13:54,795 --> 00:13:55,760
Where, where, where do you Yeah.
333
00:13:55,765 --> 00:13:55,844
More
334
00:13:55,844 --> 00:13:59,025
Tone Bell: of a storyteller, more
of a storyteller, uh, getting
335
00:13:59,025 --> 00:14:01,334
more into my personal life.
336
00:14:01,740 --> 00:14:04,620
Then I used to just tell stories kind of
out in the wild, like whatever happened
337
00:14:04,620 --> 00:14:08,280
to me on the subway, on the plane,
in the airport, at the grocery store.
338
00:14:08,280 --> 00:14:12,720
And now it's kind of my home life,
my neighborhood, uh, the wife, the
339
00:14:12,720 --> 00:14:14,310
family, all that kind of stuff.
340
00:14:14,760 --> 00:14:17,939
And I mean, but I do have anecdotes
that kind of, I'll drop in there of
341
00:14:17,939 --> 00:14:21,060
like a perspective that I might have,
but usually it's more storytelling.
342
00:14:21,060 --> 00:14:21,180
Gotcha.
343
00:14:21,570 --> 00:14:25,200
So yeah, that's why Cosby was always, I
mean, you know, one 30 minute bit or a
344
00:14:25,200 --> 00:14:30,090
bit that lasts an entire hour and he drops
like kind of little things in between it.
345
00:14:30,660 --> 00:14:33,180
Um, but I'm also a big
fan of Patrice O'Neal.
346
00:14:33,390 --> 00:14:33,480
Mm-hmm.
347
00:14:33,480 --> 00:14:34,890
I mean, you know, passed away years ago.
348
00:14:34,890 --> 00:14:41,370
But Patrice, I mean, just perspective
wise was, I mean, just, just a way to, uh,
349
00:14:42,210 --> 00:14:49,140
get people to, to, I mean, dig themself
a hole and then let you realize, I don't
350
00:14:49,140 --> 00:14:51,660
even agree with this, but holy shit.
351
00:14:51,660 --> 00:14:52,170
Is that funny.
352
00:14:53,640 --> 00:14:57,150
Marc Preston: Yeah, I mean, Carlin was,
uh, he, he was just a master wordsmith,
353
00:14:57,150 --> 00:15:00,630
like I heard somewhere that he wrote,
I mean, everything he did on stage
354
00:15:00,630 --> 00:15:03,420
was, was almost scripted, you know?
355
00:15:03,420 --> 00:15:05,670
It was pretty much, he
knew what he was gonna say.
356
00:15:06,210 --> 00:15:09,690
You know, I just, I know when I started
in radio years ago, you know, the, the
357
00:15:09,690 --> 00:15:11,310
words you can't say on radio, it was like.
358
00:15:11,579 --> 00:15:13,949
You know, Carlin was my educator on that.
359
00:15:14,099 --> 00:15:14,755
Oh, you know?
360
00:15:14,984 --> 00:15:15,275
Yeah.
361
00:15:15,584 --> 00:15:15,875
Tone Bell: Yeah.
362
00:15:15,895 --> 00:15:17,790
And I, I'll probably watch that.
363
00:15:17,939 --> 00:15:20,489
I'll probably watch that
bit every few months.
364
00:15:20,729 --> 00:15:22,050
Marc Preston: He never lost his edge.
365
00:15:22,079 --> 00:15:27,089
He was always dialed in and I think right
now he would be more contemporary than
366
00:15:27,089 --> 00:15:30,959
even he was back then if he was doing the
same act right now, ironically, you know,
367
00:15:31,140 --> 00:15:34,439
Tone Bell: I mean, I watched the hour
that he did a few months ago, and you go,
368
00:15:34,439 --> 00:15:37,229
it sounds like he wrote it a year ago.
369
00:15:37,830 --> 00:15:38,100
Yeah.
370
00:15:38,310 --> 00:15:39,900
I mean, it's still, it still all matters.
371
00:15:40,140 --> 00:15:42,840
I mean, nothing's changed
that much for, I mean, it's so
372
00:15:42,840 --> 00:15:43,950
poignant when he did it then.
373
00:15:44,460 --> 00:15:47,880
And I mean, just, I mean, just the,
just the scope that he had on the
374
00:15:47,880 --> 00:15:52,410
culture and society was amazing
and also hilarious in human nature.
375
00:15:52,415 --> 00:15:53,760
He, he kind of dialed that in.
376
00:15:53,760 --> 00:15:53,910
You
377
00:15:53,910 --> 00:15:55,740
Marc Preston: know, who right
now are you checking out?
378
00:15:55,740 --> 00:15:56,970
Who are you enjoying watching?
379
00:15:56,970 --> 00:15:59,250
Uh, uh, who's currently out there?
380
00:15:59,490 --> 00:16:00,390
Tone Bell: Man, that's hard.
381
00:16:00,390 --> 00:16:02,880
'cause I mean, you know, it's, when you
get into this, you know, you're, you're
382
00:16:02,880 --> 00:16:06,210
fans of people, then you kind of run
into 'em and then you become a peer.
383
00:16:06,300 --> 00:16:07,080
And so.
384
00:16:07,500 --> 00:16:11,880
Uh, really, I'm, I'm, I'm, I'm a big fan
of a lot, I would say friends of mine.
385
00:16:11,880 --> 00:16:15,689
I mean, I think, uh, even, I mean, my
wife was very mad at me last week for,
386
00:16:15,689 --> 00:16:19,590
for, we got in a good argument and I
knew because we're, we're trying to
387
00:16:19,590 --> 00:16:25,140
have a kid now, I knew that if I put on
Andrew Schultz special that she would
388
00:16:25,140 --> 00:16:28,590
love it, but she's so mad at me that
she'll try her best not to laugh at it.
389
00:16:28,710 --> 00:16:29,850
And that's exactly what happened.
390
00:16:30,569 --> 00:16:32,040
And it was, it was brilliant.
391
00:16:32,040 --> 00:16:34,230
I mean, I, she was trying to put
a pillow over her face to act like
392
00:16:34,230 --> 00:16:36,660
she was mad, but she was, I mean,
giggling all the way through it.
393
00:16:37,185 --> 00:16:40,694
Uh, so I think Schultz right now,
I'm, I'm, I love his evolution.
394
00:16:41,055 --> 00:16:43,635
Uh, Nate Tazi, love Nate.
395
00:16:43,694 --> 00:16:45,944
Ali Sadik, I think is hilarious.
396
00:16:46,425 --> 00:16:52,035
Um, uh, Kyle Kna, I just love how he,
he's a wordsmith to me and just, I mean,
397
00:16:52,035 --> 00:16:53,655
he kind of puts you in those shoes.
398
00:16:54,104 --> 00:16:55,395
Brian Simpson is really funny.
399
00:16:55,395 --> 00:16:59,084
I mean, a lot of people I see a lot
are that, I mean, they may not be
400
00:16:59,084 --> 00:17:01,905
doing Madison Square Garden all the
time, but they, but they're just really
401
00:17:01,905 --> 00:17:03,615
funny dudes and, and, and very unique.
402
00:17:03,615 --> 00:17:03,675
It
403
00:17:03,915 --> 00:17:06,255
Marc Preston: is funny you said that
your peers now, I think I was listening,
404
00:17:06,285 --> 00:17:09,075
I was checking out Marc Marin, who
I think is, does a great job with,
405
00:17:09,105 --> 00:17:12,585
with his, uh, show and he was talking
to WMAL Bell, I think, and they're
406
00:17:12,585 --> 00:17:14,895
talking about how like you work it out
in front of the audience, but then.
407
00:17:15,300 --> 00:17:19,560
You kind of want to go up on stage
with your peers, like super sharp.
408
00:17:19,560 --> 00:17:22,800
Like they're the ones ultimately you want
to, you don't want to be a dull knife like
409
00:17:22,800 --> 00:17:24,090
in the, in the room with them, you know?
410
00:17:24,090 --> 00:17:27,780
So it's, there's this whole
ecosystem or culture, sociology
411
00:17:27,780 --> 00:17:31,110
of, you know, working at the comedy
world that I'm kind of envious of.
