Chris Diamantopoulos | A Sweet Toast to Dionysus

And so I watched him as he talked and then the journalist

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asked him, would you do it, Mr.

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Disney?

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Would you, would you do

a little of the voice?

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And he went,

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oh boy.

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And I watched what he did

with his, with his body.

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I watched what he did with his face.

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I thought, oh gosh, maybe I could do that.

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Announcer: Welcome to Story and Craft.

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Now, here's your host, Marc Preston.

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Marc Preston: All right, here we go.

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Back again.

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Welcome.

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Thank you so much for stopping back by.

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Uh, if this is your

first episode, welcome.

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My name is Marc Preston.

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And, uh, today we are sitting down with.

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Actor Chris Diamantopoulos, you might

know him from movies like George

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Clooney's The Boys in the Boat.

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He was also the bad guy in Red Notice

with Ryan Reynolds and Dwayne Johnson.

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He's been in The Three Stooges.

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Heck, he's even been the

voice of Mickey Mouse.

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And of course, we talk about that

as well as his new show, The Sticky.

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He co stars with Margo Martindale.

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It is on Prime Video.

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Watched a few episodes over the weekend.

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Very cool show.

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Chris is such a talented guy, uh, both

on stage and with a TV film, uh, also

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voiceover, he's done tons of animation.

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He is a great chat and

I'm sure you'll enjoy it.

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Uh, Hey, by the way, if you would do me

a favor, pop on over to storyandcraftpod.

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com slash rate.

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Hey, do me a favor, drop a review, if

you will, on your favorite podcast app.

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It helps folks to find the show.

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So, you know, leave some stars, a

review, but make sure to follow the show.

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That way you get notified every

time there is a new episode.

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And, of course, the website.

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We got everything up there from

past episodes to all of our guests.

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You want to find out more about them.

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Uh, and it's just a cool way to reach out.

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Drop me a note.

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You can even leave me a voicemail.

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So, let's go and jump right on into it.

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I really enjoyed this chat.

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Very talented actor.

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Is Chris Diamantopoulos day

right here on story and craft.

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Hey man.

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So good to connect with you.

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I just.

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Watched you the other night.

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I was watching a red notice.

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Love, love your character.

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You had this, uh, sexy Euro

forest Whitaker thing going on,

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which I just like that sound.

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Yeah.

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I love,

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Chris Diamantopoulos: you know,

where that voice comes from.

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Actually, that's a, it's the ultimate,

uh, this is a great actor story.

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Uh, when I auditioned for the

role, um, the character was okay.

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So originally the character was

supposed to be Antonio Banderas,

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but, uh, something happened from a

budgetary and schedule standpoint.

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He couldn't do it.

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So.

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When the audition came in, they wanted

a Spanish or a Latin American bad guy.

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And, uh, I didn't feel comfortable.

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They want to put some boots.

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Well, I didn't feel comfortable doing

that only because I knew that, you know,

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there are great Latin actors out there.

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And for me to go in and impersonate

that just didn't feel right.

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So I am Greek.

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I speak Greek fluently.

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It's my first language.

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So I went in and I made them Greek.

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And I changed all of the Spanish

stuff to Greek and director loved it.

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Ross and, Marshall Thurber

absolutely loved it.

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And so when we talked about when I got the

role, he was like, look, let's make this

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guy kind of portly and he'll make him kind

of a, you know, bloated Greek billionaire.

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And I love that idea.

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And then about two weeks in before

production started, I got a call

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from him saying flag on the play.

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And I think we're going to

have to find another actor.

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And I said, why?

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He said, well, Ryan just did a

movie and the main bad guy in

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his movie was a portly Greek guy.

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And when we went through the

script recently, and he just saw

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that change, he said, I it's, it's

just too close to something I did.

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So he said, I'm really sorry, Chris,

we're gonna have to find someone else.

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I said, no, no, no, no,

no, no, no, no, no, no, no.

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I was actually going to call you because I

thought, ah, the bloated Greek billionaire

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that's been done a million times.

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Let's make this guy a Viper.

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Let's make him of, uh, he said,

yeah, but what, where's he from?

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What's his voice?

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I said, well, he's of

indeterminate European origin.

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No one knows.

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He just popped on Interpol when he was 18.

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He goes, what does he sound like?

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I said, well, his vocal cords were cut.

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Paralyzed because his father tried

to strangle him when he was a boy.

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Marc Preston: Oh, that's right.

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Yeah.

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And

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Chris Diamantopoulos: so it was, it was

me trying to save my job and finding a

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way to make a non, non specific European

voice that, uh, uh, created that.

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So necessity breeds invention, Marc.

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Marc Preston: Well, the other

thing is I kind of dislike you

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because we're about the same age.

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I think I got like one or two years older.

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That was more than 73.

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Okay.

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75.

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Um, you, you're in way too good of shape.

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You're like the gym, man.

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I'm like, you're sort of like the totem

of where I'm trying to get to right now.

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You know, both.

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You're there,

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Chris Diamantopoulos: man.

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You look good to me.

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You look very good

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Marc Preston: to me.

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You eat well, you exercise.

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You know, it's funny, my youngest was,

went off to college, so now I'm an empty

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nester and I moved down to a little

Island in South Texas called South Padre.

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I'm kind of going for the

Jimmy Buffett lifestyle.

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I love it.

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And one of the reasons why I moved

down here is to be more active,

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literally walks on the beach every day.

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And I think that's really kind of

where I'm trying to get back to is just

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walking more and then get easing into it.

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And, uh, my kids are in way better shape.

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They're all looking.

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They're more athletic than me.

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So like, um, I was talking to my cousin,

like, I'm sorry, I've got, I got three,

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got a 21 year old daughter, uh, who's

about to graduate from, uh, uh, Loyola,

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New Orleans, going to be a teacher.

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My son's there.

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And I think he's moving and want to be

a psychologist and my, uh, baby diva, my

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18 year old daughter, Emma is going to

small university and, uh, Uh, Boca Raton.

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Oh, wait, wait a minute.

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Oh God.

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She's going to be 19 in a couple of weeks.

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When I'm thinking I'm staying the

same age, they keep getting old.

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I know you feel like a reverse.

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Uh, yeah, but, uh, but

no, I really enjoyed it.

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That's one of the things to me, you are,

I don't like to use the phrase chameleon.

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I don't think that's.

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But you really have a nice, to say

you have range would be a gross

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understatement, you know, going

from, uh, you know, three stooges

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to, to that, um, was that a, is

that like a Neumann you got there?

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It's a Neumann.

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Chris Diamantopoulos: Yeah.

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Yeah.

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So I have a Neumann.

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I also have a Sennheiser,

uh, 416 next to it.

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Just depends on what I'm recording.

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I like the Neumann because And

I've got it on this sort of Omni,

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so that if I'm moving around,

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Marc Preston: that's, that's the

same thing I got in my booth.

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Actually, I've got a booth right here.

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Uh, I got a four 16 cause I do

mostly promo and actually it's funny

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cause I know you, uh, I saw you were

in, uh, the Kennedy's, you played

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Sinatra and I was actually the

voice of reels channel at the time.

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And that was like a really

big deal for the network.

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It kind of put them, it was over the edge.

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It was a big show for them.

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Yeah.

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And, uh, you have

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Chris Diamantopoulos: a great promo voice.

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I did promo all through.

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to 2008, I was, I did a ton

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of promo in New York City.

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That was my, my bread and butter.

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Marc Preston: During Covid, were

you doing a lot of the animation

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from home, you know, when you

couldn't go in, or did you have that

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set up and, uh, kind of a screen?

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Yeah, so

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Chris Diamantopoulos: yeah, I, um, I

did a lot of animation before Covid.

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Uh, we lived, you know, I

started doing animation.

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Quite regularly in about 2004 is

when it really sort of began for me.

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Uh, and I lived between New York and

LA and, uh, you know, between 2004 and

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2020, you really weren't doing stuff from

home booth, even if you had a studio,

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you were always going into studio.

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Um, because the producers were all

of a little bit different generation.

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They were still used

to wanting to see you.

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That's right.

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They wanted you, they wanted you there.

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Um, which was great.

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You know, there was a

great sense of community.

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Um, I was living in New York.

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And I had a few series going a few

animated series going at the time and

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COVID hit and I didn't have a booth

in my apartment in New York City and,

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um, I lost, I lost a bunch of work

because they needed to, to pivot to,

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uh, uh, a way where they had talent

that had, you know, studio space.

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So we moved.

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Not for this reason, but we

moved back to Los Angeles.

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And one of the first things

that I did was I took the risk

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of building a proper studio.

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I have a proper studio.

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Oh yeah.

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Yeah.

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You didn't,

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Marc Preston: you didn't

get a pre made booth.

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You actually kind of, uh,

retrofitted a space in your home.

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I took an

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Chris Diamantopoulos: actual building.

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And, and, and, you know, it was, I

guess, uh, I don't know, a guest house

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or something, but I turned the whole

thing into a proper studio, a recording

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studio, and also, um, a taping studio

for me to be able to make, you know,

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self tapes, you know, I'm an actor and I

have to get work and when George Clooney

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wants to see an audition and it's COVID

and you can't Go and do that someplace.

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You gotta, you know, I have speakers here.

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So I hire someone to be a reader and

it sounds like they're in the room

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and it looks like I'm doing a scene.

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So yeah, I and I and by virtue of

building this space, I was able to record.

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You know, probably 14 or 15

series over the last few years.

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Marc Preston: That is so awesome.

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The kids, when they were young, I just

wanted to be home with the kids and,

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uh, so, so my daughter, she is not

phased at all about the thing I do.

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She's not the least bit impressed,

you know, so I have four

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Chris Diamantopoulos: kids.

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I know, I know the drill

and being home is important.

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That's one of the reasons that the

studio was super important as well was,

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you know, making sure that if I'm going

to be, you know, doing recordings for

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six, seven hours, eight hours a day

that, you know, I could pop out and.

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Give them a squeeze, make them a

quick sandwich or whatever it is.

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Isn't that the greatest though?

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Isn't that

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Marc Preston: the greatest thing

where you can actually be doing your

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thing, but it's all kind of there,

you know, and it kind of gets.

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It's

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Chris Diamantopoulos: a, it's,

it's beyond a blessing, man.

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I mean, it's, it really is.

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It's a, it's a pinch me kind

of thing because it really

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doesn't, doesn't get much better.

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Although I will say that after doing

that for, A long time, you know,

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00:08:39,810 --> 00:08:43,110

for a couple of years, you don't

mind going to a set occasionally.

238

00:08:43,120 --> 00:08:45,030

Oh, no, no, no, not in the least bit.

239

00:08:45,069 --> 00:08:45,640

No, no, no.

240

00:08:45,650 --> 00:08:46,770

Let's, uh, let's go.

241

00:08:46,830 --> 00:08:48,519

Let's, uh, how old are your kids?

242

00:08:48,650 --> 00:08:51,530

Uh, 14, 11, five and two.

243

00:08:51,779 --> 00:08:52,259

Oh, okay.

244

00:08:52,260 --> 00:08:52,949

So you've got a good spectrum.

245

00:08:52,949 --> 00:08:54,479

Mine is all kind of packed in there.

246

00:08:54,640 --> 00:08:57,990

We, we were, we had a, we had a couple of

couple, a couple of false starts there.

247

00:08:57,990 --> 00:09:00,040

And, uh, But, uh, yeah, no, it's lovely.

248

00:09:00,040 --> 00:09:01,480

There's sort of an act one and an act two.

249

00:09:01,480 --> 00:09:04,120

The older two are good pals and

the younger two are good pals.

250

00:09:04,130 --> 00:09:04,810

So yeah,

251

00:09:05,120 --> 00:09:06,900

Marc Preston: my, my, my

oldest two get along famously.

252

00:09:06,900 --> 00:09:11,109

The youngest one is just, she is,

she is a, uh, she is a man out.

253

00:09:11,750 --> 00:09:12,729

She does her thing.

254

00:09:12,880 --> 00:09:15,089

That's the best way to put it

in, but you're in LA right now.

255

00:09:15,089 --> 00:09:15,549

Correct.

256

00:09:15,599 --> 00:09:16,319

That's where you live in.

257

00:09:16,370 --> 00:09:16,630

Yep.

258

00:09:16,849 --> 00:09:17,159

Okay.

259

00:09:17,220 --> 00:09:17,449

Yep.

260

00:09:17,490 --> 00:09:18,140

In Los Angeles.

261

00:09:18,160 --> 00:09:18,410

Yep.

262

00:09:18,660 --> 00:09:22,030

I also saw, and I, this was not a

deep dive in your resume, but I did

263

00:09:22,030 --> 00:09:24,670

see, uh, my kids loved watching 24.

264

00:09:24,670 --> 00:09:28,770

I cannot for the life of me, why

I can't lock in and remember.

265

00:09:29,410 --> 00:09:30,610

What you did on 24,

266

00:09:30,660 --> 00:09:32,150

Chris Diamantopoulos: I was

the chief of staff to, uh,

267

00:09:32,160 --> 00:09:33,860

Cherry Jones's, uh, president.

268

00:09:33,870 --> 00:09:36,060

It was, it was in the last season of 24.

269

00:09:36,060 --> 00:09:39,899

And I, uh, I mean, I was, uh,

instrumental in trying to basically

270

00:09:39,900 --> 00:09:41,479

trying to bring it all down.

271

00:09:41,499 --> 00:09:43,600

I was a pretty, pretty hateful guy.

272

00:09:43,810 --> 00:09:44,050

Fun.

273

00:09:44,060 --> 00:09:44,909

That was a lot of fun to do.

274

00:09:44,910 --> 00:09:45,340

Actually

275

00:09:45,410 --> 00:09:49,780

Marc Preston: seemed like a fun show to

shoot, you know, because we had a ball.

276

00:09:50,225 --> 00:09:54,585

So as far as what you're doing right

now, uh, what's kind of the mix kind of

277

00:09:54,615 --> 00:09:59,435

compared to on camera, uh, film and TV

to VO stuff you're doing for animation.

278

00:09:59,435 --> 00:10:01,324

Or do you, do you all, by the

way, do you also do video games?

279

00:10:01,324 --> 00:10:02,574

Have you found yourself in that realm?

280

00:10:02,684 --> 00:10:04,754

Chris Diamantopoulos: Yeah, I

just did a star Wars video game.

281

00:10:04,755 --> 00:10:06,895

Uh, I, I do a little of everything.

282

00:10:06,925 --> 00:10:13,485

I, I, you know, Broadway and, uh,

you know, um, feature films and

283

00:10:13,525 --> 00:10:18,535

television and streaming and animation

and commercials and endorsement and

284

00:10:18,545 --> 00:10:20,495

promos and the whole nine yards.

285

00:10:20,504 --> 00:10:20,874

If.

286

00:10:20,935 --> 00:10:25,575

If I can add value and I have time,

then I'll find a way to do it.

287

00:10:25,625 --> 00:10:27,625

Um, yeah, I agree with looking at it.

288

00:10:27,725 --> 00:10:28,045

Marc Preston: Yeah.

289

00:10:28,125 --> 00:10:28,405

Chris Diamantopoulos: Yeah.

290

00:10:28,455 --> 00:10:29,345

Yeah, no, truly.

291

00:10:29,345 --> 00:10:34,134

And, and, and it's, uh, it's just a matter

of, uh, it's really sort of what's out

292

00:10:34,135 --> 00:10:37,675

there and it all sort of shifts, you

know, sometimes it's very animation heavy.

293

00:10:37,675 --> 00:10:42,115

Sometimes, uh, it's, you know,

time is more spent doing work

294

00:10:42,115 --> 00:10:43,555

as a series regular on a show.

295

00:10:43,955 --> 00:10:45,315

Sometimes it all sort of.

296

00:10:45,930 --> 00:10:49,089

Takes a beat and there's not much

happening and it's time to sort of

297

00:10:49,089 --> 00:10:51,699

reflect on what I really want to be doing.

298

00:10:51,699 --> 00:10:56,030

I mean, I think in all facets

of life control is an illusion.

299

00:10:56,030 --> 00:11:01,210

So the notion that I can control

what comes to me in this chaotic

300

00:11:01,690 --> 00:11:06,050

and amorphous business is

that's a very special illusion.

301

00:11:06,060 --> 00:11:09,980

So I try to just not take

myself too seriously and I try

302

00:11:09,980 --> 00:11:11,850

to allow myself to be open.

303

00:11:12,280 --> 00:11:16,005

Um, And, uh, you know,

oftentimes, you know, the sticky

304

00:11:16,005 --> 00:11:17,035

is a really great example.

305

00:11:17,375 --> 00:11:19,315

When I first saw the script,

I thought it was great, but

306

00:11:19,355 --> 00:11:20,445

there was nothing in it for me.

307

00:11:20,695 --> 00:11:24,835

The character that I ended up playing

was written just slightly differently, a

308

00:11:24,835 --> 00:11:27,524

little older, and I didn't see him as me.

309

00:11:27,955 --> 00:11:32,085

When I read a second draft, I thought,

Oh, You know, this is interesting.

310

00:11:32,085 --> 00:11:34,865

I want to be a part of this world and

maybe there's a world where that character

311

00:11:34,865 --> 00:11:36,535

adapts a little bit and I could play him.

312

00:11:37,065 --> 00:11:39,575

But then I realized they didn't,

they weren't interested in seeing

313

00:11:39,585 --> 00:11:42,165

me because they had, they had an

idea that was completely different.

314

00:11:42,535 --> 00:11:45,414

And so it took like a year and a

half for me to finally say, Hey, you

315

00:11:45,415 --> 00:11:46,844

guys really need to meet me on this.

316

00:11:46,845 --> 00:11:47,574

All right, we'll meet you.

317

00:11:47,585 --> 00:11:47,964

We'll meet you.

318

00:11:47,964 --> 00:11:51,035

And, and they met me and we

all sort of clicked and it was

319

00:11:51,045 --> 00:11:52,565

like, Oh my gosh, this is right.

320

00:11:52,620 --> 00:11:54,149

Blumhouse,

321

00:11:54,329 --> 00:11:56,579

Marc Preston: this, this is

more of the horror genre.

322

00:11:56,579 --> 00:11:57,130

Am I right?

323

00:11:57,510 --> 00:11:58,349

I'm looking at Blumhouse.

324

00:11:58,359 --> 00:11:58,620

Chris Diamantopoulos: Yeah.

325

00:11:58,640 --> 00:12:04,309

So Blumhouse, uh, definitely made their

name in the horror genre, but they, you

326

00:12:04,309 --> 00:12:09,149

know, they go from horror into intriguing

into dramatic and, you know, they, they've

327

00:12:09,150 --> 00:12:13,459

got, they've, I think, look, Blumhouse is

a, is a fascinating and innovative studio

328

00:12:13,709 --> 00:12:19,020

and it's Blumhouse through Jamie Lee

Curtis, um, which, which is also just this

329

00:12:19,040 --> 00:12:21,850

extra beautiful little spice on this show.

330

00:12:22,090 --> 00:12:26,600

Not only is she in the show and she's

terrific, but as a producer and as a voice

331

00:12:26,600 --> 00:12:31,179

on the show, um, she was instrumental

in making sure that the vibe of this

332

00:12:31,630 --> 00:12:36,279

world that we haven't seen before this

criminal underbelly in Northern Canada,

333

00:12:36,289 --> 00:12:41,130

this notion of maple syrup, these ne'er

do wells, these buffoons, this insanity,

334

00:12:41,320 --> 00:12:42,780

that it all sort of comes together.

335

00:12:42,780 --> 00:12:45,750

And I think there's something really

special about a show like this in

336

00:12:45,750 --> 00:12:48,700

a 30 minute format in six episodes.

337

00:12:49,145 --> 00:12:51,655

It gives us everything we want

without feeling like we have to commit

338

00:12:51,655 --> 00:12:53,795

to something that's just going to

take weeks and weeks and weeks to

339

00:12:53,795 --> 00:12:54,275

Marc Preston: watch.

340

00:12:54,475 --> 00:12:56,855

Did you tap into your Canadian

roots with a little bit of

341

00:12:56,895 --> 00:12:59,064

Canadian dialect as a character?

342

00:12:59,385 --> 00:13:00,204

Chris Diamantopoulos: No, no, no.

343

00:13:00,205 --> 00:13:03,115

If you see the show, you'll realize I'm

actually playing an American on the show.

344

00:13:03,365 --> 00:13:06,295

Uh, so yeah, not playing

a Canadian on the show.

345

00:13:06,535 --> 00:13:10,535

Um, I play a low level.

346

00:13:11,425 --> 00:13:13,125

mobster esque guy.

347

00:13:13,135 --> 00:13:17,695

Who's, you know, uh, finds himself in

the, from the Boston area, up in Northern

348

00:13:17,695 --> 00:13:21,405

Canada, collecting, uh, you know,

the, uh, milk money for his employer.

349

00:13:21,735 --> 00:13:27,594

And, um, Margo Martindale plays

a local maple syrup farmer.

350

00:13:27,825 --> 00:13:33,384

And we realize in the show and from

this show that in, in fact, in reality,

351

00:13:33,664 --> 00:13:37,775

there is an association, a maple syrup

association that controls the global

352

00:13:38,275 --> 00:13:45,215

Supply and demand of maple syrup,

and they store these giant vats and

353

00:13:45,225 --> 00:13:49,905

giant oil drums of maple syrup that

are priced at thousands of dollars

354

00:13:49,905 --> 00:13:54,365

a drum, uh, in, in this, in these

warehouses that are largely unguarded.

355

00:13:54,734 --> 00:14:01,205

And so, uh, through desperation,

greed, and, you know, just a general

356

00:14:01,245 --> 00:14:05,335

feeling of larceny, our characters

get involved in the scheme to steal.

357

00:14:05,725 --> 00:14:07,635

Millions and millions of

dollars worth of maple syrup

358

00:14:07,635 --> 00:14:08,705

and sell it on the black Marcet.

359

00:14:08,985 --> 00:14:10,535

Marc Preston: You mentioned

something that they come up with

360

00:14:10,715 --> 00:14:12,285

a Blumhouse, like different ideas.

361

00:14:12,285 --> 00:14:14,955

And yeah, that's, I like being pleasantly

surprised by something like that.

362

00:14:14,965 --> 00:14:16,255

I haven't seen something like this before.

363

00:14:16,255 --> 00:14:17,405

That's always fun.

364

00:14:17,405 --> 00:14:17,735

Yeah.

365

00:14:18,175 --> 00:14:18,475

Yeah.

366

00:14:18,475 --> 00:14:19,195

That'll be, it'll be fun.

367

00:14:19,195 --> 00:14:20,085

You, I think you'll enjoy it.

368

00:14:20,305 --> 00:14:23,424

As far as, uh, the Greek heritage, which

of course, me being a Jewish kid from

369

00:14:23,425 --> 00:14:27,785

Texas, for whatever reason, in my family,

uh, for everybody's birthdays and events,

370

00:14:27,785 --> 00:14:29,095

we always went to Greek restaurants.

371

00:14:29,095 --> 00:14:29,375

So.

372

00:14:29,820 --> 00:14:29,960

Great.

373

00:14:29,960 --> 00:14:32,300

When I think of my comfort food

as a kid, it's always Greek food.

374

00:14:32,440 --> 00:14:32,840

I love that.

375

00:14:33,060 --> 00:14:33,620

I love that.

376

00:14:33,630 --> 00:14:33,920

I think,

377

00:14:34,070 --> 00:14:35,820

Chris Diamantopoulos: I think the

Greeks by and large would feel

378

00:14:35,940 --> 00:14:38,930

happy to hear that statement because

the Greeks all over the world

379

00:14:38,940 --> 00:14:41,529

Marc Preston: just want to

feed people pure comfort.

380

00:14:41,529 --> 00:14:44,900

And I remember the guys that, uh, and

Dallas's Costas cafe, the brothers,

381

00:14:44,970 --> 00:14:49,970

uh, there was a guy Zissy and they

owned it, but it's all one big family.

382

00:14:50,000 --> 00:14:52,620

So every Greek restaurant in the Dallas

area in one way or another, they're

383

00:14:52,620 --> 00:14:54,140

all related from what I understand.

384

00:14:54,405 --> 00:14:54,635

Yeah.

385

00:14:54,635 --> 00:14:58,194

Now are your folks, uh, kind of

first generation in Canada or?

386

00:14:58,194 --> 00:14:58,454

Yeah.

387

00:14:58,454 --> 00:14:59,824

I spoke, I spoke Greek

388

00:14:59,824 --> 00:15:00,295

Chris Diamantopoulos: in the house.

389

00:15:00,295 --> 00:15:01,225

It's my first language.

390

00:15:01,565 --> 00:15:07,095

Um, my mother and father emigrated

from Athens in the, uh, early 1970s.

391

00:15:07,465 --> 00:15:14,005

My dad, uh, went to Toronto, Canada

to, um, to, uh, study business

392

00:15:14,005 --> 00:15:15,334

and get his master's in business.

393

00:15:15,714 --> 00:15:21,745

Um, and my folks were sticklers

for us learning proper.

394

00:15:22,725 --> 00:15:26,465

grammatically accurate Greek,

both modern and ancient, actually.

395

00:15:29,175 --> 00:15:34,705

It was very, very important to them

that we, um, identified culturally as

396

00:15:34,715 --> 00:15:39,065

Greek, as well as embrace, you know,

living in Canada and being Canadian.

397

00:15:39,394 --> 00:15:46,275

Um, and it was, I think, by virtue

of speaking Greek first, that my ear,

398

00:15:46,275 --> 00:15:54,015

um, Was given the opportunity to train

itself to recognizing different sounds,

399

00:15:54,365 --> 00:15:57,155

different timbres, different textures.

400

00:15:57,435 --> 00:16:01,765

And I think that's sort of where

my mimicry and my understanding of

401

00:16:01,775 --> 00:16:05,009

tone and pitch and voice came from.

402

00:16:05,270 --> 00:16:07,210

Uh, manipulation really sort of began.

403

00:16:07,510 --> 00:16:10,430

Marc Preston: I don't know any Greek

at all, except for what's on the menu.

404

00:16:10,530 --> 00:16:14,750

It was always great hearing the guys talk

to one another, you know, it always felt

405

00:16:14,750 --> 00:16:18,800

like, uh, even if they were arguing, it

always felt, that's just the way it hit

406

00:16:18,809 --> 00:16:21,769

my ear, you know, but I got it, but I

got to know, I ended up talking food at

407

00:16:21,770 --> 00:16:23,409

least once or twice, but I got to know.

408

00:16:23,469 --> 00:16:26,800

Did you inherit the recipes

and the cooking vibe, or,

409

00:16:26,819 --> 00:16:28,060

you know, Oh, my, my parents

410

00:16:28,060 --> 00:16:28,900

Chris Diamantopoulos:

are both great cooks.