412
00:17:31,110 --> 00:17:33,330
I mean, I'm only moderately funny at best.
413
00:17:33,335 --> 00:17:35,640
You out, you mentioned your wife,
like what, what does she do?
414
00:17:35,640 --> 00:17:37,620
Is she, uh, does she go
on the road with you?
415
00:17:37,620 --> 00:17:39,930
Does she have her own gig that
she's doing right now, or what?
416
00:17:39,990 --> 00:17:42,930
Tone Bell: Uh, I hope she works,
but, uh, and she has been on the
417
00:17:42,930 --> 00:17:44,490
road, but I hope she doesn't.
418
00:17:45,284 --> 00:17:48,165
Um, I like to leave her at home.
419
00:17:49,004 --> 00:17:52,080
Is, is what is, is, is, is fine.
420
00:17:52,725 --> 00:17:54,014
I prefer to leave her at home.
421
00:17:54,344 --> 00:17:58,004
Um, she does like to come to shows
and I mean, a lot of material,
422
00:17:58,004 --> 00:18:00,465
you know, whatever happens in
the house, she hears it first.
423
00:18:00,465 --> 00:18:03,915
So a lot of stuff, you know, as, as,
and I have to tell the audience this
424
00:18:03,915 --> 00:18:07,875
sometimes, especially when I'm working
out something new that, uh, my mom used
425
00:18:07,875 --> 00:18:11,745
to hear a lot of stuff first, that, you
know, we, we, my mom and I are very tight.
426
00:18:11,745 --> 00:18:12,520
We talk every day.
427
00:18:12,975 --> 00:18:14,655
And now we don't talk as much.
428
00:18:14,655 --> 00:18:18,675
'cause I have a wife now and so she
hears all of this garbage every day.
429
00:18:19,004 --> 00:18:22,065
And then she tells me
if it's funny or not.
430
00:18:22,095 --> 00:18:25,665
And the inverse happens if she thinks
it's funny, other people don't.
431
00:18:25,725 --> 00:18:28,605
If she thinks it's not
funny, other people love it.
432
00:18:29,595 --> 00:18:29,715
Really?
433
00:18:29,715 --> 00:18:31,335
And so like that, that's
kind like the style.
434
00:18:31,335 --> 00:18:31,695
Yeah.
435
00:18:31,695 --> 00:18:32,025
Oh man.
436
00:18:32,025 --> 00:18:33,165
If she's like, you shouldn't say that.
437
00:18:33,165 --> 00:18:34,995
I go, oh, well I gotta put that on stage.
438
00:18:35,145 --> 00:18:36,495
Marc Preston: You got
the decoder ring of Okay.
439
00:18:36,495 --> 00:18:38,800
If it doesn't work with her, it's
probably gonna work on stage now.
440
00:18:38,805 --> 00:18:39,225
Tone Bell: Now,
441
00:18:39,225 --> 00:18:41,055
Marc Preston: like you mentioned your
mother, like what, what does she do?
442
00:18:41,325 --> 00:18:41,655
Uh,
443
00:18:41,655 --> 00:18:42,825
Tone Bell: my mom,
well, she's retired man.
444
00:18:42,825 --> 00:18:45,285
She just retired, uh, after 30 years.
445
00:18:45,345 --> 00:18:46,485
I mean, probably 40 years really.
446
00:18:46,485 --> 00:18:51,675
But, uh, her last gig was the
director, director of the governor's
447
00:18:51,675 --> 00:18:56,325
off director for the Governor's off
office of Highway Safety in Georgia.
448
00:18:56,355 --> 00:18:56,385
Okay.
449
00:18:56,835 --> 00:18:57,795
So, um.
450
00:18:58,170 --> 00:19:01,440
Yeah, I mean, and honestly
my mom is really funny.
451
00:19:01,440 --> 00:19:04,470
She don't think she's that funny,
but everybody knows she's real.
452
00:19:04,530 --> 00:19:06,270
She's so funny, man.
453
00:19:06,840 --> 00:19:08,010
And my wife is getting funnier.
454
00:19:08,010 --> 00:19:09,270
Like she, she's really not.
455
00:19:10,200 --> 00:19:13,890
She, she's, she, she's, she's
lucky she has me, I'll say that.
456
00:19:14,610 --> 00:19:15,540
'cause her jokes are getting better.
457
00:19:15,540 --> 00:19:18,505
She's trimming paddle somebody
long, she's long story helping.
458
00:19:18,645 --> 00:19:19,560
So you're helping her raise
459
00:19:19,560 --> 00:19:21,810
Marc Preston: her bar basically, you
know, you're helping her to, you know.
460
00:19:21,810 --> 00:19:22,200
Yeah.
461
00:19:22,590 --> 00:19:24,540
Be her, be her fullest self, you know?
462
00:19:24,990 --> 00:19:26,040
Are your folks still around?
463
00:19:26,040 --> 00:19:27,090
I mean, your mother's still around you.
464
00:19:27,360 --> 00:19:28,170
Uh, what about your father?
465
00:19:28,170 --> 00:19:29,580
What was his, uh, vocation?
466
00:19:30,090 --> 00:19:30,480
Tone Bell: Yeah.
467
00:19:30,570 --> 00:19:33,330
Uh, my mom and dad's still
together, still around.
468
00:19:33,360 --> 00:19:36,780
Uh, he, he's kind of, nobody really
knows what he's doing right now.
469
00:19:36,870 --> 00:19:39,180
I mean, he kind of works,
but then kind of doesn't.
470
00:19:39,840 --> 00:19:45,420
Um, he's a, he's a, um, a civil engineer
and developer, and so he kind of, you
471
00:19:45,420 --> 00:19:49,710
know, he'll help you out with a parking
lot or, you know, a runway or a house or
472
00:19:49,710 --> 00:19:51,480
something if you need it, but only if he.
473
00:19:51,870 --> 00:19:52,740
My dad's one of those dudes.
474
00:19:52,740 --> 00:19:54,900
He is like, you got cash.
475
00:19:55,260 --> 00:19:55,680
Like, that's,
476
00:19:59,055 --> 00:20:01,950
my dad was like, I'll work, but not,
but I ain't paying no taxes on it.
477
00:20:01,950 --> 00:20:03,390
Like, if you got cash, I'll hook you up.
478
00:20:03,390 --> 00:20:06,270
But I'm not, I'm not, uh, I'm
not taking checks anymore.
479
00:20:06,840 --> 00:20:08,400
So yeah, he's kinda
working, but not really.
480
00:20:15,485 --> 00:20:18,300
Marc Preston: Were you an only kid or did
you have some, uh, siblings growing up?
481
00:20:18,780 --> 00:20:20,520
Tone Bell: Uh, only biological kid.
482
00:20:21,375 --> 00:20:25,845
I got, I got, I got some cousins and
um, and some, and some friends that
483
00:20:25,845 --> 00:20:29,085
are like brothers and sisters tell
me that, uh, that I've collected
484
00:20:29,085 --> 00:20:30,765
over probably the last 30, 40 years.
485
00:20:30,765 --> 00:20:35,205
Spent a lot of time hopping around
moving neighborhoods, moving schools.
486
00:20:35,550 --> 00:20:37,560
A lot of kind of building your
own, kind of, building your own
487
00:20:37,560 --> 00:20:40,230
Marc Preston: extended family, your,
your homemade family, you know?
488
00:20:40,560 --> 00:20:41,490
Yeah, yeah, yeah.
489
00:20:41,550 --> 00:20:42,090
So, yeah.
490
00:20:42,090 --> 00:20:45,720
But yeah, I was an only kid also and I
was wondering, did that kind of keep you
491
00:20:45,720 --> 00:20:50,100
in your head a little bit more, like,
you know, being creative in school and,
492
00:20:50,250 --> 00:20:53,310
you know, 'cause I look at different
actors have spoken with comedians.
493
00:20:53,310 --> 00:20:56,670
A lot of, you know, a lot of
them, either they were only
494
00:20:56,670 --> 00:20:58,050
kids or maybe they were like.
495
00:20:58,409 --> 00:21:01,530
The oldest, oldest kid or younger, you
know, it's where they were kind of still
496
00:21:01,530 --> 00:21:02,610
sort of on there doing their own thing.