411

00:16:28,900 --> 00:16:30,420

Now we weren't in the restaurant business.

412

00:16:30,420 --> 00:16:32,850

My dad actually ran a Greek radio station.

413

00:16:33,100 --> 00:16:35,849

He advertised for all the local

companies and he did a radio show.

414

00:16:36,169 --> 00:16:38,010

Beautiful voice, Malifluous voice.

415

00:16:38,390 --> 00:16:41,859

Um, it's really where I, I probably

got a lot of my, my vocal talent from.

416

00:16:42,240 --> 00:16:46,939

Um, but my mother and father are great

cooks, very simple, what they call spitiko

417

00:16:46,940 --> 00:16:51,970

fajito, which means, uh, like home cooked

stuff, nothing fancy, but, uh, Oh, yeah.

418

00:16:51,970 --> 00:16:52,670

Everything delicious.

419

00:16:52,670 --> 00:16:56,670

I mean, look, simple hand cut French

fries and olive oil, a little bit of

420

00:16:56,710 --> 00:17:02,099

oregano and thick, uh, coarse sea salt,

um, lamb chops with just a squeeze

421

00:17:02,099 --> 00:17:04,829

of lemon, uh, coarse black pepper.

422

00:17:05,060 --> 00:17:10,010

Um, a perfect, uh, horiyaki salata, the

village salad, which is just, you know,

423

00:17:10,349 --> 00:17:17,339

vine ripe tomatoes, a nice healthy dose of

olive oil, um, uh, cucumbers, big kalamata

424

00:17:17,349 --> 00:17:20,470

olives, feta cheese, uh, red onion.

425

00:17:21,045 --> 00:17:21,595

Marc Preston: Fantastic.

426

00:17:21,974 --> 00:17:24,545

They talked about the Mediterranean

diet as being really good for you.

427

00:17:24,545 --> 00:17:27,145

But I used to, uh, I still, I,

I'm trying to pick it back up down

428

00:17:27,145 --> 00:17:28,835

here, but grew all of my own herbs.

429

00:17:28,845 --> 00:17:29,254

That's one thing.

430

00:17:29,274 --> 00:17:30,905

I got that from Greek cooking.

431

00:17:30,905 --> 00:17:31,955

Cause there's always freshers.

432

00:17:32,384 --> 00:17:33,965

And that's really the kind

of thing that set it off.

433

00:17:34,395 --> 00:17:35,615

And my favorite, one

of my favorite things,

434

00:17:35,615 --> 00:17:36,944

Chris Diamantopoulos: Avogadro Lemona.

435

00:17:36,944 --> 00:17:40,749

That means it's, it's a, it's an, it's

an egg lemon basically where they beat

436

00:17:40,750 --> 00:17:42,890

The egg white, the lemon is delicious.

437

00:17:43,130 --> 00:17:44,590

We would have that when we were sick.

438

00:17:44,600 --> 00:17:46,570

It was the kind of thing that would,

you know, nurse you back to health.

439

00:17:46,570 --> 00:17:48,450

It's sort of the Greek,

you know, chicken soup.

440

00:17:55,610 --> 00:17:57,209

Marc Preston: What about

your wife's heritage?

441

00:17:57,210 --> 00:17:58,900

Is she by any chance Greek as well?

442

00:17:58,970 --> 00:18:01,789

Chris Diamantopoulos: Well, she is

now, but she was, she was born and

443

00:18:01,789 --> 00:18:03,470

raised in Guilford, Connecticut.

444

00:18:03,500 --> 00:18:05,900

We met, um, 22 years ago.

445

00:18:05,900 --> 00:18:09,010

Um, Uh, she, uh, she's a polyglot.

446

00:18:09,090 --> 00:18:12,970

She studied, uh, European history

at Penn and she, so she speaks

447

00:18:12,990 --> 00:18:14,500

fluent Spanish and fluent German.

448

00:18:14,819 --> 00:18:18,620

Uh, and she took a course of, uh,

modern Greek at Columbia while we were

449

00:18:18,620 --> 00:18:20,509

dating and now she speaks fluent Greek.

450

00:18:20,530 --> 00:18:20,919

Really?

451

00:18:20,970 --> 00:18:28,865

Um, Yeah, I married up Marc . Um, uh, she

is, um, she converted to Greek Orthodoxy

452

00:18:28,865 --> 00:18:32,435

when we got married, and so we could

raise our kids in, in the faith as well.

453

00:18:32,795 --> 00:18:35,885

And, um, but she's, no, she's

as American as Apple pie.

454

00:18:35,885 --> 00:18:38,885

Becky Newton, you know, she's on a

show right now called the Lincoln

455

00:18:38,885 --> 00:18:40,175

Lawyer, and she's about as good as

456

00:18:40,175 --> 00:18:41,285

Marc Preston: someone

can be on television.

457

00:18:41,315 --> 00:18:43,235

That's one of the shows that's

on the list, you know, there's

458

00:18:43,235 --> 00:18:44,195

so much stuff out there now.

459

00:18:44,195 --> 00:18:46,745

I got my little list of things

I, uh, that I, that I wanna see.

460

00:18:46,745 --> 00:18:46,835

Sure.

461

00:18:46,835 --> 00:18:47,945

And it's, it is definitely one of them.

462

00:18:48,215 --> 00:18:51,044

And, uh, I think, yeah, my kids

always loved going in new Orleans,

463

00:18:51,054 --> 00:18:53,695

uh, the, every year they'd have the

Greek food festival at the church.

464

00:18:54,044 --> 00:18:58,444

And my daughter, uh, loved the,

the ice cream and the, uh, uh, the,

465

00:18:58,504 --> 00:19:01,714

with the baklava, you know, they

kind of, so you can tell I haven't

466

00:19:01,714 --> 00:19:02,684

had anything to eat today yet.

467

00:19:02,684 --> 00:19:05,414

So, you know, you're killing me

over here, but, um, all right.

468

00:19:05,434 --> 00:19:09,444

So, so when did the acting thing, when did

all the creative stuff kick off for you?

469

00:19:09,444 --> 00:19:12,975

Was that kind of in high school, was

that all on already on the agenda

470

00:19:12,975 --> 00:19:14,284

or did that come a little later?

471

00:19:14,284 --> 00:19:14,344

Yeah.

472

00:19:14,575 --> 00:19:15,055

No, Marc,

473

00:19:15,055 --> 00:19:16,125

Chris Diamantopoulos: I started acting.

474

00:19:16,215 --> 00:19:18,265

I've been acting for 40

years professionally.

475

00:19:18,265 --> 00:19:19,935

I started acting when

I was nine years old.

476

00:19:19,945 --> 00:19:24,964

Uh, I displayed, uh, an affinity

and a proficiency with regard

477

00:19:24,965 --> 00:19:26,695

to performance and entertaining.

478

00:19:26,695 --> 00:19:31,505

And so my parents, uh, despite their

lack of knowledge of within the field

479

00:19:31,824 --> 00:19:34,924

decided that, you know, they should

try and help nurture that talent.

480

00:19:34,924 --> 00:19:38,324

So they signed me up for a

kid's acting class on weekends

481

00:19:38,324 --> 00:19:39,815

and an agent found me there.

482

00:19:39,815 --> 00:19:42,605

And I started doing some, uh,

television work in Toronto.

483

00:19:42,605 --> 00:19:47,605

And, uh, shortly thereafter, I, uh,

really started getting involved in

484

00:19:47,615 --> 00:19:49,635

music and singing and stage performing.

485

00:19:50,055 --> 00:19:54,215

Um, and so I started, um, auditioning

for professional productions in Toronto

486

00:19:54,215 --> 00:19:57,805

and then quickly started doing some

big national tours in the States.

487

00:19:57,824 --> 00:20:01,294

And I landed on Broadway, uh,

worked on Broadway for several

488

00:20:01,294 --> 00:20:05,344

years and I met my wife, uh, while

I was working on Broadway, but.

489

00:20:05,539 --> 00:20:07,600

She was not working on Broadway.

490

00:20:07,600 --> 00:20:09,389

We met on the subway in

the middle of rush hour.

491

00:20:09,579 --> 00:20:09,899

Really?

492

00:20:09,909 --> 00:20:14,090

And then, um, Well, when you met on the

subway, did you both know what each other

493

00:20:14,090 --> 00:20:15,929

Marc Preston: did or was it

just, you had no clue about what,

494

00:20:16,249 --> 00:20:17,239

Chris Diamantopoulos: Oh, we were kids.

495

00:20:17,289 --> 00:20:19,009

I was, I was 25.

496

00:20:19,019 --> 00:20:20,679

She was 21 straight out of college.

497

00:20:20,679 --> 00:20:25,264

And we just started chatting and, uh,

And, and then we ended up moving to Los

498

00:20:25,264 --> 00:20:27,225

Angeles together and pursuing this career.

499

00:20:27,624 --> 00:20:28,274

Marc Preston: That is awesome.

500

00:20:28,274 --> 00:20:29,044

It's very symbiotic.

501

00:20:29,054 --> 00:20:33,064

You know, that thing where she, you know,

y'all both could do your thing together.

502

00:20:33,064 --> 00:20:34,305

That's, that's really wonderful.

503

00:20:34,305 --> 00:20:37,884

I mean, the fact that especially you

being able to work at home and she,

504

00:20:37,885 --> 00:20:40,914

she understands your workflow and if

you've had a not great day, you know,

505

00:20:40,915 --> 00:20:44,284

creatively or so, you know, so it's

probably like a lot of unspoken stuff.

506

00:20:44,305 --> 00:20:47,784

You can kind of read each other as

creatives, you know, are your, any

507

00:20:47,784 --> 00:20:50,534

of your kids kind of aiming in this

direction you think, uh, or are

508

00:20:50,534 --> 00:20:52,345

they like, no, It's hard to tell.

509

00:20:52,355 --> 00:20:52,815

You know, they

510

00:20:52,815 --> 00:20:57,405

Chris Diamantopoulos: definitely, uh,

the great thing about kids is every day

511

00:20:57,534 --> 00:21:00,794

they discover something new and then

they allow you to discover something new

512

00:21:00,794 --> 00:21:02,564

about them, particularly at these ages.

513

00:21:02,984 --> 00:21:10,194

Um, they're showing, uh, uh, desire

and skill in so many different facets.

514

00:21:10,194 --> 00:21:10,879

So it's, it's hard to tell.

515

00:21:11,020 --> 00:21:12,380

It's really hard to say.

516

00:21:12,380 --> 00:21:15,780

I think, you know, Becky and I

will sort of nurture whatever

517

00:21:15,780 --> 00:21:17,090

direction they end up going.

518

00:21:17,360 --> 00:21:22,010

Um, you know, we have both of us having

been in this business as long as we have

519

00:21:22,010 --> 00:21:25,450

been, have a healthy understanding of

how challenging this can be, but you

520

00:21:25,450 --> 00:21:27,309

know, every business has its challenges.

521

00:21:27,309 --> 00:21:29,359

Every endeavor has its challenges.

522

00:21:29,359 --> 00:21:33,779

So as long as their heart's in it for the

right reasons and, uh, they, you know,

523

00:21:34,180 --> 00:21:36,510

They go into it with, with a clear mind.

524

00:21:36,520 --> 00:21:36,820

I'm,

525

00:21:37,010 --> 00:21:37,900

Marc Preston: I'm open to it.

526

00:21:38,340 --> 00:21:41,490

A lot of luck in that your folks

were at the outset, very, uh, they're

527

00:21:41,490 --> 00:21:44,030

encouraging out of the gate, you know,

a lot of, you know, a lot of folks have

528

00:21:44,030 --> 00:21:45,460

parents like, why are you doing this?

529

00:21:45,460 --> 00:21:47,110

You know, very rare, very

530

00:21:47,110 --> 00:21:48,500

Chris Diamantopoulos: rare

for Greek immigrants to, to,

531

00:21:48,549 --> 00:21:50,260

to feel that way as well.

532

00:21:50,269 --> 00:21:53,700

They, you know, they would have wanted

me to be a doctor or a lawyer or an

533

00:21:53,700 --> 00:21:59,900

accountant, but they were, uh, to their

credit, they were very, very, um, uh,

534

00:22:00,535 --> 00:22:02,195

Marc Preston: They were very

open, which was terrific.

535

00:22:02,205 --> 00:22:05,645

So how did you make that

segue on stage to on camera?

536

00:22:05,645 --> 00:22:08,414

Was that something that was

a seamless thing or was, was

537

00:22:08,414 --> 00:22:09,595

that kind of your North star?

538

00:22:09,615 --> 00:22:13,475

Was that ultimately where you were wanting

to go or just kind of ended up that way?

539

00:22:13,645 --> 00:22:19,649

Chris Diamantopoulos: So I always

knew, uh, that I wanted I knew I

540

00:22:19,649 --> 00:22:20,879

wanted to perform and entertain.

541

00:22:20,879 --> 00:22:22,540

I mean, when I was a kid, I

wanted to be a movie star.

542

00:22:22,540 --> 00:22:23,459

I didn't know what that meant.

543

00:22:23,509 --> 00:22:25,469

I just watched movies and I

knew how they made me feel.

544

00:22:25,469 --> 00:22:27,530

I'd go to the movies with my

father and I felt something.

545

00:22:27,840 --> 00:22:31,489

You know, when you watch TV at home,

it's just kind of, but when you go to

546

00:22:31,490 --> 00:22:33,730

the movie, there's something special.

547

00:22:33,730 --> 00:22:34,609

We're all in that room.

548

00:22:34,609 --> 00:22:38,719

It goes dark and it's, it's loud and,

and you're in the world and you're

549

00:22:38,739 --> 00:22:41,820

in the story and then you, the movie

finishes and, and it's just There's so

550

00:22:41,820 --> 00:22:43,920

much to talk about and how you felt.

551

00:22:43,920 --> 00:22:47,130

And, and then for weeks I'm

play acting at what I saw.

552

00:22:47,130 --> 00:22:48,330

And I'm now that person.

553

00:22:48,330 --> 00:22:51,790

And that experience is just,

that's, that's a holy experience.

554

00:22:52,440 --> 00:22:54,450

Marc Preston: Well, that, well, at

that age, no, when you were young and

555

00:22:54,470 --> 00:22:57,810

when you were, you were, your juices

were flowing, what were you watching?

556

00:22:57,810 --> 00:23:01,039

What were the things that were like

grabbing you actors or films or directors?

557

00:23:01,089 --> 00:23:01,709

Yeah, I was.

558

00:23:01,800 --> 00:23:04,389

Chris Diamantopoulos: Greatly

inspired by the works of Danny

559

00:23:04,399 --> 00:23:07,980

Kaye, the court jester, the secret

life of Walter Mitty, five pennies.

560

00:23:08,350 --> 00:23:11,760

I love Darryl Flynn, uh, the

adventures of Robin Hood.

561

00:23:12,000 --> 00:23:14,790

Uh, obviously, you know,

anything Harrison Ford did.

562

00:23:14,790 --> 00:23:18,989

I remember seeing, uh, Roger Moore

and Moonraker and thinking, wow,

563

00:23:19,579 --> 00:23:21,030

I want to, I want to do that.

564

00:23:21,370 --> 00:23:25,350

Um, but then I remember my father

coming home with a, a beta.

565

00:23:25,605 --> 00:23:28,795

Uh, tape of Amadeus and he said, you

know, this isn't really a kid's movie

566

00:23:28,815 --> 00:23:31,895

and he left it there and the next

night my brother and I watched Amadeus

567

00:23:31,895 --> 00:23:33,734

and I remember just thinking that F.

568

00:23:33,735 --> 00:23:37,345

Marie Abraham's performance was

marvelous, One of the greatest, most

569

00:23:37,355 --> 00:23:38,825

terrifying things I'd ever seen.

570

00:23:39,205 --> 00:23:44,925

So my inspirations were as varied as

the roles that I've ended up playing.

571

00:23:44,975 --> 00:23:46,115

It's why I've never,

572

00:23:46,514 --> 00:23:48,264

Marc Preston: Abraham was the

first to kind of get you feeling

573

00:23:48,264 --> 00:23:51,414

something like it, like there was

a, there was a visceral reaction.

574

00:23:51,425 --> 00:23:54,195

Chris Diamantopoulos: I mean, it

was certainly from a, from a, uh,

575

00:23:54,225 --> 00:23:56,054

massively dramatic standpoint.

576

00:23:56,125 --> 00:23:57,054

Uh, sure.

577

00:23:57,074 --> 00:24:00,245

But there, I mean, the inspirations

came from so many different

578

00:24:00,245 --> 00:24:02,485

places and so many odd places.

579

00:24:02,485 --> 00:24:06,234

I mean, one of my biggest

influences were the three stooges.

580

00:24:06,424 --> 00:24:09,654

Their level of humor, their

level of timing and commitment

581

00:24:09,664 --> 00:24:11,534

to the bit, it was fantastic.

582

00:24:11,804 --> 00:24:14,784

Marc Preston: Um, well, that's a

full arc of experience for you.

583

00:24:14,784 --> 00:24:17,794

I mean, did you have to chase

that role to be, you know, uh,

584

00:24:17,804 --> 00:24:19,524

mo, uh, did you, did you chase it?

585

00:24:19,534 --> 00:24:21,884

Or did they look at you going,

you're the guy, you're the guy.

586

00:24:22,294 --> 00:24:22,974

What do you think, Marc?

587

00:24:22,975 --> 00:24:23,924

You think I walked in and they

588

00:24:23,924 --> 00:24:25,099

Chris Diamantopoulos: looked

at me and said, you're the guy.

589

00:24:25,260 --> 00:24:26,500

I think you're talented enough.

590

00:24:26,500 --> 00:24:30,290

They might've been, took me about,

took me about six months and about 14

591

00:24:30,290 --> 00:24:32,159

auditions, a lot of begging and pleading.

592

00:24:32,159 --> 00:24:35,069

And there was, there was really,

there was no way that that was going

593

00:24:35,069 --> 00:24:36,829

to happen, but, but somehow it did.

594

00:24:37,090 --> 00:24:38,949

I was an unknown actor at that point.

595

00:24:38,949 --> 00:24:40,689

The biggest thing I'd ever done was 24.

596

00:24:41,090 --> 00:24:42,909

And I certainly wasn't the lead of 24.

597

00:24:42,920 --> 00:24:44,340

I'd never done anything comedic.

598

00:24:44,699 --> 00:24:48,885

Uh, Although I knew that I was, you know,

I could, I could work as a comedy actor.

599

00:24:48,885 --> 00:24:50,255

It just hadn't happened at that point.

600

00:24:50,265 --> 00:24:53,695

So it was a big leap of faith on

the fairly brother's part, huge

601

00:24:53,695 --> 00:24:55,925

leap of faith on the studio part.

602

00:24:56,255 --> 00:24:58,015

That was when Tom Rothman was running Fox.

603

00:24:58,544 --> 00:25:03,265

Uh, and it was a confluence of my

strange history with the Stooges,

604

00:25:03,284 --> 00:25:12,905

my, um, encyclopedic knowledge of

their Uh, shorts and, um, and then my

605

00:25:13,305 --> 00:25:19,705

lack of guile and naivete to believe

that they would allow me to pull a

606

00:25:19,705 --> 00:25:23,164

face and morph to play this role.

607

00:25:23,194 --> 00:25:24,779

And it just, it ended up being me.

608

00:25:24,780 --> 00:25:27,260

It ended up happening and two

other actors were offered the role.

609

00:25:27,260 --> 00:25:30,730

They fell out one of them because

he couldn't do the, the impression

610

00:25:30,730 --> 00:25:32,899

of Mo and the other one, because

he wanted too much money.

611

00:25:33,000 --> 00:25:34,730

Marc Preston: I got to say, I remember

growing up, like you said, the

612

00:25:34,730 --> 00:25:37,210

shorts, the ones that were just kind

of in and out is just a few minutes.

613

00:25:37,410 --> 00:25:37,819

I like that.

614

00:25:37,820 --> 00:25:39,700

I thought there was something

kind of cool about that.

615

00:25:40,249 --> 00:25:42,970

But I remember this kind of the rhythm,

the physicality, the physicality.

616

00:25:43,850 --> 00:25:44,270

Really?

617

00:25:44,480 --> 00:25:45,139

And you nailed it.

618

00:25:45,139 --> 00:25:45,969

I mean, that was just like

619

00:25:45,970 --> 00:25:46,250

Chris Diamantopoulos: that.

620

00:25:46,370 --> 00:25:46,720

Thanks.

621

00:25:46,720 --> 00:25:50,100

No, I mean, the thing about the Stooges

that was fascinating was that they, they

622

00:25:50,100 --> 00:25:53,340

perfected their craft on the vaudeville

circuit and the borscht belt too.

623

00:25:53,360 --> 00:25:56,810

You know, I mean, they, they did

live performances for years and years

624

00:25:56,810 --> 00:25:59,599

and years and years and years before

they ever put anything on celluloid.

625

00:25:59,850 --> 00:26:01,384

So the daunting task for, for me.

626

00:26:01,385 --> 00:26:05,785

Us, but when we made the movie was

we had five days of prep, there

627

00:26:05,785 --> 00:26:07,275

was no, there was no rehearsal.

628

00:26:07,275 --> 00:26:12,304

There was no, Oh yeah, it was, it

was, we were shot out of a cannon.

629

00:26:12,335 --> 00:26:17,935

And so, um, I, again, through my

own naivete, not knowing that this

630

00:26:17,944 --> 00:26:19,584

is what I wasn't supposed to do.

631

00:26:19,875 --> 00:26:23,995

I just, uh, uh, uh, uh, took the

bull by the horns and, and, and,

632

00:26:23,995 --> 00:26:25,495

and Sean and will, and I would meet.

633

00:26:25,690 --> 00:26:29,290

The morning before a shoot and talk

about what we might do in a physical

634

00:26:29,290 --> 00:26:32,170

standpoint to supplement what it

says in the script, the Stooges

635

00:26:32,180 --> 00:26:34,659

fight, you know, what does that mean?

636

00:26:34,670 --> 00:26:35,520

What does that look like?

637

00:26:35,530 --> 00:26:38,470

And so we would create these bits

and then show up on set ready to go.

638

00:26:38,799 --> 00:26:41,030

It was really, it was, um, a reMarcable

639

00:26:41,030 --> 00:26:41,650

Marc Preston: experience.

640

00:26:47,045 --> 00:26:48,175

Uh, great actor.

641

00:26:48,205 --> 00:26:48,815

Good guy.

642

00:26:48,905 --> 00:26:49,205

Yeah.

643

00:26:49,205 --> 00:26:49,894

Yeah.

644

00:26:49,895 --> 00:26:51,735

It was interesting

watching the physicality.

645

00:26:51,735 --> 00:26:52,975

Cause that's what I remember as a kid.

646

00:26:52,975 --> 00:26:55,035

I don't really remember

plot lines as much.

647

00:26:55,035 --> 00:26:58,414

I just remember the seeming absurdity,

but the heart in it, you know, but I

648

00:26:58,415 --> 00:27:02,004

know some people are really, really,

really into the three stooges.

649

00:27:02,004 --> 00:27:04,664

It was an inspiration, but to be able

to be in a movie that had to be a

650

00:27:04,665 --> 00:27:06,645

cool full, a full circle thing for you

651

00:27:06,655 --> 00:27:07,175

Chris Diamantopoulos: beyond.

652

00:27:07,445 --> 00:27:08,175

It really was.

653

00:27:08,175 --> 00:27:10,705

It was, it was on an earnest.

654

00:27:11,020 --> 00:27:12,520

Marc Preston: Uh, literal dream come true.

655

00:27:12,620 --> 00:27:13,870

You'd been on 24.

656

00:27:13,870 --> 00:27:17,810

So this is kind of like 180 degree

shift, but that's, did you kind of feel

657

00:27:17,810 --> 00:27:20,220

that was when the momentum just started

kind of picking up for you, do you

658

00:27:20,220 --> 00:27:21,760

think, did you use that kind of win?

659

00:27:21,800 --> 00:27:21,990

I don't

660

00:27:21,990 --> 00:27:22,429

Chris Diamantopoulos: think so.

661

00:27:22,430 --> 00:27:22,709

No.

662

00:27:22,709 --> 00:27:23,439

And you know, it was funny.

663

00:27:23,450 --> 00:27:24,899

It was hard to bill me after that.

664

00:27:24,919 --> 00:27:28,039

You know, my, I did a, you know,

it was a 50 million movie for

665

00:27:28,040 --> 00:27:29,534

Fox and I was the lead of it.

666

00:27:30,305 --> 00:27:32,425

I looked like Mo, I didn't look like this.

667

00:27:32,425 --> 00:27:34,595

And if you look at the posters

or any of the trailers or any of

668

00:27:34,595 --> 00:27:36,385

it, you just, it's not this guy.

669

00:27:36,405 --> 00:27:37,945

So how do they sell that?

670

00:27:37,955 --> 00:27:38,245

Right.

671

00:27:38,245 --> 00:27:42,915

So, uh, no, it wasn't necessarily the,

I mean, one thing that it did do was

672

00:27:43,014 --> 00:27:45,975

it caught the attention of someone at

Disney when they were looking to start

673

00:27:46,964 --> 00:27:52,185

a new show based on the original Walt

Disney Mickey mouse, where they wanted

674

00:27:52,185 --> 00:27:56,305

to go back to the root of what Mickey

sounded like, which was Walt himself.

675

00:27:56,345 --> 00:27:59,425

And, um, someone had seen me do.

676

00:27:59,675 --> 00:28:03,845

The Stooges and the Stooges

had that intrinsic thirties era

677

00:28:05,065 --> 00:28:08,105

cadence to it, just by virtue of

the ways that the Stooges talk.

678

00:28:09,285 --> 00:28:11,394

And so they wanted to bring

me in to voice Mickey.

679

00:28:11,464 --> 00:28:16,424

And, um, I was reticent at first because

I have a deeper voice and I, I, you

680

00:28:16,424 --> 00:28:17,865

don't mess with an icon like Mickey.

681

00:28:18,895 --> 00:28:23,065

By sheer luck, um, Tom Hanks had

been promoting his, uh, Finding Mr.

682

00:28:23,065 --> 00:28:25,095

Banks, uh, movie.

683

00:28:25,385 --> 00:28:29,225

And they had all of these, um, Walt Disney

documentaries on television at the time.

684

00:28:29,285 --> 00:28:29,965

And I watched.

685

00:28:30,429 --> 00:28:33,310

A particular documentary where it

showed Disney talking to a journalist

686

00:28:34,159 --> 00:28:36,550

and his voice was very similar to mine.