497
00:21:02,610 --> 00:21:06,030
How did that influence, do you
think, uh, your creative trajectory?
498
00:21:06,030 --> 00:21:08,399
Tone Bell: I mean, I, I'll tell,
I mean, I think you know that, I
499
00:21:08,399 --> 00:21:09,570
mean, like you're on the radio.
500
00:21:09,570 --> 00:21:12,899
I mean, so obviously there's a need
to, to be out in front of people
501
00:21:12,899 --> 00:21:14,429
and, and have a, have a voice, right?
502
00:21:14,429 --> 00:21:16,590
I mean, so like, that's, that's
probably where you got it.
503
00:21:16,590 --> 00:21:18,330
I mean, that's where I got it,
is like, if I'm gonna have any
504
00:21:18,330 --> 00:21:21,030
attention with two working parents,
both probably have, I mean, both of
505
00:21:21,030 --> 00:21:22,740
mine had two jobs, a piece really.
506
00:21:22,800 --> 00:21:24,840
So it was like, all right, I'm
gonna attention from somewhere.
507
00:21:25,260 --> 00:21:27,000
You know, so, yeah, I
remember, I remember being
508
00:21:27,000 --> 00:21:29,220
Marc Preston: seven years old, wanted
to do radio and I was like going,
509
00:21:29,220 --> 00:21:32,310
it was just, it was a theater of
the mind that was intriguing to me.
510
00:21:32,310 --> 00:21:36,090
That was the thing that kinda like, you
know, later on it was like, uh, you know,
511
00:21:36,090 --> 00:21:37,410
used to being in a studio by myself.
512
00:21:37,410 --> 00:21:38,190
Then I started acting.
513
00:21:38,190 --> 00:21:39,870
I was like, I'm doing something
with other people now.
514
00:21:39,870 --> 00:21:41,910
So it's like I'm trying to
go, what do I enjoy more?
515
00:21:42,270 --> 00:21:46,950
Now as far as the acting thing for you,
you know, uh, comedy is a very singular.
516
00:21:47,820 --> 00:21:49,320
Uh, even though you're
part of a community, you're
517
00:21:49,320 --> 00:21:50,700
kind of doing your thing.
518
00:21:50,700 --> 00:21:51,660
It's all on you.
519
00:21:51,660 --> 00:21:53,970
You're the only guy on stage, but acting.
520
00:21:54,060 --> 00:21:56,910
It's not just people you're
acting with, but you got a crew.
521
00:21:57,630 --> 00:21:58,710
It's a, it's a 180, you know?
522
00:21:58,800 --> 00:22:00,090
What about the acting thing?
523
00:22:00,090 --> 00:22:00,570
Got you.
524
00:22:00,630 --> 00:22:01,560
Uh, jazzed.
525
00:22:02,070 --> 00:22:02,700
Tone Bell: Uh, yeah.
526
00:22:02,700 --> 00:22:05,910
Comedy, comedy is, is a
selfish team sport, right?
527
00:22:05,910 --> 00:22:09,480
So, I mean, it's like I can't do it
without other comics, but also I, I'm
528
00:22:09,480 --> 00:22:13,950
solo in this, in this kind of ether of
other people that also are creative.
529
00:22:14,160 --> 00:22:15,870
Uh, the acting side of it.
530
00:22:16,335 --> 00:22:22,185
Is, um, it's, it's a, it's a
bunch of short jobs, right?
531
00:22:22,185 --> 00:22:24,945
So, I mean, so, you know, you go do a
movie, you create a family for three
532
00:22:24,945 --> 00:22:26,235
or four months, maybe six months.
533
00:22:26,595 --> 00:22:28,875
You do a show, you know,
kind of the same thing.
534
00:22:28,875 --> 00:22:31,275
You do theater, I mean, you,
you, you, you come together.
535
00:22:31,590 --> 00:22:35,790
You got like-mindedness, you
collaborate and then you disperse.
536
00:22:35,970 --> 00:22:38,700
Like, I, I think that's, it always
keeps it exciting 'cause you
537
00:22:38,700 --> 00:22:39,480
never know what's gonna happen.
538
00:22:39,480 --> 00:22:42,480
It's always kind of new Now, theater,
I mean, when people do theater runs,
539
00:22:42,480 --> 00:22:45,480
I, I'm, I'm, I could, I've been
thinking about it actually for a while.
540
00:22:45,480 --> 00:22:47,790
Like, would I go back
to theater any, anytime?
541
00:22:48,300 --> 00:22:51,930
And I, I think I would, but I,
I could only do a short run.
542
00:22:52,379 --> 00:22:55,170
I got friends who just kind of hopped on
Broadway and do some off Broadway stuff.
543
00:22:55,185 --> 00:22:57,615
And, uh, I get envious of it.
544
00:22:57,615 --> 00:23:00,495
But then, then, then I've had friends
who, I mean, they've been doing
545
00:23:00,495 --> 00:23:02,865
the same play for eight years and
I just don't know how they do it.
546
00:23:03,165 --> 00:23:03,375
Marc Preston: Yeah.
547
00:23:03,375 --> 00:23:04,605
I couldn't, I couldn't do that.
548
00:23:04,695 --> 00:23:05,804
I, I'm, I'm there with you.
549
00:23:05,804 --> 00:23:08,925
I'm like, God, I think I'd get, I, I
like variety, you know, you know, I
550
00:23:08,925 --> 00:23:11,655
like want to go down that buffet line,
like trying different things out.
551
00:23:11,804 --> 00:23:12,105
You know?
552
00:23:12,105 --> 00:23:13,965
I don't wanna be doing the
same thing, having the same
553
00:23:13,995 --> 00:23:15,014
thing over and over, you know?
554
00:23:15,435 --> 00:23:18,044
Uh, but did you mentioned theater,
was that something you did in high
555
00:23:18,044 --> 00:23:20,685
school or was that where you, where,
where theater started for you?
556
00:23:21,540 --> 00:23:24,150
Tone Bell: Yeah, I mean, like I said, I
had the Kid show that was a live show.
557
00:23:24,150 --> 00:23:27,780
I mean, it was, it was on tv, but it was
a live stage show every, every Saturday.
558
00:23:27,780 --> 00:23:33,510
And then, uh, couple, couple plays
in high school, a couple productions
559
00:23:33,510 --> 00:23:37,410
in college, and then traveled
for a little bit after college.
560
00:23:37,620 --> 00:23:41,880
I did one, one run on August Wilson
played Ma Rainey's Black Bottom and then,
561
00:23:41,940 --> 00:23:46,410
um, and then it was like, yeah, that's.
562
00:23:46,740 --> 00:23:49,290
I just, I did like a nine week
run and, and I was like, I, I'm,
563
00:23:49,530 --> 00:23:50,820
I can't say these words anymore.
564
00:23:51,090 --> 00:23:54,360
Marc Preston: Theater always intimidated
me a little bit because I can go a
565
00:23:54,360 --> 00:23:58,380
few pages at a time on a screenplay,
on, on camera, but on stage you
566
00:23:58,380 --> 00:24:00,600
got, I always had this like anxiety.
567
00:24:00,600 --> 00:24:04,125
What if I just, I. Vapor luck
and I forget the lines, you
568
00:24:04,125 --> 00:24:05,355
know, that was always my thing.
569
00:24:05,355 --> 00:24:08,625
I, I never, I think I could have gotten
it eventually, but I, I don't know.
570
00:24:08,625 --> 00:24:11,715
I always kind of ended be the theater
kids, like how are they doing that?
571
00:24:11,715 --> 00:24:13,420
How do they memorized an entire script?
572
00:24:13,420 --> 00:24:13,740
There's
573
00:24:14,055 --> 00:24:17,655
Tone Bell: script, there's this clip that
just kind of resurfaced of, uh, back when
574
00:24:17,655 --> 00:24:22,755
Will Smith started doing fresh prints
and his, uh, his first like six episodes.
575
00:24:23,265 --> 00:24:26,175
He was so nervous, but also
so professional that he would
576
00:24:26,175 --> 00:24:29,235
learn the entire script and
know the other characters line.
577
00:24:29,580 --> 00:24:29,970
Yeah.