687

00:28:36,560 --> 00:28:39,969

Very, he had a, there was a base

to his voice, but where his voice

688

00:28:39,969 --> 00:28:44,850

resonated, um, aside from his

regionalism was, was similar.

689

00:28:44,850 --> 00:28:48,150

And I found that intriguing and so

I watched him as he talked and then

690

00:28:48,150 --> 00:28:50,184

the journalist asked him, would

you do it, Mr Disney, would you?

691

00:28:50,495 --> 00:28:51,525

Would you do a little of the voice?

692

00:28:51,525 --> 00:28:53,115

And he went, Oh boy.

693

00:28:53,355 --> 00:28:56,245

And he sort of, and I watched what

he did with his, with his body.

694

00:28:56,245 --> 00:28:59,395

I watched what he did with his face and

I saw what, what, where his larynx went.

695

00:28:59,395 --> 00:29:01,535

And I thought, Oh gosh,

maybe I can do that.

696

00:29:01,624 --> 00:29:07,205

And so, you know, uh, I went in and I

gave it, I gave it the old college try.

697

00:29:07,215 --> 00:29:13,545

And, uh, I mean, that really was, that

was a shift in my life that I would never

698

00:29:13,545 --> 00:29:16,965

have expected that, uh, that is really

just a beautiful blessing in my life.

699

00:29:16,995 --> 00:29:17,965

Uh, You know,

700

00:29:17,975 --> 00:29:19,845

Marc Preston: voicing Mickey

Mouse, you mentioned the

701

00:29:19,855 --> 00:29:20,875

thing about like the thirties.

702

00:29:20,905 --> 00:29:25,015

I always wondered as a VO guy, how

much of that was affected or how much

703

00:29:25,015 --> 00:29:26,655

of that's the way people spoke back

704

00:29:26,655 --> 00:29:26,935

Chris Diamantopoulos: then?

705

00:29:27,105 --> 00:29:29,445

Marc Preston: I've, you know, I can't

get it at a time machine and go hear it.

706

00:29:29,485 --> 00:29:31,735

They're kind of like, uh, those people,

they talk like, you know, the, the,

707

00:29:31,745 --> 00:29:35,005

that if there's that an, an affected

thing that they did, or if that was

708

00:29:35,005 --> 00:29:36,345

just part, it's a great question, right?

709

00:29:36,345 --> 00:29:36,355

I

710

00:29:36,395 --> 00:29:38,615

Chris Diamantopoulos: mean, it's all,

it's like, uh, how, how much of what

711

00:29:38,615 --> 00:29:41,489

they showed us of anything was affected,

you know, how many people spoke?

712

00:29:41,630 --> 00:29:44,680

Slept in twin beds and full

nighties and buttoned up pajamas.

713

00:29:44,690 --> 00:29:45,400

Do you know what I mean?

714

00:29:47,380 --> 00:29:49,260

Who knows what it was

really like back then?

715

00:29:49,520 --> 00:29:53,280

I did, I did, uh, the boys in the

boat with George Clooney last year.

716

00:29:53,340 --> 00:29:59,315

And, um, that was a thirties, uh,

period piece and threading that Needle.

717

00:29:59,315 --> 00:30:02,445

And I played a journalist actually,

uh, and a radio announcer and the

718

00:30:02,455 --> 00:30:03,895

fellow who was announcing the races.

719

00:30:04,185 --> 00:30:08,945

So finding the right balance of what

would have been reasonable back then.

720

00:30:08,965 --> 00:30:11,165

And also what would work

cinematically for today.

721

00:30:11,195 --> 00:30:11,855

That was fun.

722

00:30:12,105 --> 00:30:14,775

Finding that with George, you

know, how far do you want to go

723

00:30:14,775 --> 00:30:17,280

into You know, the year was 1935.

724

00:30:17,280 --> 00:30:17,760

You know what I mean?

725

00:30:17,770 --> 00:30:20,050

How far do you want to go into that, uh,

726

00:30:20,830 --> 00:30:21,420

Marc Preston: to, to thread

727

00:30:21,420 --> 00:30:22,070

Chris Diamantopoulos: that balance?

728

00:30:22,340 --> 00:30:23,540

Marc Preston: He directed it, correct?

729

00:30:23,550 --> 00:30:23,900

He did.

730

00:30:23,970 --> 00:30:24,810

Thank you for reminding me.

731

00:30:24,810 --> 00:30:25,820

Cause I wanted to ask you about that.

732

00:30:25,980 --> 00:30:27,310

That is a, it's a true story.

733

00:30:27,340 --> 00:30:27,640

Correct?

734

00:30:27,650 --> 00:30:27,980

It is.

735

00:30:27,980 --> 00:30:30,140

It's a beautiful, if you haven't

read the book, I would say

736

00:30:30,550 --> 00:30:32,610

Chris Diamantopoulos: that's, that's a,

that's, you should put that on your list.

737

00:30:32,610 --> 00:30:33,600

It's a beautifully written book.

738

00:30:33,610 --> 00:30:33,770

Okay.

739

00:30:33,790 --> 00:30:35,170

Read the book first before singing.

740

00:30:35,170 --> 00:30:37,100

I mean, it's not necessary,

it's not necessary, but it's

741

00:30:37,100 --> 00:30:38,660

such an homage to America.

742

00:30:38,660 --> 00:30:45,530

It's such a, a love letter to what

this country really about to, to the.

743

00:30:45,890 --> 00:30:54,740

The, um, the pain and struggle resulting

in an exaltation of the American spirit.

744

00:30:54,900 --> 00:31:01,190

It's a, it's a really beautiful homage

to what it means to be American.

745

00:31:01,270 --> 00:31:02,070

It's it's lovely.

746

00:31:02,870 --> 00:31:07,000

Marc Preston: It'd be nice if something

old was new again right now, you

747

00:31:07,000 --> 00:31:11,000

know, bring, bring some of that vibe

back would be glorious right now.

748

00:31:11,690 --> 00:31:12,790

So the, you know, so.

749

00:31:13,100 --> 00:31:16,519

As you're progressing, were you thinking,

okay, I'm doing this, uh, you know,

750

00:31:16,520 --> 00:31:19,290

you work at George Clooney and I hear,

you know, I love everything he does.

751

00:31:19,290 --> 00:31:21,870

In fact, when I, when I coached

voiceover students, I always mentioned

752

00:31:22,250 --> 00:31:25,690

thing I love about him is we talk about

brand and who you are, your signature.

753

00:31:25,690 --> 00:31:29,000

We think of Danny Ocean, swab, Devin

air, modern day, Cary Grant, you

754

00:31:29,000 --> 00:31:32,740

know, but the things he's really

notable for, he's a total dolt like

755

00:31:32,770 --> 00:31:37,120

the Coen brothers movies, or when he

steps outside of being a handsome,

756

00:31:37,335 --> 00:31:39,225

Charismatic dude, you know, absolutely.

757

00:31:39,645 --> 00:31:40,695

That had been a great

758

00:31:40,695 --> 00:31:41,405

Chris Diamantopoulos: experience.

759

00:31:41,435 --> 00:31:42,565

Uh, it was reMarcable.

760

00:31:42,605 --> 00:31:45,465

It was reMarcable watching him

work, listening to him, seeing how

761

00:31:45,485 --> 00:31:50,885

confident he was with regard to having

already, uh, sort of seen how he

762

00:31:50,885 --> 00:31:52,585

wants the story to unfold on screen.

763

00:31:52,915 --> 00:31:56,585

It gave the actors a tremendous

sense of peace showing up on set,

764

00:31:56,585 --> 00:31:57,665

knowing that he's got the reins.

765

00:31:58,025 --> 00:31:59,965

Um, and just a lovely guy.

766

00:32:01,105 --> 00:32:01,915

Marc Preston: How does he direct?

767

00:32:01,925 --> 00:32:05,855

Cause I know like a Clint Eastwood's very,

as I say, kind of directs in the camera,

768

00:32:05,865 --> 00:32:08,045

he's like, he gets a scene done moving on.

769

00:32:08,045 --> 00:32:10,215

You know, what, what's

George Clooney as far as, I

770

00:32:10,215 --> 00:32:10,475

Chris Diamantopoulos: mean,

771

00:32:10,485 --> 00:32:10,835

Marc Preston: he's

772

00:32:10,835 --> 00:32:14,635

Chris Diamantopoulos: very casual, uh,

uh, very much in favor of the actors.

773

00:32:14,635 --> 00:32:18,145

Uh, you know, he loves actors

and he, he is an actor.

774

00:32:18,475 --> 00:32:20,875

Um, I never felt like we were.

775

00:32:21,245 --> 00:32:23,965

Chasing the clock like we

were in trouble for time.

776

00:32:24,225 --> 00:32:26,705

It never felt like we were belaboring

something and doing multiple

777

00:32:26,705 --> 00:32:28,235

takes when they were unnecessary.

778

00:32:28,625 --> 00:32:33,745

You know, it also didn't feel like he

was doing prototypical wide medium close.

779

00:32:33,895 --> 00:32:36,815

He knew how a scene was going

to play if the whole thing was

780

00:32:36,815 --> 00:32:37,825

going to play in the close.

781

00:32:38,265 --> 00:32:40,025

He would eschew the wide

and say, I don't need it.

782

00:32:40,025 --> 00:32:41,295

I know I'm going to come right in here.

783

00:32:41,585 --> 00:32:45,715

So there's a, there was something

really beautiful about that.

784

00:32:45,715 --> 00:32:50,905

He, you know, he was really a mentor to

me during those several weeks in London.

785

00:32:51,295 --> 00:32:54,665

Um, and I asked him a lot of just,

you know, business questions and

786

00:32:54,665 --> 00:32:56,715

he was always ready with a story.

787

00:32:57,065 --> 00:32:59,465

Um, but one of the things that stuck

with me, one of the things that

788

00:32:59,465 --> 00:33:03,915

he said to me that I found very

profound and very liberating was

789

00:33:03,915 --> 00:33:08,905

that when you're an actor and you're

auditioning, playing with house money.

790

00:33:09,765 --> 00:33:12,645

The casino has given you 10, 000 and

they say, do with it what you will.

791

00:33:13,195 --> 00:33:15,175

Now you may lose it, but

you're not losing anything.

792

00:33:15,535 --> 00:33:17,875

They gave you the 10, 000, who cares?

793

00:33:18,735 --> 00:33:21,775

You may turn it into 20 and you

could turn it into a million.

794

00:33:21,805 --> 00:33:23,185

And that's what an audition is.

795

00:33:23,565 --> 00:33:24,885

You've got nothing to lose.

796

00:33:25,055 --> 00:33:25,755

So go for it.

797

00:33:26,465 --> 00:33:29,675

And, and I, I thought that that

was very simple, but very profound.

798

00:33:29,945 --> 00:33:35,785

And it's definitely indicative

of his casual, but you know,

799

00:33:35,795 --> 00:33:37,275

Marc Preston: hardworking nature, right?

800

00:33:37,760 --> 00:33:39,700

Yeah, I think that's the

hard thing to do as an actor.

801

00:33:39,700 --> 00:33:44,460

And like I say, I work in voiceover folks

and I'm like, go in there, do your thing.

802

00:33:44,920 --> 00:33:45,950

You don't know what they're looking for.

803

00:33:45,950 --> 00:33:48,730

And it's a fool's errand to kind

of assume, you know, but you do,

804

00:33:48,740 --> 00:33:51,500

you try to get down in the middle,

but did you audition for George

805

00:33:51,500 --> 00:33:53,520

or is it like, okay, it was just

kind of like, okay, you're the guy.

806

00:33:53,530 --> 00:33:54,940

I That that works.

807

00:33:54,940 --> 00:33:55,000

No,

808

00:33:55,000 --> 00:33:55,240

Chris Diamantopoulos: Marc.

809

00:33:55,240 --> 00:33:58,420

I, I love, I love the notion that

you think that it ever happens

810

00:33:58,420 --> 00:34:00,970

where someone says, you're

the guy, you know, I, I'm sure

811

00:34:00,970 --> 00:34:01,475

Marc Preston: that a lot of actors,

812

00:34:01,595 --> 00:34:03,250

Chris Diamantopoulos: I think you

were, I think you were that talented.

813

00:34:03,250 --> 00:34:06,040

I've seen you do your thing and I saw

he is like, I know he can do that thing.

814

00:34:06,045 --> 00:34:08,770

I want him, you know, I don't think

it's ever happened for me in life

815

00:34:08,770 --> 00:34:10,470

that someone went, you're the guy.

816

00:34:10,500 --> 00:34:15,200

No, I, I made a tape actually in

this studio, um, for that role.

817

00:34:15,260 --> 00:34:18,665

And look to his credit,

uh, he watched the tape.

818

00:34:19,475 --> 00:34:21,745

And then he gave me the role.

819

00:34:21,935 --> 00:34:24,635

Uh, there wasn't anything

fussy about George.

820

00:34:25,055 --> 00:34:27,995

A lot of directors will see a tape and

then decide that they want to meet with

821

00:34:28,005 --> 00:34:32,405

you or meet with you on zoom or read

again or give you notes for George.

822

00:34:32,405 --> 00:34:36,125

I think I would venture to say that

every aspect of his life is this way.

823

00:34:36,585 --> 00:34:37,495

He's decisive.

824

00:34:38,120 --> 00:34:38,840

That's the guy.

825

00:34:38,990 --> 00:34:39,890

Call him, tell him he got the

826

00:34:39,890 --> 00:34:40,190

Marc Preston: part.