578
00:24:30,000 --> 00:24:30,300
Yeah.
579
00:24:30,420 --> 00:24:30,840
Right.
580
00:24:30,960 --> 00:24:35,310
And so, but you could see him
in the scene mouthing his scene
581
00:24:35,310 --> 00:24:37,860
partner's dialogue as well, really?
582
00:24:37,860 --> 00:24:37,950
And
583
00:24:37,950 --> 00:24:39,330
Marc Preston: so, and now I
need to go, now I need to go
584
00:24:39,565 --> 00:24:40,889
rewatch and, and go see that.
585
00:24:40,889 --> 00:24:44,340
But w was being on camera, uh,
was that an aspiration for you?
586
00:24:44,340 --> 00:24:47,040
Like, okay, I got the comedy thing,
I'm on stage, I want to, I wanna
587
00:24:47,040 --> 00:24:48,750
be on camera, I want to do tv.
588
00:24:48,750 --> 00:24:49,530
I wanna do film.
589
00:24:49,530 --> 00:24:50,430
Was that actually.
590
00:24:50,685 --> 00:24:52,514
Um, percolating in you
591
00:24:52,514 --> 00:24:52,635
Tone Bell: or?
592
00:24:53,145 --> 00:24:53,534
Yeah.
593
00:24:53,534 --> 00:24:57,945
I mean, my dude, I, I'll tell you
this, my, my pops, uh, this is like,
594
00:24:57,945 --> 00:25:01,575
you know, pre DVD player, but my, my
dad, I make a lot of jokes about him on
595
00:25:01,575 --> 00:25:06,435
stage about this, but my dad recorded
every episode of The Cosby Show, A
596
00:25:06,435 --> 00:25:12,495
different World Fresh Prince Martin
Seinfeld, uh, married with children.
597
00:25:12,495 --> 00:25:15,615
I mean, we had just shelves of VHS tapes.
598
00:25:15,615 --> 00:25:16,065
VHS.
599
00:25:16,665 --> 00:25:16,965
Yeah.
600
00:25:16,965 --> 00:25:16,966
Yeah.
601
00:25:17,149 --> 00:25:19,695
And, and, and he, I mean, in order.
602
00:25:20,310 --> 00:25:24,000
And trying to, you know, stop recording
when the commercials came on and
603
00:25:24,000 --> 00:25:26,550
start recording again when they, when
they, when the show came back on.
604
00:25:26,970 --> 00:25:29,639
And TGIF was huge for the three of us.
605
00:25:29,639 --> 00:25:33,600
So, I mean, I watched Multicam
comedies from probably the age of
606
00:25:33,600 --> 00:25:37,350
seven or eight, you know, I mean, even
mash, I remember going to Mash and,
607
00:25:37,410 --> 00:25:39,090
and, and Golden Girls and all that.
608
00:25:40,185 --> 00:25:43,905
It kind of just formed to this thing
of like, oh, this is what my family,
609
00:25:43,905 --> 00:25:47,205
'cause we didn't go to movies like
we rewatched, multicam sitcoms.
610
00:25:47,445 --> 00:25:49,305
Marc Preston: Why was, why do
you think he was recording that?
611
00:25:49,305 --> 00:25:53,175
Was it just 'cause he wanted to be able
to, it's sort of like he was creating
612
00:25:53,175 --> 00:25:56,355
his own DVR, he can just jump back
into, or was he like, okay, you know,
613
00:25:56,415 --> 00:25:59,925
tone's gonna wanna check this out, you
know, or what was his for doing that?
614
00:26:00,254 --> 00:26:03,105
Tone Bell: And they had no idea of
like, this was gonna be my career.
615
00:26:03,105 --> 00:26:05,955
But at the same time, I think I
kind of knew it because at like
616
00:26:05,955 --> 00:26:08,625
12, 13 years old, my mom asked me
what I'm gonna do for a living.
617
00:26:08,625 --> 00:26:10,425
And I said, I'm gonna do
what Will Smith's doing?
618
00:26:11,385 --> 00:26:13,095
And, and she goes, all right.
619
00:26:13,095 --> 00:26:15,465
I go, I'm gonna be on tv,
I'm gonna do funny tv.
620
00:26:16,245 --> 00:26:21,074
And she said, when I went to college,
she, uh, was like, all right, well, we
621
00:26:21,074 --> 00:26:25,665
don't know how to do that, but they have
a TV program at this school in Georgia,
622
00:26:25,754 --> 00:26:28,365
and you can go for free with your, you
know, as long as you get a scholarship.
623
00:26:28,875 --> 00:26:29,985
And then that's what I did.
624
00:26:29,985 --> 00:26:32,025
So it was kinda like they didn't
know how to support it, but they're
625
00:26:32,025 --> 00:26:34,004
like, all right, this, and she
thought I was gonna be on the news.
626
00:26:34,004 --> 00:26:35,985
She was like, he'll be a news anchor.
627
00:26:36,315 --> 00:26:37,725
Marc Preston: Wait, what
school was that you went to?
628
00:26:38,175 --> 00:26:39,225
Uh, I went to Savannah State.
629
00:26:39,405 --> 00:26:41,235
So you were thinking maybe
I'm gonna be a news guy.
630
00:26:41,240 --> 00:26:41,520
Okay.
631
00:26:41,525 --> 00:26:42,105
Okay.
632
00:26:42,105 --> 00:26:42,525
No, no, no.
633
00:26:42,525 --> 00:26:44,720
She was thinking that I knew I doing that.
634
00:26:45,495 --> 00:26:45,764
Okay.
635
00:26:45,764 --> 00:26:48,945
So you're you're like, I wanna, I wanna
do jokes, you know, and she wants you to
636
00:26:48,945 --> 00:26:53,355
be that like, you know, swab Debra Air
guy in the, in the sport coat on, on tv.
637
00:26:53,355 --> 00:26:53,895
I gotcha.
638
00:26:54,375 --> 00:26:55,080
Um, yeah, I mean.
639
00:26:57,795 --> 00:27:00,915
Tone Bell: Even to this day, I think I'm
the only one that's had my own show on the
640
00:27:00,915 --> 00:27:04,335
close on like the CCTV of, of our campus.
641
00:27:04,335 --> 00:27:08,625
But I had like a daily show type show
on campus and so it was like the funny
642
00:27:08,625 --> 00:27:10,065
news of what's happening on campus.
643
00:27:10,515 --> 00:27:13,395
So like that was kind of,
that was kind of my, my thing.
644
00:27:13,905 --> 00:27:17,145
Marc Preston: So do you feel like you
needed, you, you, do you feel like it's
645
00:27:17,145 --> 00:27:21,735
kind of hardwired in you, you need that
outlet to comment to, to, you know, is
646
00:27:21,735 --> 00:27:23,655
that, is that kind of the way you process?
647
00:27:24,344 --> 00:27:25,365
What's going on in the world.
648
00:27:25,365 --> 00:27:26,804
It's like, okay, I want to comment on it.
649
00:27:26,804 --> 00:27:30,344
That kind of puts you in a position of
con contemplating, you know, whatever.
650
00:27:30,344 --> 00:27:30,764
Have you.
651
00:27:30,824 --> 00:27:33,615
Um, yeah, like you said you,
your daily show like thing.
652
00:27:33,705 --> 00:27:36,524
What, what was your drive
to do something like that?
653
00:27:36,645 --> 00:27:39,074
Uh, being a teenager, early
twenties or whatever have you?
654
00:27:39,254 --> 00:27:42,645
Tone Bell: I mean, it's, it, it started
as just like a, a, a, um, I mean, what
655
00:27:42,645 --> 00:27:47,024
am I, professors, it started as like, as
a, as an assignment and then they kind
656
00:27:47,024 --> 00:27:49,905
of wanted to keep going and I was like,
well, we can, and so I kind of hired the
657
00:27:49,905 --> 00:27:52,935
rest of the students to be the staff, so
everybody got a chance to learn how to do.
658
00:27:53,669 --> 00:27:54,179
Something.
659
00:27:54,179 --> 00:27:58,080
So we had, you know, producers and writers
and, and, and, and field reporters.