827

00:34:40,340 --> 00:34:44,090

Now is his directing style verbose

giving you lots of exp explanations

828

00:34:44,090 --> 00:34:46,760

or is he very pithy with just a

few words just to get you there?

829

00:34:46,760 --> 00:34:47,720

It's interesting, I found him,

830

00:34:48,050 --> 00:34:52,040

Chris Diamantopoulos: um, you mentioned

the word chameleon early on in this, in,

831

00:34:52,040 --> 00:34:55,250

in this interview, and I think George

is a chameleon in some ways as well.

832

00:34:55,250 --> 00:34:59,590

And his directorial style I think has

a chameleonic essence to it because

833

00:34:59,590 --> 00:35:02,170

there would be some big boisterous

scenes where there are hundreds and

834

00:35:02,170 --> 00:35:06,040

hundreds of extras outside and he

would use his megaphone and use humor.

835

00:35:06,495 --> 00:35:07,855

to motivate and direct.

836

00:35:08,395 --> 00:35:12,965

And then there were some really intimate

sequences where he would ask the crew to

837

00:35:13,275 --> 00:35:17,405

be politely, pleasantly, almost not even

have to, but the crew would recognize

838

00:35:17,405 --> 00:35:19,525

that they would need to sort of bring

it all down as they were setting up.

839

00:35:19,855 --> 00:35:23,665

And he would sort of come

quietly next to the actor.

840

00:35:23,665 --> 00:35:29,145

And I remember them doing this with me and

sitting and sort of sitting with me you

841

00:35:29,145 --> 00:35:30,985

know, just like What do you think, Chris?

842

00:35:31,005 --> 00:35:35,095

You want to, you want to sort of just like

jump into it or, you know, just very like

843

00:35:35,095 --> 00:35:37,865

a paternal, like, take your time, pal.

844

00:35:37,885 --> 00:35:41,715

We, we can do this any way you want, like

almost an arm around the shoulder and,

845

00:35:42,115 --> 00:35:46,605

and I believe in you sort of thing that

just, it just took all insecurity and

846

00:35:46,605 --> 00:35:50,795

evaporated and just allowed me to just be.

847

00:35:51,180 --> 00:35:53,500

I joked with my wife, I was

like, she's like, how was it?

848

00:35:53,500 --> 00:35:57,820

I was like, I just wanted him to, to put

his arm around me and say, I got your son.

849

00:35:58,750 --> 00:36:00,580

Just, just a really, really look, man.

850

00:36:00,600 --> 00:36:02,020

You know, they say,

don't meet your heroes.

851

00:36:02,020 --> 00:36:04,650

Well, if you're heroes, George

Clooney, meet him because he's

852

00:36:04,650 --> 00:36:05,410

not going to let you down.

853

00:36:06,050 --> 00:36:07,780

Marc Preston: I can imagine being

in a room with him and Brad Pitt.

854

00:36:07,780 --> 00:36:08,970

I think that, I don't

think you can go in there.

855

00:36:08,970 --> 00:36:09,820

There's too much charisma.

856

00:36:09,830 --> 00:36:10,900

Oh, it's insane.

857

00:36:11,060 --> 00:36:11,710

Chris Diamantopoulos: Yeah, no.

858

00:36:11,710 --> 00:36:14,110

And, and, and they also,

I haven't met Brad, but.

859

00:36:14,305 --> 00:36:15,825

They seem like good dudes too.

860

00:36:15,845 --> 00:36:16,505

That's the other part.

861

00:36:16,505 --> 00:36:17,435

So there's all that charisma.

862

00:36:17,435 --> 00:36:18,805

There's all that handsomeness.

863

00:36:18,815 --> 00:36:21,105

There's all the talent experience.

864

00:36:21,105 --> 00:36:24,945

And, but, but then add to that, that

they, they seem like good natured fellows.

865

00:36:24,945 --> 00:36:27,155

Yeah, it would be, uh, it'd be too much,

866

00:36:27,395 --> 00:36:32,205

Marc Preston: too much for a mere, well,

I think you Hold your own very well and

867

00:36:32,205 --> 00:36:33,635

the stuff I've seen you without a doubt.

868

00:36:33,645 --> 00:36:39,605

I mean, I mean you and in the red notice

Are in red notice without you that the

869

00:36:39,605 --> 00:36:42,235

scene would have been as electric, you

know Cuz you've got Ryan Reynolds who's

870

00:36:42,325 --> 00:36:46,885

I mean, he's an okay looking guy, I guess

and You've got the physicality of Dwayne

871

00:36:46,895 --> 00:36:52,244

Johnson, but it without you it didn't

really have that tension, you know And

872

00:36:52,245 --> 00:36:56,205

it's I love watching people Who don't

have dialogue, but you'd love watch it.

873

00:36:56,205 --> 00:36:57,835

You just like, okay, you kind of lean in.

874

00:36:57,835 --> 00:36:58,965

Okay, what's going to happen?

875

00:36:59,015 --> 00:37:02,235

And that's, I think they did a really

wonderful thing shooting you from

876

00:37:02,235 --> 00:37:05,225

behind without even showing your

face for a good moment to moment.

877

00:37:05,225 --> 00:37:07,045

It's like, okay, what's going on?

878

00:37:07,045 --> 00:37:08,445

And it kind of built up the tension.

879

00:37:08,445 --> 00:37:10,754

So I'm glad you enjoyed it, man.

880

00:37:10,755 --> 00:37:11,525

I really appreciate it.

881

00:37:11,525 --> 00:37:13,075

I love making that now.

882

00:37:13,505 --> 00:37:18,085

You talk about George Clooney talked

about on the, on the menu of guys

883

00:37:18,085 --> 00:37:19,375

and gals you'd like to work with.

884

00:37:19,395 --> 00:37:24,035

Is there, is, is there a director, is

there a type of film, a type of project

885

00:37:24,035 --> 00:37:26,945

that's been itching and you know,

like, okay, this is where I need to

886

00:37:26,955 --> 00:37:29,155

add this to the recipe of my career.

887

00:37:29,615 --> 00:37:30,495

That's a great question.

888

00:37:30,495 --> 00:37:31,025

I mean, look, I

889

00:37:31,025 --> 00:37:32,925

Chris Diamantopoulos: love all

of Paul Thomas Anderson's films.

890

00:37:32,935 --> 00:37:36,595

So, uh, a chance to work with

Paul Thomas Anderson would be a

891

00:37:36,595 --> 00:37:39,755

real, um, a real dream come true.

892

00:37:40,475 --> 00:37:41,845

You know who his dad is, right?

893

00:37:42,430 --> 00:37:43,280

I know who his dad is.

894

00:37:43,280 --> 00:37:43,630

Yeah.

895

00:37:43,660 --> 00:37:43,930

Yeah.

896

00:37:43,930 --> 00:37:44,570

I know his dad.

897

00:37:44,670 --> 00:37:47,190

And I know his wife is, you know, I've

worked with his wife on a few projects.

898

00:37:47,190 --> 00:37:49,620

Uh, Maya and I have done

a few things together.

899

00:37:49,940 --> 00:37:51,180

No, I know all about him.

900

00:37:51,180 --> 00:37:56,270

I've been a, you know, uh, uh, a

distant student of his, if you will.

901

00:37:56,280 --> 00:37:56,810

You know what I mean?

902

00:37:57,250 --> 00:37:57,980

Um,

903

00:37:58,690 --> 00:38:00,740

Marc Preston: His dad has

the greatest outtake reel.

904

00:38:00,800 --> 00:38:02,680

It's 11 minutes of, uh, Yes.

905

00:38:02,780 --> 00:38:03,100

Chris Diamantopoulos: Yes.

906

00:38:03,950 --> 00:38:04,480

I know what you're

907

00:38:04,490 --> 00:38:05,050

Marc Preston: talking about.

908

00:38:05,050 --> 00:38:05,560

Actually.

909

00:38:05,610 --> 00:38:07,050

I, I, I have seen this.

910

00:38:07,370 --> 00:38:07,730

Yeah.

911

00:38:07,810 --> 00:38:08,910

Well, I remember hearing it.

912

00:38:08,920 --> 00:38:11,510

My voice of record back

in 1990, it was our 92.

913

00:38:11,510 --> 00:38:14,309

He said, uh, just go listen

to this as 11 minutes.

914

00:38:14,310 --> 00:38:16,430

He was the voice of, uh,

some different TV stations.

915

00:38:16,450 --> 00:38:19,880

Just the video he did when he was

the voice of America's funniest

916

00:38:19,880 --> 00:38:24,760

home and ABC, uh, he, he used

the Sennheiser four 16 because he

917

00:38:24,760 --> 00:38:26,470

wanted to sit in the booth with.

918

00:38:26,820 --> 00:38:30,210

And this, the, the, the, the banter,

it's like anybody who does voice

919

00:38:30,240 --> 00:38:31,710

or any kind of creative thing.

920

00:38:32,400 --> 00:38:35,650

I remember hearing a story that one time

for Paul, uh, Paul Thomas Sanders for

921

00:38:35,650 --> 00:38:40,560

this, I think he had other kids, um, for

Christmas, he wanted them to have snow.

922

00:38:40,630 --> 00:38:43,230

Cause he was, I would think originally

from Cleveland or something and

923

00:38:43,250 --> 00:38:45,930

being in Hollywood, he actually

paid to have snow machines brought

924

00:38:45,960 --> 00:38:47,290

an overnight cranking out snow.

925

00:38:47,290 --> 00:38:50,100

So the kids woke up Christmas morning,

they had snow on their front yard,

926

00:38:50,100 --> 00:38:51,930

courtesy of a movie studio snow machine.

927

00:38:51,930 --> 00:38:52,910

That's pretty cool.

928

00:38:52,910 --> 00:38:53,563

That's lore.

929

00:38:53,563 --> 00:38:54,543

That's pretty cool.

930

00:38:54,543 --> 00:38:55,100

That's Yeah.

931

00:38:55,100 --> 00:38:55,440

I like that.

932

00:38:55,440 --> 00:38:56,000

I like that a lot.

933

00:38:56,000 --> 00:38:58,630

Besides Paul Thomas Anderson,

who else is kind of on your

934

00:38:58,640 --> 00:38:59,730

Mount Rushmore, if you will?

935

00:38:59,740 --> 00:39:03,300

Chris Diamantopoulos: You know, did

you watch, um, did you watch Shogun?

936

00:39:03,370 --> 00:39:05,690

It was really, really beautifully done.

937

00:39:05,740 --> 00:39:10,030

And um, there's a director that

won the Emmy this year for his work

938

00:39:10,030 --> 00:39:11,810

on that show called Frederick E.

939

00:39:11,810 --> 00:39:11,940

O.

940

00:39:11,940 --> 00:39:12,410

Toy.

941

00:39:12,860 --> 00:39:15,130

And he and I have actually worked

together before on a couple of

942

00:39:15,140 --> 00:39:20,300

things, but he's the kind of guy that

I love on a TV set as a director.

943

00:39:20,640 --> 00:39:23,810

Um, this is a guy with a

specific vision and such a.

944

00:39:24,410 --> 00:39:27,640

Um, calm and quiet.

945

00:39:28,380 --> 00:39:31,470

Way of leading with that vision.

946

00:39:31,830 --> 00:39:34,690

Um, it's guys like that, that

I, that I want to work with.

947

00:39:34,690 --> 00:39:37,940

There's a show, uh, if you watch the

show, slow horses with Gary Oldman

948

00:39:37,950 --> 00:39:39,660

Marc Preston: recently,

that's an Apple TV show.

949

00:39:39,690 --> 00:39:41,480

You know, it's one of

those, you know, yes or no.

950

00:39:41,480 --> 00:39:43,390

I started watching and I

was working on the computer.

951

00:39:43,390 --> 00:39:45,240

I was sitting on my sofa and

I was like, this is one of the

952

00:39:45,240 --> 00:39:46,230

shows I need to pay attention to.

953

00:39:46,230 --> 00:39:46,760

Totally.

954

00:39:46,880 --> 00:39:48,030

I can't like half pay attention.

955

00:39:48,410 --> 00:39:48,710

Yeah.

956

00:39:48,860 --> 00:39:48,980

Chris Diamantopoulos: Yeah.

957

00:39:49,070 --> 00:39:49,790

You got to pay attention.

958

00:39:49,850 --> 00:39:51,630

You got to pay attention

to that one for sure.

959

00:39:52,060 --> 00:39:54,600

But it's, it's a brilliant show

and that's the kind of material

960

00:39:54,600 --> 00:39:56,100

that I would absolutely love

961

00:39:56,100 --> 00:39:58,050

Marc Preston: to, You talk

about George Clooney directing,

962

00:39:58,050 --> 00:39:59,020

but what about you directing?

963

00:39:59,030 --> 00:40:02,160

Have you thought about, okay, this, this

is a muscle I haven't flexed yet that I

964

00:40:02,160 --> 00:40:03,840

want to try it out and see how it works.

965

00:40:03,950 --> 00:40:05,330

Chris Diamantopoulos:

Yeah, I have definitely.

966

00:40:05,330 --> 00:40:08,920

And Stooges was sort of the first

time that that came onto my radar.

967

00:40:09,200 --> 00:40:15,510

Um, my involvement in that movie was

much more than just acting as Moe.