660
00:27:58,080 --> 00:28:01,350
And I was sitting at the desk and I had
guests come in and I was interviewing.
661
00:28:01,710 --> 00:28:05,370
And so it was like the, yeah, it's
the observation of if I'm gonna fly on
662
00:28:05,370 --> 00:28:09,600
the wall and, and have a take at this,
can we make it informative and funny?
663
00:28:10,139 --> 00:28:10,379
Yeah.
664
00:28:10,379 --> 00:28:10,679
Yeah.
665
00:28:10,710 --> 00:28:12,780
And, and that's kind of what it became.
666
00:28:12,780 --> 00:28:16,860
Even, even my standup now is kind of
that of like these little small things.
667
00:28:16,860 --> 00:28:21,060
If I can paint this picture right,
you'll know how ridiculous this thing is.
668
00:28:21,060 --> 00:28:21,105
Marc Preston: Yeah.
669
00:28:21,375 --> 00:28:23,055
Isn't that the beauty of comedy though?
670
00:28:23,055 --> 00:28:25,845
Like where you're sort of like, okay, I
know you didn't see it like this, but let
671
00:28:25,845 --> 00:28:29,925
me show it to you through a different lens
and then something absurd is like, or, or
672
00:28:29,925 --> 00:28:31,605
something that seems quote unquote normal.
673
00:28:31,605 --> 00:28:32,985
It's like, God, that is absurd.
674
00:28:33,285 --> 00:28:37,095
See, I think anybody can inform, but
I think it's, it's a special muscle to
675
00:28:37,095 --> 00:28:39,555
flex, to, to, to make that thing funny.
676
00:28:39,975 --> 00:28:43,695
I think John Stewart is, you know,
does a great job of that, you know?
677
00:28:43,755 --> 00:28:44,025
Tone Bell: Yeah.
678
00:28:44,415 --> 00:28:46,635
I mean, even now, like I don't really
touch, I mean, there's some, there's
679
00:28:46,635 --> 00:28:51,645
certain subjects I don't touch on stage
just because I don't have the ammunition.
680
00:28:51,705 --> 00:28:55,695
If, if an audience member
questions it, I go, I'm probably
681
00:28:55,695 --> 00:28:56,565
not prepared to answer that.
682
00:28:57,045 --> 00:28:58,815
But my life, I can.
683
00:28:58,815 --> 00:28:58,905
Mm-hmm.
684
00:29:00,255 --> 00:29:03,135
So if I can give you all the,
all the pieces that you need to
685
00:29:03,135 --> 00:29:05,595
build this house that I'm trying
to show you the, the picture of,
686
00:29:05,955 --> 00:29:07,425
then, then this should work out.
687
00:29:08,054 --> 00:29:10,814
Marc Preston: Well, we're talking
comedy, but it just was coincidental,
688
00:29:10,814 --> 00:29:13,185
uh, like two or three weeks ago.
689
00:29:13,189 --> 00:29:14,354
I was, I was just flipping through.
690
00:29:14,354 --> 00:29:15,824
I was doing that thing
like, what am I gonna watch?
691
00:29:15,854 --> 00:29:17,895
'cause I'm on my computer, I'm
doing a little bit of work, I
692
00:29:17,895 --> 00:29:19,935
don't wanna kick something on TV
and kind of check something out.
693
00:29:19,935 --> 00:29:23,625
And I landed on, um, uh, uh, a
trigger warning and I was like,
694
00:29:23,625 --> 00:29:25,215
oh, well that's not comedy.
695
00:29:25,574 --> 00:29:29,115
But, uh, but that was, that was kind of
a fun, you know, any, anytime I have a
696
00:29:29,115 --> 00:29:32,895
chance to see I'm a Gen X kid, anytime I
have a chance to see Anthony Michael Hall.
697
00:29:33,445 --> 00:29:35,274
I'm gonna do it, but, well, no,
I thought you, I thought you say
698
00:29:36,294 --> 00:29:36,925
Tone Bell: Jessica Alba.
699
00:29:36,925 --> 00:29:38,695
I was gonna say, yeah, anytime
I get a chance to be next to
700
00:29:38,695 --> 00:29:40,495
her, I, I, I, I take that chance
701
00:29:40,495 --> 00:29:40,554
Marc Preston: too.
702
00:29:41,514 --> 00:29:42,774
No, but that, that was the thing.
703
00:29:42,774 --> 00:29:46,615
See, Jessica Alba, you know, back
in the day, she was doing the, she
704
00:29:46,615 --> 00:29:51,205
was the teen movie, you know, like
she was the nu or whatever, but
705
00:29:51,205 --> 00:29:52,524
she was kind of a badass in this.
706
00:29:52,524 --> 00:29:55,225
So how, how did that, how did that,
'cause that's not comedy, but how
707
00:29:55,225 --> 00:29:56,665
did that come across, uh, your desk?
708
00:29:56,695 --> 00:29:59,365
Tone Bell: Yeah, I mean, I, I had worked
with that same, those same producers
709
00:29:59,365 --> 00:30:02,304
before, and then they, they, uh, they
called like, Hey, we got something fun.
710
00:30:02,729 --> 00:30:05,159
Uh, do you think you could pull this off?
711
00:30:05,165 --> 00:30:06,975
And, and I read it and I was
like, yeah, let's, let's do it.
712
00:30:06,975 --> 00:30:10,800
And it actually added me to more
of it than, um, we went back and
713
00:30:10,800 --> 00:30:13,350
did some reshoots and, and, uh,
I tested pretty well on that.
714
00:30:13,350 --> 00:30:15,689
And it was, it was a fun,
that was very fun, man.
715
00:30:15,689 --> 00:30:18,570
I mean, I, I, I wanna get back in
that space, you know, I put on about
716
00:30:18,570 --> 00:30:22,080
15, 20 pounds and, and, uh, you
know, get, get some nice arms so
717
00:30:22,080 --> 00:30:23,310
I can go shirtless a little more.
718
00:30:23,669 --> 00:30:23,970
But
719
00:30:25,439 --> 00:30:25,709
Marc Preston: yeah.
720
00:30:25,709 --> 00:30:25,919
Yeah.
721
00:30:25,919 --> 00:30:28,169
'cause you know, you, you, you
made me feel like I gotta go to
722
00:30:28,169 --> 00:30:30,990
the gym a little bit, you know,
but it was, it was physical, so
723
00:30:30,990 --> 00:30:31,980
that had to be a little more fun.
724
00:30:31,980 --> 00:30:32,010
I
725
00:30:32,189 --> 00:30:34,169
Tone Bell: get, before I get
too many, uh, more gray hairs.
726
00:30:34,169 --> 00:30:36,419
I'm, I'm gonna thirst trap a
little bit as the kids say.
727
00:30:36,689 --> 00:30:36,959
I don't
728
00:30:36,959 --> 00:30:39,810
Marc Preston: know if I've got the,
uh, capacity to do that anymore.
729
00:30:39,810 --> 00:30:42,211
I don't think, uh, gray
hairs and stuff, I'm.
730
00:30:43,070 --> 00:30:43,371
Tone Bell: You got you.
731
00:30:43,430 --> 00:30:46,340
You gotta believe for yourself,
thirst trapping is for any age.
732
00:30:46,550 --> 00:30:46,820
Marc Preston: Okay.
733
00:30:46,820 --> 00:30:49,790
Well, you know what that, that'll
be, uh, maybe that'll be the title
734
00:30:49,790 --> 00:30:51,260
of the a, uh, uh, of this episode.
735
00:30:51,260 --> 00:30:52,730
Thirst Trapping at any age.
736
00:30:52,820 --> 00:30:52,910
Yeah.
737
00:30:52,940 --> 00:30:54,080
I mean, it sounds 6-year-old.
738
00:30:54,080 --> 00:30:54,770
You say it like that.
739
00:30:54,980 --> 00:30:57,170
How did survival of the
thickest come along to you?
740
00:30:57,590 --> 00:31:01,160
Tone Bell: Uh, that was one that,
uh, uh, I was reading a couple
741
00:31:01,160 --> 00:31:08,540
scripts, uh, I wanna say, uh, end
of 2021 and, uh, it came across and,
742
00:31:08,540 --> 00:31:11,720
and, and Michelle bout who is the
star and, and creator of the show.