968

00:40:15,800 --> 00:40:20,885

Um, because of my Knowledge of the

Stooges in my understanding intrinsically

969

00:40:20,885 --> 00:40:29,015

of what the task was, um, I got my

first taste of what it might be like

970

00:40:29,025 --> 00:40:32,435

if I were to, uh, direct something

that I, that I really believed in.

971

00:40:32,435 --> 00:40:33,885

And I think that's really

what it's going to take.

972

00:40:33,885 --> 00:40:38,945

I think it's going to, I'm going to need

to find a story that I think is the most

973

00:40:38,955 --> 00:40:40,475

compelling story that needs to be told.

974

00:40:40,475 --> 00:40:43,465

And then I'm going to have to tell

it, um, you, you, you had your wife.

975

00:40:43,675 --> 00:40:44,925

Is she right at all?

976

00:40:45,045 --> 00:40:45,745

We both do.

977

00:40:45,755 --> 00:40:47,305

Yeah, we both, we both right.

978

00:40:47,325 --> 00:40:49,305

And, and it's one of those things where.

979

00:40:49,825 --> 00:40:54,595

We're not in any rush, you know, we're

still so, uh, beautifully motivated

980

00:40:54,595 --> 00:40:57,625

by the work that comes to us by

virtue of other, you know, gifted

981

00:40:57,625 --> 00:41:01,625

screenwriters and producers that

were happy doing that work right now.

982

00:41:01,655 --> 00:41:05,295

And I feel like in every aspect of my

life, like when I transitioned from the

983

00:41:05,295 --> 00:41:09,615

theater into television and then when

film found me and then when animation

984

00:41:09,615 --> 00:41:11,155

found me, it was all rather organic.

985

00:41:11,375 --> 00:41:15,345

So I feel like, um, the next step,

uh, with directing will, will

986

00:41:15,345 --> 00:41:17,005

probably also follow in that path.

987

00:41:17,085 --> 00:41:18,385

Marc Preston: Cause it sounds

like you're kind of been more.

988

00:41:18,510 --> 00:41:22,050

Surfing kind of taking it as is the wave

moves and you can't, you kind of have

989

00:41:22,050 --> 00:41:26,780

done a reMarcably wonderful job writing

it because I didn't realize how deep your

990

00:41:26,780 --> 00:41:28,570

resume was and the diversity of stuff.

991

00:41:28,570 --> 00:41:30,790

And you can't, you know, you

gotta be one hell of a talented

992

00:41:30,790 --> 00:41:32,220

guy to, to, to ride that wave.

993

00:41:32,230 --> 00:41:33,540

So good on you, my friend.

994

00:41:40,690 --> 00:41:43,360

Now, as we kind of wrap up here,

I throw my, Seven questions out,

995

00:41:43,400 --> 00:41:44,540

always a little bit extra fun.

996

00:41:44,930 --> 00:41:48,470

First one, one of my favorite, I'm a food

nerd and we discussed it, but I got to

997

00:41:48,470 --> 00:41:51,190

know what is your favorite comfort food?

998

00:41:51,540 --> 00:41:52,370

Being a Greek guy.

999

00:41:52,440 --> 00:41:54,170

Chris Diamantopoulos: Yeah,

it might surprise you.

00:41:54,170 --> 00:41:59,840

My favorite comfort food is a

two inch thick bone in ribeye.

00:42:00,105 --> 00:42:01,725

A grass fed bone in ribeye.

00:42:01,725 --> 00:42:03,645

Yeah, I would reverse sear it.

00:42:03,655 --> 00:42:10,835

I'd probably, I'd put it in, in a small

oven for at maybe 300 for eight minutes

00:42:10,905 --> 00:42:18,415

and then, uh, iron skillet, big pad of

raw butter, uh, and just sear a minute,

00:42:18,515 --> 00:42:23,210

minute, And then maybe 30 seconds, 30

seconds, rosemary on top or something.

00:42:23,450 --> 00:42:23,700

Yeah.

00:42:23,700 --> 00:42:25,160

Depending on how I'm going to do it.

00:42:25,160 --> 00:42:25,390

Right.

00:42:25,390 --> 00:42:28,590

It's not, I'm not sure if I would, but

the actual comfort food would be just

00:42:28,600 --> 00:42:32,790

that if I was going to have it with

some of my hand cut fries, then I might.

00:42:33,145 --> 00:42:36,825

Do rosemary might actually do a little

oregano to take it into the Greek place.

00:42:37,215 --> 00:42:40,105

If I was going to eat it later,

I would slice it up, squeeze some

00:42:40,105 --> 00:42:43,705

lemon, a drizzle of olive oil,

and that gives it a different sort

00:42:43,705 --> 00:42:46,655

of a vibe, but that's, yeah, that

would be my comfort food for sure.

00:42:46,825 --> 00:42:48,995

Marc Preston: I have to ask you,

you're Greek, you know, your food,

00:42:49,045 --> 00:42:52,635

you, you come from a place of a

family that knows up from down.

00:42:52,635 --> 00:42:54,985

I got to know what are

your feeling on Dolmas?

00:42:54,985 --> 00:42:58,775

Cause when I, when I grew up,

they were the big warm, you

00:42:58,775 --> 00:43:00,205

know, they're just delicious.

00:43:00,205 --> 00:43:04,260

But when I moved to new Orleans, uh,

whereas For about 20 years, they had

00:43:04,260 --> 00:43:06,850

the small little oily ones, you know,

the little tiny little oily ones.

00:43:07,120 --> 00:43:07,480

Yeah.

00:43:07,480 --> 00:43:09,610

I like, what is your preference?

00:43:09,610 --> 00:43:11,310

What is considered authentic?

00:43:11,885 --> 00:43:15,815

Chris Diamantopoulos: I mean, look,

do del change the size and whether

00:43:15,815 --> 00:43:20,765

they're served cold or served warm

room temp based on the region, right?

00:43:20,765 --> 00:43:24,965

So in the north where my mother's

family is from, they tend to be

00:43:24,965 --> 00:43:26,495

more in the way that you like them.

00:43:26,795 --> 00:43:30,515

Um, I was never the biggest Dolma fan.

00:43:30,755 --> 00:43:34,265

I think when I was a kid, the idea of the

stuffed grape leaf was just not my thing.

00:43:34,445 --> 00:43:35,675

, I like the stuffed peppers.

00:43:35,675 --> 00:43:39,695

They're called, um, yata, where where

you take a pepper, you hollow it out.

00:43:40,625 --> 00:43:45,405

And you put the rice and the really,

Oh yeah, you have to have that next

00:43:45,445 --> 00:43:48,945

time you go to a Greek restaurant,

you ask them for yemi stuff, stuffed

00:43:48,945 --> 00:43:49,345

Marc Preston: peppers.

00:43:49,345 --> 00:43:50,105

They're delicious.

00:43:50,175 --> 00:43:51,255

That in Indian food.

00:43:51,255 --> 00:43:54,625

I've never mastered the seasoning ratios.

00:43:54,625 --> 00:43:57,985

I, it's one of the few foods I really

have to look at a recipe to get it.

00:43:57,995 --> 00:44:00,635

You know, it's just, but it's the

grandmothers that make it a little

00:44:00,635 --> 00:44:03,165

this, a little of that, you know,

but I haven't quite mastered that.

00:44:03,215 --> 00:44:03,555

Chris Diamantopoulos: Yeah.

00:44:03,555 --> 00:44:03,895

I think.

00:44:03,895 --> 00:44:04,034

Yeah.

00:44:04,075 --> 00:44:07,435

I think for you to enjoy it best,

you go to a restaurant, Marc.

00:44:07,435 --> 00:44:08,305

I don't, I don't want you cooking.

00:44:10,085 --> 00:44:10,455

I do.

00:44:10,455 --> 00:44:13,835

Like I tell you, you're not giving

me the confidence of someone that's

00:44:13,835 --> 00:44:15,315

going to deliver an authentic,

00:44:16,035 --> 00:44:18,745

Marc Preston: I will say

all mastered lamb bar none.

00:44:19,095 --> 00:44:21,445

Um, now the next question I got

for you, uh, three people, let's

00:44:21,445 --> 00:44:24,015

say you're going to sit down with,

you have a few hours, talk story.

00:44:24,155 --> 00:44:25,055

Living or not.

00:44:25,055 --> 00:44:25,965

Who are those three people be?

00:44:25,965 --> 00:44:32,005

You would love to sit down with

Marcus Aurelius, Frank Sinatra.

00:44:32,535 --> 00:44:34,670

And, um, And Jesus Christ.

00:44:34,670 --> 00:44:35,030

Very cool.

00:44:35,130 --> 00:44:36,590

Jesus has come up a few times.

00:44:36,630 --> 00:44:37,590

Uh, never Sinatra.

00:44:37,620 --> 00:44:42,029

Uh, Marcus Aurelius actually I was

watching, um, Paul Giamatti and, uh, in

00:44:42,030 --> 00:44:45,110

the film he was in, he played a college

professor, came out last couple of years.

00:44:45,600 --> 00:44:45,750

Yeah.

00:44:45,750 --> 00:44:45,830

Yeah.

00:44:45,860 --> 00:44:50,580

And he talked about, uh, uh, the book

meditations and love all the quotes.

00:44:50,580 --> 00:44:52,800

I actually just ordered the

book sitting on my nightstand.

00:44:52,800 --> 00:44:53,560

I need to read that.

00:44:53,620 --> 00:44:55,360

Chris Diamantopoulos: And you know, it's

funny, it's sitting on your nightstand,

00:44:55,370 --> 00:44:57,260

but that's what it was intended to be.

00:44:57,260 --> 00:44:58,720

You know, it was never meant to be a book.

00:44:58,790 --> 00:45:00,880

That was Marcus Aurelius.

00:45:00,880 --> 00:45:00,899

Jesus.

00:45:00,970 --> 00:45:02,690

Night stand journal.

00:45:02,930 --> 00:45:04,820

He wrote his ideas and thoughts.

00:45:04,820 --> 00:45:07,440

It was literally a got to

get apples tomorrow morning.

00:45:07,670 --> 00:45:09,950

Remember not to be rude to the shopkeeper.

00:45:10,210 --> 00:45:13,250

You know, it was like

little things to himself.

00:45:13,250 --> 00:45:17,900

Now they get more involved as you go

through and you realize this is the,

00:45:17,950 --> 00:45:19,710

this is a brilliant mind at work.

00:45:19,720 --> 00:45:23,060

This is a mind that That really, you

know, had something to say, but he

00:45:23,060 --> 00:45:25,900

never did you have a quote that sticks

out in your mind that is sort of a,

00:45:25,900 --> 00:45:28,360

uh, resonates that you hold on to.

00:45:28,510 --> 00:45:32,870

Um, well, I mean, it's, it's, you

know, I'm, I'm diverging from it and,

00:45:32,870 --> 00:45:35,660

and, you know, Churchill certainly

used a version of it as well, but

00:45:35,670 --> 00:45:37,190

the obstacle is the way, right.

00:45:37,190 --> 00:45:37,590

You know what I mean?

00:45:37,590 --> 00:45:41,460

Whatever the obstruction is actually

ends up being, ends up being the way that

00:45:41,470 --> 00:45:45,210

that's, that's the very definition of,

of, uh, for me of being an actor, right.

00:45:45,210 --> 00:45:46,600

It's like, here's this thing.

00:45:46,610 --> 00:45:48,090

Oh no, this isn't going to happen.

00:45:48,090 --> 00:45:50,270

Or they, they need this

and you can't do that.

00:45:50,270 --> 00:45:50,619

Yeah.

00:45:50,690 --> 00:45:54,450

All right, well, it's, it's really,

it's, you know, it's the art of living a

00:45:54,450 --> 00:45:58,090

judo lifestyle where you take the thing

that's not working and you just sort of

00:45:58,440 --> 00:46:00,410

Marc Preston: make it not only

use the energy to your advantage.

00:46:00,410 --> 00:46:00,530

Yeah.

00:46:00,530 --> 00:46:02,700

My grandfather always, that

was his nickname for me.

00:46:02,700 --> 00:46:03,100

Marcus really.

00:46:03,700 --> 00:46:06,640

So I've always been kind of

aware of quotes over the years

00:46:06,640 --> 00:46:07,460

since I was a little kid,

00:46:07,500 --> 00:46:08,360

Chris Diamantopoulos: philosophically

00:46:08,360 --> 00:46:08,730

Marc Preston: inclined.

00:46:08,730 --> 00:46:09,680

That's what I try to be.

00:46:09,910 --> 00:46:13,750

But as a kid, next question, who

was your first celebrity crush?

00:46:14,205 --> 00:46:15,135

Chris Diamantopoulos: Alyssa Milano.

00:46:15,135 --> 00:46:16,565

I think that sounds about right.

00:46:16,695 --> 00:46:17,595

She was on who's the boss.

00:46:17,815 --> 00:46:18,855

She was Samantha.

00:46:18,885 --> 00:46:20,085

She was the cutest thing I'd ever seen.

00:46:20,085 --> 00:46:20,255

Yeah.

00:46:20,255 --> 00:46:22,285

She was maybe a year older than me.

00:46:23,125 --> 00:46:23,765

Maybe a little more.

00:46:23,765 --> 00:46:24,085

I don't know.

00:46:24,085 --> 00:46:27,965

I don't know exactly, but I remember,

uh, so she would be my first crush,

00:46:27,965 --> 00:46:31,099

but I think the first time I was

ever aware of like va va voom.

00:46:31,280 --> 00:46:32,210

Was Moonraker.

00:46:32,540 --> 00:46:33,170

Oh, yeah.

00:46:33,170 --> 00:46:33,280

Yeah.

00:46:33,280 --> 00:46:33,569

Yeah.

00:46:33,570 --> 00:46:34,490

I forget who.

00:46:34,650 --> 00:46:35,040

Marc Preston: Yeah.

00:46:35,340 --> 00:46:38,120

I remember a kid I went to elementary

school with, you know, there was one guy

00:46:38,120 --> 00:46:40,210

had like gold or metal teeth or something.

00:46:40,620 --> 00:46:43,930

And the kid said, I don't want to brush my

teeth because I want to get all fillings

00:46:43,940 --> 00:46:45,220

so I can make my mouth look like him.

00:46:45,340 --> 00:46:46,860

So you just eat sugary stuff all the time.

00:46:47,120 --> 00:46:50,240

That's one thing I remember about

Moonraker for whatever reason,

00:46:50,260 --> 00:46:53,375

uh, things it's People I forget

about until I'm in an interview.

00:46:53,375 --> 00:46:55,395

I'm like, Oh yeah, that kid,

what her house teeth are doing.

00:46:55,685 --> 00:46:57,355

But the next question I got for

you, if you're going to be on an

00:46:57,355 --> 00:46:59,585

exotic island, you got a year,

it's a, it's a beautiful place.

00:46:59,585 --> 00:47:01,205

You want to be there, but

it doesn't have streaming.

00:47:01,665 --> 00:47:05,285

Uh, but you're going to bring one

DVD, a movie you can watch over and

00:47:05,285 --> 00:47:07,555

over and a CD, or I can say a box set.

00:47:07,555 --> 00:47:11,505

If you'd like musically a theatrical,

you got just one thing each.

00:47:11,505 --> 00:47:13,185

You, you got to stick with the whole year.

00:47:13,185 --> 00:47:14,285

What would those things be?

00:47:15,080 --> 00:47:15,530

So the

00:47:15,530 --> 00:47:18,790

Chris Diamantopoulos: movie would be

Casino Royale a which version of the box

00:47:18,790 --> 00:47:23,980

set would be the Daniel Craig version

of the original Daniel Craig Not Marc.

00:47:23,980 --> 00:47:24,230

No one.

00:47:24,900 --> 00:47:30,650

Come on Marc Marc get it together

man for the love of God Yeah,

00:47:30,650 --> 00:47:32,360

no, but I heard somewhere you can

00:47:32,360 --> 00:47:37,425

do a good Sean Connery though the quest

for the grail It's not archaeology.

00:47:37,675 --> 00:47:38,955

It's a race against evil.

00:47:39,185 --> 00:47:41,965

The Nazis will cover the Grail

and the armies of darkness will

00:47:42,105 --> 00:47:43,565

march all over the Earth forever.

00:47:43,795 --> 00:47:44,765

This is an obsession.

00:47:44,905 --> 00:47:45,935

I never understood it.

00:47:46,085 --> 00:47:46,555

Never.

00:47:46,735 --> 00:47:47,455

Neither did Mom.

00:47:47,465 --> 00:47:48,265

Oh, yes, she did.

00:47:48,865 --> 00:47:49,795

Only too well.

00:47:50,425 --> 00:47:51,775

She kept her illness from me.

00:47:52,315 --> 00:47:53,735

And all I could do was mourn her.

00:47:54,315 --> 00:47:56,825

Okay, uh, I gotta do the golf clap.

00:47:57,065 --> 00:47:58,585

You gotta get the golf clap on that, man.

00:47:58,615 --> 00:47:58,845

Awesome.

00:47:59,975 --> 00:48:00,485

That's wonderful.

00:48:02,025 --> 00:48:03,590

Um, Uh, let's see.

00:48:03,610 --> 00:48:06,200

And then, uh, the record

would be a Sinatra come fly.

00:48:06,200 --> 00:48:06,880

Very nice.

00:48:06,880 --> 00:48:07,510

Marc Preston: Very nice.

00:48:07,880 --> 00:48:08,670

Um, yeah.

00:48:08,700 --> 00:48:12,960

Now, uh, from stem to stern, beginning to

end, from the time you wake up to the time

00:48:12,960 --> 00:48:16,590

you go to sleep at night, what are the

component parts for you of a perfect day?

00:48:17,250 --> 00:48:17,620

Okay.

00:48:17,620 --> 00:48:19,000

The component parts for

00:48:19,010 --> 00:48:20,150

Chris Diamantopoulos: me of a perfect day.

00:48:20,220 --> 00:48:22,770

Um, all right.

00:48:23,280 --> 00:48:27,870

I would say waking up without

someone needing me desperately

00:48:27,930 --> 00:48:30,170

to do something immediately.

00:48:30,630 --> 00:48:34,970

Uh, you know, no children in any sense of.

00:48:35,430 --> 00:48:37,450

distress needing something.

00:48:37,580 --> 00:48:39,710

So I wake up and, well, no one needs me.

00:48:40,230 --> 00:48:40,930

That's pretty cool.

00:48:41,430 --> 00:48:45,420

Um, I get to sit out on the deck and

get a little morning sun and maybe have

00:48:45,420 --> 00:48:47,710

a cup of coffee peacefully and quietly.

00:48:47,960 --> 00:48:49,410

Then I get to come downstairs.

00:48:49,750 --> 00:48:51,560

And make everyone

breakfast, including myself.

00:48:51,780 --> 00:48:52,300

That's fun.

00:48:52,300 --> 00:48:54,470

And the, and the chaos and

the craziness can ensue.

00:48:54,990 --> 00:49:04,300

Um, I'm able to take, uh, the dog and

my wife and I take the dog for a stroll.

00:49:04,330 --> 00:49:09,115

And we just sort of catch up on the,

uh, On what we might have missed

00:49:09,275 --> 00:49:11,585

over the course of the days that we

might be might have been working.

00:49:11,945 --> 00:49:14,775

We plan out what we're

going to make for dinner.

00:49:15,275 --> 00:49:19,375

I take a brief sojourn to

come to my studio and record

00:49:19,765 --> 00:49:21,205

a fun little bit of animation.

00:49:21,605 --> 00:49:24,915

I have to finish up quickly

because I have to run.

00:49:25,120 --> 00:49:30,270

To Culver studios to do a reshoot on

one scene for a movie that I'm super

00:49:30,270 --> 00:49:32,900

excited about that's coming out, but

it's only going to take a couple hours

00:49:33,100 --> 00:49:36,320

and it's perfect because on my way home

from Culver, I can stop at the Marcet

00:49:36,460 --> 00:49:41,630

and pick up the perfect ribeye, uh,

and some nice, uh, little tidbits for a

00:49:41,630 --> 00:49:43,730

little, uh, crudité and a little salad.

00:49:44,120 --> 00:49:45,730

Um, come home.

00:49:46,015 --> 00:49:47,555

Kids tell me school was great.

00:49:47,925 --> 00:49:49,295

The fire's roaring.

00:49:49,655 --> 00:49:51,745

We've just gotten the

little ones to sleep.

00:49:52,055 --> 00:49:53,235

I make a beautiful dinner.

00:49:53,235 --> 00:49:57,725

We sit, we eat, and then we all chill

out watching Survivor or Shark Tank.

00:49:58,155 --> 00:49:58,515

Marc Preston: There's a perfect.

00:49:58,515 --> 00:49:58,915

Very good.

00:49:58,915 --> 00:49:59,205

Very good.

00:49:59,205 --> 00:49:59,645

My friend.

00:49:59,645 --> 00:50:00,875

Last question I got for you.

00:50:00,875 --> 00:50:01,845

A 16 year old.

00:50:01,845 --> 00:50:04,675

You, you're going to go, you're going

to jump in the DeLorean and go see him.

00:50:04,845 --> 00:50:07,755

Piece of advice to either make

that moment a little bit better or

00:50:07,755 --> 00:50:09,175

put you on a different trajectory.

00:50:09,175 --> 00:50:12,965

What's the piece of advice

to 16 year old you stop

00:50:12,965 --> 00:50:14,275

Chris Diamantopoulos:

asking if they like you.

00:50:14,865 --> 00:50:16,335

It doesn't matter either way.

00:50:16,905 --> 00:50:20,145

And if you ask and get the honest

answer, you're really going to

00:50:20,145 --> 00:50:21,625

be disappointed with that answer.

00:50:21,805 --> 00:50:22,215

So just

00:50:22,225 --> 00:50:22,715

Marc Preston: carry on.

00:50:22,785 --> 00:50:23,295

Awesome.

00:50:23,295 --> 00:50:23,615

My friend.

00:50:23,615 --> 00:50:24,255

Thank you so much.

00:50:24,305 --> 00:50:26,145

Uh, you've been generous with your time.

00:50:26,155 --> 00:50:29,105

Um, go have a great weekend and, uh,

hopefully we'll catch up down the line.

00:50:29,275 --> 00:50:29,715

Appreciate it.

00:50:29,965 --> 00:50:31,685

Thanks for your time and your generosity.

00:50:33,605 --> 00:50:33,785

Okay.

00:50:33,785 --> 00:50:34,235

There you go.

00:50:34,265 --> 00:50:35,925

Chris Diamantopoulos.

00:50:35,975 --> 00:50:37,425

What a cool dude.

00:50:37,705 --> 00:50:40,795

Uh, stage TV film voiceover.

00:50:40,795 --> 00:50:42,145

He is doing it all.

00:50:42,325 --> 00:50:44,415

Like I mentioned, he

is kind of a chameleon.

00:50:44,625 --> 00:50:47,445

You know, he does things from

being the bad guy in the movie

00:50:47,445 --> 00:50:49,685

Red Notice to being Mickey Mouse.

00:50:49,745 --> 00:50:52,845

I really enjoyed sitting down

with him and I appreciate you

00:50:52,845 --> 00:50:54,275

stopping by to check it out.

00:50:54,475 --> 00:50:58,225

Again, the new show on Prime

Video is called The Sticky.

00:50:58,455 --> 00:51:01,135

It is funny, really cool,

something kind of different.

00:51:01,145 --> 00:51:03,895

I enjoyed a few episodes over

the weekend and this week I'm

00:51:03,895 --> 00:51:05,165

going to finish up the series.

00:51:05,175 --> 00:51:06,245

So, check it out.

00:51:06,265 --> 00:51:06,925

Good stuff.

00:51:07,115 --> 00:51:09,155

Hey, do me a favor as I always ask you.

00:51:09,295 --> 00:51:10,715

If you would, a little love.

00:51:10,775 --> 00:51:15,725

Pop on over to story

and craft pod.com/rate.

00:51:16,015 --> 00:51:19,195

That's story and craft pod.com/rate.

00:51:19,465 --> 00:51:22,795

Uh, just go ahead and leave a

review, drop some stars, if you will.

00:51:22,825 --> 00:51:25,495

It's a great way for people

to find story and craft.

00:51:25,495 --> 00:51:28,975

And of course, uh, when you're on the

website you can find out everything

00:51:28,975 --> 00:51:32,665

you could possibly want to know about

the show, past guests, past episodes.

00:51:33,390 --> 00:51:34,240

It's all right there.

00:51:34,240 --> 00:51:34,662

Storyandcraftpod.

00:51:34,662 --> 00:51:35,085

com.

00:51:35,085 --> 00:51:40,156

And of course, don't forget to

like and follow Story and Craft.

00:51:40,156 --> 00:51:44,160

That way you get notified every

time a new episode comes out.

00:51:44,440 --> 00:51:44,720

Okay.

00:51:44,740 --> 00:51:46,840

So I'm going to jump on out of here again.

00:51:46,870 --> 00:51:51,290

I so appreciate you making whatever I

got going on part of what you've got

00:51:51,300 --> 00:51:52,870

going on, no matter what you're doing.

00:51:53,085 --> 00:51:56,835

Exercising, walking the dog, or

maybe, you know, kind of what I enjoy

00:51:56,865 --> 00:52:00,855

doing, listening to podcasts in the

car whenever I'm, uh, driving about.

00:52:01,015 --> 00:52:02,405

So, thank you again.

00:52:02,505 --> 00:52:05,655

Going to be back in a few days,

another fun episode for you,

00:52:05,765 --> 00:52:07,535

right here on Story Craft.

00:52:07,535 --> 00:52:10,095

Announcer: That's it for

this episode of Story Craft.

00:52:10,405 --> 00:52:14,775

Join Marc next week for more

conversation, right here on Story Craft.

00:52:15,225 --> 00:52:19,095

Story Craft is a presentation of

Marc Preston Productions, LLC.

00:52:20,080 --> 00:52:22,430

Executive producer is Marc Preston.

00:52:22,840 --> 00:52:25,240

Associate producer is Zachary Holden.

00:52:25,600 --> 00:52:28,910

Please rate and review Story

Craft on Apple Podcasts.

00:52:29,180 --> 00:52:33,630

Don't forget to subscribe to the

show on Apple Podcasts, Spotify,

00:52:33,630 --> 00:52:35,290

or your favorite podcast app.

00:52:35,310 --> 00:52:38,250

You can subscribe to show

updates and stay in the know.

00:52:38,410 --> 00:52:40,680

Just head to storyandcraftpod.

00:52:40,710 --> 00:52:42,530

com and sign up for the newsletter.

00:52:43,100 --> 00:52:43,840

I'm Emma Dylan.

00:52:44,410 --> 00:52:45,210

See you next time.

00:52:45,380 --> 00:52:47,790

And remember, keep telling your story.