743
00:31:12,284 --> 00:31:15,645
Um, I read it and I was like, oh
man, this, yeah, this seems fun.
744
00:31:15,705 --> 00:31:19,334
And my agents were, were asking me like,
you know, Hey, do you wanna read for this?
745
00:31:19,845 --> 00:31:23,595
And I'm like, well, I've known her
for, I mean, 12 years at that point.
746
00:31:23,595 --> 00:31:27,074
I'm like, if, if she saw me
in it, then I, you know, I'll
747
00:31:27,074 --> 00:31:28,455
call her and see how she feels.
748
00:31:28,845 --> 00:31:32,024
And we talked about it and
then, uh, and I was like, yeah.
749
00:31:32,024 --> 00:31:34,095
I was like, but I'll, but I'm
not gonna audition for it.
750
00:31:34,245 --> 00:31:38,445
But I will read with her, like, if,
if she's down to just, just let's
751
00:31:38,445 --> 00:31:40,544
just do a chemistry read and, and, um.
752
00:31:41,355 --> 00:31:44,325
I had worked with Netflix a few times
before already, and, and they agreed
753
00:31:44,325 --> 00:31:48,405
to it and, and we read it and it
is, it is, it is, it is really dope
754
00:31:48,405 --> 00:31:49,965
to be able to work with a friend.
755
00:31:49,965 --> 00:31:53,355
You have before the,
the, the project starts.
756
00:31:53,355 --> 00:31:56,115
I mean, you, I think I've always become
friends with the people I worked with,
757
00:31:56,505 --> 00:32:00,345
but to start off as a friend and I've
known, because I've known her from my
758
00:32:00,345 --> 00:32:02,895
first sitcom and hers from standup.
759
00:32:02,895 --> 00:32:05,145
I think we shot our first
half hour specials with Comedy
760
00:32:05,145 --> 00:32:06,585
Central the same weekend.
761
00:32:06,975 --> 00:32:08,205
So, um.
762
00:32:08,775 --> 00:32:11,145
I mean, I've known her, you know,
we've both been climbing in this
763
00:32:11,145 --> 00:32:13,965
career, and I mean, right now she's
just, I mean, she's killed it.
764
00:32:14,295 --> 00:32:14,535
Marc Preston: Yeah.
765
00:32:14,535 --> 00:32:16,965
I mean, I mean, it's though, because
y'all got that, uh, familiarity.
766
00:32:16,965 --> 00:32:19,725
You got that friendship, you got
that thing that's, you know, probably
767
00:32:19,875 --> 00:32:22,065
you tr there're a little bit more
trust kind of built in when you're
768
00:32:22,065 --> 00:32:23,625
making choices and stuff like that.
769
00:32:23,715 --> 00:32:23,835
You
770
00:32:23,835 --> 00:32:25,395
Tone Bell: know, abso absolutely.
771
00:32:25,635 --> 00:32:28,335
I mean, it's, I, I've known her,
I knew her before she was married.
772
00:32:29,070 --> 00:32:30,630
I knew her husband when they were dating.
773
00:32:30,630 --> 00:32:33,420
And so, you know, kind of going through
all this together at the same time.
774
00:32:33,420 --> 00:32:35,940
It is, it is, it is been a
wonderful evolution of a friendship
775
00:32:35,945 --> 00:32:37,140
and, and, and career path.
776
00:32:37,140 --> 00:32:37,320
Man.
777
00:32:37,320 --> 00:32:41,640
It's, it's, I mean, out of all the, the,
between the, the regulars on the show,
778
00:32:41,700 --> 00:32:47,760
you know, the cast leads and, um, I would
say other comics and actors that pop in.
779
00:32:47,760 --> 00:32:53,580
I mean, this is the show I've worked on
in my career where I've known majority of
780
00:32:53,580 --> 00:32:55,080
the people that come to play on the show.
781
00:32:55,620 --> 00:32:57,570
And that's been very cool, exciting.
782
00:32:57,570 --> 00:32:59,969
'cause you know, you get to your trailer
and you get the hair and makeup and
783
00:32:59,969 --> 00:33:02,729
then, I mean, sometimes they don't
even tell me 'cause it is a surprise.
784
00:33:02,729 --> 00:33:04,709
And then you get the hair and
makeup and you're like, oh shit, I
785
00:33:04,709 --> 00:33:08,100
didn't know you were coming in to,
you know, and that's such a, you
786
00:33:08,100 --> 00:33:09,179
don't get it often, I don't think.
787
00:33:16,215 --> 00:33:18,465
Marc Preston: Before we wrap up
here, I always do something I call my
788
00:33:18,465 --> 00:33:20,355
seven questions a little extra fun.
789
00:33:20,685 --> 00:33:24,435
Uh, yeah, a little of some randomness,
but, uh, first question I always ask
790
00:33:24,495 --> 00:33:26,355
'cause I always talk food at some level.
791
00:33:26,385 --> 00:33:29,175
In fact, you being from Atlanta,
I always talk about going to,
792
00:33:29,535 --> 00:33:31,580
uh, was it I. The varsity.
793
00:33:31,610 --> 00:33:33,020
My daughter loves that orange drink.
794
00:33:33,020 --> 00:33:34,159
They got the varsity up there.
795
00:33:34,639 --> 00:33:39,530
And my, and my, and my uh, uh,
arteries, uh, don't like the, uh, the
796
00:33:39,530 --> 00:33:42,915
rest of it, but it's very tasty, you
know, so it's good stuff up there.
797
00:33:42,915 --> 00:33:43,195
Yeah.
798
00:33:43,875 --> 00:33:44,034
Varsity
799
00:33:44,274 --> 00:33:44,834
Tone Bell: trapping.
800
00:33:44,834 --> 00:33:47,030
Don't, don't, uh, don't,
don't, they don't add up.
801
00:33:47,030 --> 00:33:47,510
But go ahead.
802
00:33:47,810 --> 00:33:50,300
Marc Preston: What is your
favorite comfort food?
803
00:33:50,304 --> 00:33:52,490
That thing, it just kind of brings
you right where you want to be.
804
00:33:52,490 --> 00:33:53,449
Good day, bad day.
805
00:33:53,659 --> 00:33:54,679
What would that be for you?
806
00:33:55,310 --> 00:33:59,780
Tone Bell: Uh, probably shrimp and grits.
807
00:34:00,405 --> 00:34:01,605
Marc Preston: Now next question.
808
00:34:01,605 --> 00:34:04,095
If you're gonna sit down and talk
story, you're gonna have coffee with,
809
00:34:04,155 --> 00:34:08,325
uh, three people, you and three people
living or not, who would you like to
810
00:34:08,325 --> 00:34:11,505
sit down and spend a whole afternoon
drinking coffee and talk in story with
811
00:34:12,615 --> 00:34:13,215
Tone Bell: living or not?
812
00:34:13,275 --> 00:34:13,784
Uh, one.
813
00:34:13,784 --> 00:34:14,655
Kathy Bates.
814
00:34:15,075 --> 00:34:18,014
Um, I do that in real life
already, but Kathy Bates is one.
815
00:34:18,705 --> 00:34:27,705
Um, uh, I would say
young, young Don Cheadle.
816
00:34:28,575 --> 00:34:30,105
Like 30-year-old Don Cheadle.
817
00:34:30,825 --> 00:34:31,605
Uh, maybe 30.
818
00:34:31,605 --> 00:34:32,445
I'll give him 35 maybe.
819
00:34:32,445 --> 00:34:33,645
30 5-year-old Don Cheadle.
820
00:34:33,645 --> 00:34:33,915
Okay.
821
00:34:34,425 --> 00:34:42,705
Um, and, um, um, I, oh my God,
there's a, I'm gonna forget his name.
822
00:34:42,825 --> 00:34:46,725
Um, there's a crazy story I heard
when I, I was in, I was in, I
823
00:34:46,725 --> 00:34:52,335
was in Italy a couple years ago,
and there's a story about a pope
824
00:34:52,455 --> 00:34:57,135
who decided to, um, take down.
825
00:34:58,335 --> 00:35:00,855
The wall of like forgiveness or something.
826
00:35:01,125 --> 00:35:01,214
Marc Preston: Mm-hmm.
827
00:35:02,145 --> 00:35:04,754
Tone Bell: I don't know if you know
this story, but every 25 years they,
828
00:35:05,835 --> 00:35:08,745
the pope can take this wall down,
whoever walks through with him,
829
00:35:08,745 --> 00:35:12,915
they're, they're forgiven of all their
sins and guaranteed to go to heaven.
830
00:35:13,484 --> 00:35:16,185
And this pope didn't think
he was gonna make it, so he
831
00:35:16,185 --> 00:35:17,625
took it down 10 years early.
832
00:35:18,825 --> 00:35:24,404
And I thought it was so funny during
the tour that I was like, man, I want
833
00:35:24,404 --> 00:35:26,535
to, I want to know what he was thinking.
834
00:35:28,200 --> 00:35:29,040
What was he up to?
835
00:35:29,040 --> 00:35:29,340
Yeah.
836
00:35:29,700 --> 00:35:30,540
I'm like, man.
837
00:35:31,590 --> 00:35:32,010
Yeah.
838
00:35:32,010 --> 00:35:34,980
Like that, that I've been thinking about
this for the last two and a half years.
839
00:35:34,980 --> 00:35:36,540
That, that it makes me laugh.
840
00:35:36,540 --> 00:35:37,980
And I go, all right, man, what's up?
841
00:35:38,850 --> 00:35:41,640
I just, I just, I would love to go.
842
00:35:41,725 --> 00:35:43,440
You, you had to tear down the wall.
843
00:35:43,440 --> 00:35:45,960
Like it's what, like what's, oh, man.
844
00:35:46,020 --> 00:35:49,590
Because I think it happened at
like 92 or 94, something like that.
845
00:35:49,590 --> 00:35:52,585
I can't think of which Pope it
was, but, oh, pop John Paul.
846
00:35:53,460 --> 00:35:54,450
I don't think it was John Paul.
847
00:35:54,840 --> 00:35:55,740
Marc Preston: I didn't
even know about that.
848
00:35:55,745 --> 00:35:55,825
See?
849
00:35:56,010 --> 00:35:57,840
See, I love this show
'cause I get to learn stuff.
850
00:35:58,290 --> 00:36:02,280
Um, now, but the next question I got
for you, going back to your young tone,
851
00:36:02,280 --> 00:36:03,810
who was your first celebrity crush?
852
00:36:03,900 --> 00:36:04,440
That's, yeah.
853
00:36:04,440 --> 00:36:05,065
I gotta, I, that's my crush.
854
00:36:05,225 --> 00:36:05,465
I gotta
855
00:36:05,465 --> 00:36:06,750
Tone Bell: give you, I gotta give you two.
856
00:36:06,990 --> 00:36:07,350
Okay.
857
00:36:07,410 --> 00:36:08,370
I can't give you one.
858
00:36:08,430 --> 00:36:10,410
Uh, number one, Rudy Huxtable.
859
00:36:11,070 --> 00:36:11,760
So Keisha Knight.
860
00:36:11,760 --> 00:36:11,820
Yeah.
861
00:36:12,930 --> 00:36:15,750
Um, and then Topanga.
862
00:36:16,424 --> 00:36:17,325
From Boy Me's world.
863
00:36:17,384 --> 00:36:17,444
Marc Preston: Yeah.
864
00:36:17,564 --> 00:36:18,794
She's come up a few times.
865
00:36:18,794 --> 00:36:20,595
She, she's definitely come up a few times.
866
00:36:20,595 --> 00:36:20,654
Yeah.
867
00:36:20,924 --> 00:36:22,214
Now it, next question.
868
00:36:22,214 --> 00:36:24,435
You're gonna be living on
an exotic island for a year.
869
00:36:24,585 --> 00:36:24,855
Alright.
870
00:36:24,855 --> 00:36:26,625
Somewhere you want to be, they
just don't have streaming.
871
00:36:26,625 --> 00:36:29,805
So you, you know, you gotta bring,
uh, it's, it's a beautiful place.
872
00:36:30,134 --> 00:36:31,245
You gotta bring an album.
873
00:36:31,274 --> 00:36:35,174
If you wanna listen to, uh, music,
gotta bring an album, DVD, whatever,
874
00:36:35,564 --> 00:36:38,714
uh, or cd and you gotta bring a
DVD if you wanna watch a movie.
875
00:36:38,714 --> 00:36:40,814
So what would that album,
and what would that movie be?
876
00:36:40,814 --> 00:36:43,544
You could watch over and over
again that you could bring for
877
00:36:43,544 --> 00:36:44,564
the full year on the island?
878
00:36:45,134 --> 00:36:47,984
Tone Bell: Uh, this is probably
cliche, but, but I love it.
879
00:36:47,984 --> 00:36:50,475
So probably Dark Side
of the Moon, pink Floyd.
880
00:36:51,075 --> 00:36:54,825
Um, and then you said DVD?
881
00:36:55,605 --> 00:36:55,814
Announcer: Mm-hmm.
882
00:36:55,875 --> 00:36:55,904
Uh,
883
00:36:56,805 --> 00:36:59,355
Tone Bell: probably, probably Life.
884
00:36:59,444 --> 00:36:59,984
Eddie Murphy.
885
00:36:59,984 --> 00:37:02,654
Marc Preston: Martin Lawrence or they,
when they were in prison together.
886
00:37:02,654 --> 00:37:03,600
Yeah, that was a good one.
887
00:37:03,600 --> 00:37:04,424
I forgot about that one.
888
00:37:04,694 --> 00:37:09,495
If you were to go, say from stem to stern,
uh, time you wake up, time you go to bed,
889
00:37:09,495 --> 00:37:13,154
what are the component parts in your mind
that would make it a perfect day for you?
890
00:37:14,190 --> 00:37:16,529
Tone Bell: Starting off with my
wife not waking me up when she has
891
00:37:16,529 --> 00:37:19,080
to pee at 3:00 AM if I got a full
night's sleep without having to
892
00:37:19,080 --> 00:37:21,120
wake up it first, her not peeing.
893
00:37:21,420 --> 00:37:23,490
That's first, that's number one.
894
00:37:23,610 --> 00:37:27,029
A full night's sleep without
hearing the door and her climbing
895
00:37:27,029 --> 00:37:28,440
over me to go to the bathroom.
896
00:37:28,440 --> 00:37:32,850
That would, that that'd be perfect
to wake up at, like 7, 7 30.
897
00:37:33,509 --> 00:37:38,130
Um, nice cup of tea, a
stretch, a little lemon water.
898
00:37:38,865 --> 00:37:39,915
Uh, my old neighbors.
899
00:37:39,915 --> 00:37:42,645
Go give them a shout,
Jerry and Linda, the 87.
900
00:37:42,645 --> 00:37:44,235
Go kick it with them for a little bit.
901
00:37:44,685 --> 00:37:47,565
Um, do, do a little yard work.
902
00:37:47,625 --> 00:37:49,575
I mean, I, I'm a big fan
of doing my own yard work.
903
00:37:49,575 --> 00:37:50,145
Do that.
904
00:37:50,505 --> 00:37:53,865
Uh, my wife makes lunch without
me having to ask her to do it.
905
00:37:54,225 --> 00:37:56,835
Oh, that would be lovely.
906
00:37:56,835 --> 00:37:57,885
Mm-hmm.
907
00:37:57,891 --> 00:37:58,935
That'd be great.
908
00:37:59,535 --> 00:38:04,365
Um, clean another thing, I, I
clean the pool, clean the pool.
909
00:38:04,845 --> 00:38:07,905
Or maybe not have to clean the pool,
either clean the pool for some time
910
00:38:07,905 --> 00:38:10,815
to myself or look out there and go,
oh, the pool doesn't need cleaning.
911
00:38:11,175 --> 00:38:11,640
That's, mm-hmm.
912
00:38:11,725 --> 00:38:12,315
That's great.
913
00:38:12,915 --> 00:38:17,384
And then head downtown in the
evening, hit zero traffic, my
914
00:38:17,384 --> 00:38:19,245
parking space is available.
915
00:38:19,785 --> 00:38:23,475
Um, hop on stage and uh, and
kill a new 15 minute set.
916
00:38:23,775 --> 00:38:24,435
That's a perfect day
917
00:38:24,884 --> 00:38:26,025
Marc Preston: because I
know what parking's like in
918
00:38:26,025 --> 00:38:27,195
Austin, so I feel you there.
919
00:38:27,645 --> 00:38:30,915
Um, now if you were doing this for a
living, what, what would be the vocation?
920
00:38:30,915 --> 00:38:34,245
What would be the number two that
would bring you joy you think?
921
00:38:36,030 --> 00:38:36,420
Tone Bell: I don't know.
922
00:38:36,480 --> 00:38:38,580
Uh, uh hmm.
923
00:38:38,580 --> 00:38:40,950
I mean, I guess, I mean, at this
point it's time to start a family,
924
00:38:40,950 --> 00:38:43,860
so, uh, making sure my parents get a
chance to hang out with the grandkids.
925
00:38:44,430 --> 00:38:44,940
I gotcha.
926
00:38:45,090 --> 00:38:45,600
Marc Preston: I gotcha.
927
00:38:45,600 --> 00:38:45,840
So
928
00:38:46,500 --> 00:38:49,500
Tone Bell: fly them in wherever they
want to and just hang out and, and, uh,
929
00:38:49,500 --> 00:38:52,200
and, and like some cool family time.
930
00:38:52,200 --> 00:38:52,440
I think.
931
00:38:52,440 --> 00:38:55,320
I think that'd be, that's what I, that's,
I think that's what I'm working for.
932
00:38:55,320 --> 00:38:55,620
Yeah.
933
00:38:55,650 --> 00:38:58,170
Like to, to be able to go, all
right, this is, this is good.
934
00:38:58,170 --> 00:38:58,950
We're gonna be fine.
935
00:38:59,070 --> 00:39:00,990
And then to whatever they wanna do.
936
00:39:01,455 --> 00:39:02,175
Marc Preston: Fantastic.
937
00:39:02,175 --> 00:39:02,625
I like that.
938
00:39:02,625 --> 00:39:02,955
I like that.
939
00:39:02,955 --> 00:39:04,755
Now, now I got one last question for you.
940
00:39:04,755 --> 00:39:06,795
You're jumping in the DeLorean
and you're gonna go back to
941
00:39:06,795 --> 00:39:07,845
when you were 16 years old.
942
00:39:07,845 --> 00:39:11,745
You got a piece of advice for
16-year-old tone, uh, to make your
943
00:39:11,745 --> 00:39:14,175
life better In that moment, maybe put
you on a little bit different path.
944
00:39:14,175 --> 00:39:16,605
What's that one piece of advice
you would offer up to yourself?
945
00:39:17,775 --> 00:39:19,485
Tone Bell: Don't deal with
that light-skinned girl you
946
00:39:19,485 --> 00:39:20,745
dealt with when you were 16.
947
00:39:21,375 --> 00:39:24,525
Marc Preston: It always kind of boils
down to the, to, to the opposite sex
948
00:39:24,525 --> 00:39:25,785
sometimes, you know, do or don't.
949
00:39:25,785 --> 00:39:25,875
Yeah.
950
00:39:25,875 --> 00:39:26,085
I
951
00:39:26,085 --> 00:39:29,745
Tone Bell: mean it was, I, I, I knew I
shouldn't have fooled with her and I did.
952
00:39:29,745 --> 00:39:34,665
'cause I used to skip church to try
to go do uh, things and one time I
953
00:39:34,665 --> 00:39:38,715
was trying to leave with her and I was
making a left into her neighborhood
954
00:39:38,720 --> 00:39:44,955
and, and, and I had a car for about
four months and total totaled my car.
955
00:39:45,795 --> 00:39:47,865
Uh, trying to do something
I shouldn't have been doing.
956
00:39:47,865 --> 00:39:52,060
So that would've been, I mean, I
learned a lot, believe that, but yeah.
957
00:39:52,060 --> 00:39:54,555
Yeah, that little I, that
that's, that's what being
958
00:39:54,555 --> 00:39:56,714
Marc Preston: a teenager and being
your early twenties is all about.
959
00:39:56,714 --> 00:39:58,154
Just those life lessons.
960
00:39:58,154 --> 00:39:58,545
Yeah.
961
00:39:58,845 --> 00:40:01,365
Well, my friend man, thank you so
much for sharing some time with me.
962
00:40:01,365 --> 00:40:01,845
Next time.
963
00:40:01,904 --> 00:40:04,275
Uh, you're down in South Padre,
you cruise south a little bit.
964
00:40:04,515 --> 00:40:07,754
Uh, you know, come knock on my door,
I'll get you, get you some proper grub.
965
00:40:07,754 --> 00:40:11,805
You know, uh, I might have to bug you
about getting into blacks to go get some
966
00:40:11,805 --> 00:40:13,154
good barbecue though when I'm up there.
967
00:40:13,214 --> 00:40:13,455
So.
968
00:40:13,560 --> 00:40:14,640
Tone Bell: Man, hit me up, Marc.
969
00:40:14,640 --> 00:40:15,150
Anytime.
970
00:40:17,160 --> 00:40:18,060
Marc Preston: Alright, there you go.
971
00:40:18,060 --> 00:40:19,290
Tone Bell.
972
00:40:19,350 --> 00:40:20,130
A funny guy.
973
00:40:20,130 --> 00:40:20,880
Really enjoyed it.
974
00:40:21,180 --> 00:40:25,860
Uh, the new season of Survival of the
Thickest, uh, along with Michelle Boutou,
975
00:40:25,920 --> 00:40:29,160
it is on Netflix right now, just came out.
976
00:40:29,520 --> 00:40:34,170
Also, you can check out, uh,
again, story and craft pod.com.
977
00:40:34,529 --> 00:40:38,220
Uh, you can check out his info
and if he's on tour and you
978
00:40:38,220 --> 00:40:39,150
know, you just can kind of.
979
00:40:39,375 --> 00:40:40,455
Click on the links.
980
00:40:40,515 --> 00:40:44,235
In fact, uh, all of our guests, if you
wanna find them on, uh, on the socials,
981
00:40:44,235 --> 00:40:46,725
it's a good way to, uh, look that up.
982
00:40:46,815 --> 00:40:48,405
Alright, so I'm gonna get on out of here.
983
00:40:48,525 --> 00:40:52,995
Uh, you have yourself a great rest of your
day or evening, and as I always say, thank
984
00:40:52,995 --> 00:40:57,435
you so much, very, very much for, uh,
making whatever I've got going on here.
985
00:40:57,435 --> 00:40:59,265
Part of what you've got going on.
986
00:40:59,550 --> 00:41:03,000
Okay, we'll see you next time
right here on Story and Craft.
987
00:41:03,270 --> 00:41:06,000
Announcer: That's it for this
episode of Story and Craft.
988
00:41:06,090 --> 00:41:08,490
Join Marc next week for more conversation.
989
00:41:08,700 --> 00:41:12,900
Right here on Story and Craft
Story and Craft is a presentation
990
00:41:12,960 --> 00:41:14,400
of Marc Preston Production's.
991
00:41:14,430 --> 00:41:17,460
LLC Executive Producer is Marc.
992
00:41:17,480 --> 00:41:20,900
Preston Associate Producer
is Zachary Holden.
993
00:41:21,230 --> 00:41:24,830
Please rate and review story
and craft on Apple Podcasts.
994
00:41:24,830 --> 00:41:29,030
Don't forget to subscribe to the
show on Apple Podcasts, Spotify,
995
00:41:29,210 --> 00:41:30,620
or your favorite podcast app.
996
00:41:30,980 --> 00:41:33,950
You can subscribe to show
updates, and stay in the know.
997
00:41:34,070 --> 00:41:38,210
Just head to story and craft pod.com
and sign up for the newsletter.
998
00:41:38,780 --> 00:41:39,680
I'm Emma Dylan.
999
00:41:39,950 --> 00:41:40,880
See you next time.
1000
00:41:41,090 --> 00:41:43,490
And remember, keep telling your story.
